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C.C Teams Up With Hooligan. Artiste Holds The Faith for More Radio Support.

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One female soca artiste says she is praying that one day, God will shine a light on the music industry in Trinidad and Tobago, to afford her and other budding artistes, an opportunity to truly be heard. Not the average ‘new artist,’ Crystal Charles, best known as C.C is the frontline singer of the band, Brass 2 The World. She was recruited to join the ranks of the well-respected brass band, in 2025 and says it’s been the highlight of her career thus far. As the spotlight turns from Christmas into another intense Carnival season, the entertainer who’s been in the industry professionally since 2010, is hoping that a larger cross section of T&T will hear her music. 

A short season in play, C.C has unleashed ‘Time’ alongside fellow entertainer, Hooligan. It was produced by Okay Pronto out of New York City, and boasts a strong Afrobeat synergy with Soca. “Hooligan and I just built a vibe and wrote this song on the spot,” she said, adding that it was also her very first experience working with Pronto. “The song is an Afro/Soca/Dancehall blend, with a smooth, sweet vibe,” she explained, noting that the aim is to penetrate not just the short T&T carnival season, but also an international audience. Like many others in the world of Soca, C.C has been patiently waiting her turn and with a powerful vocal tone, she knows she is deserving of consideration. “I’ve been in the business for a long time but I took a break for about 6 years and returned to music. I know stepping away when I did, impacted my growth as an artiste but I am back at it and I know that consistency in important to success.” 

Describing her musical style as groovy, passionate, emotional, sweet and RnB infused, C.C does not shy away from her feminine energy. “I’d love to work with Nadia Batson, Patrice Roberts and Machel, someday,” she revealed, explaining that she’s been honing her writing skills, building confidence in this area and learning that believing in herself is necessary to success. “’Time’ is both intimate and infectious. I think it’s a feel-good song that’s perfect for late-night rendezvous and intimate relations,” said the singer, making it clear that this one, while unleashed ahead of Carnival, is risqué and perfectly suited for adults. 

C.C – the artiste who wears multiple hats as a businessowner and medical professional, is eager to push into the industry and says she sees herself exploring multiple music genres, and delivering several albums within the next five years. “I’ve learnt that consistency is key. I believe that as an artiste you just have to keep pushing and eventually, when your time comes, and God says yes, nobody can say no. I’m just keeping the faith,” she affirmed. 

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Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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