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Machel to Government and Corporate: “Let’s Teach What I Learnt at UTT at 50, At 9-Years-Old.”

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Even as he celebrates his 12th Road March title win, Machel Montano’s words uttered earlier in the season, has left a tremendous mark on those who were lucky enough to hear him speak. At the premiere of his documentary, ‘Like Ah Boss,’ on February 10th, Machel called on the government of Trinidad and Tobago, and corporate bodies operating in the country, to invest in the country’s youth, from an earlier age.

“Let’s not wait that long to know who we are,” urged Montano, in response to Ebuzztt’s question as to what he would say to his 9-year-old self. Machel said while he was able to go back to school to study Carnival Studies at the age of 50, his hope was that children who are in touch with who they are, even at the age of 9, would be given the opportunity to develop their skillsets and talents, from an earlier age. “Let them learn the history of where Chutney music come from and where Calypso come from and if we teach that you will see how deep this is and then, let’s teach that along with classical music training and vocal training and piano playing and reading music and writing music. Let’s make these youths not have to struggle how I had to struggle,” he pleaded.

Photo: Anil M

Referring to young Angelo Gore who appeared on stage with him at Monday Madness, one night prior, Machel said, “This little boy is singing in key. This little boy is amazing and you know nobody have nowhere to go and put him tomorrow to make him 10X. We not doing that in this country. Like we don’t care!” he expressed.

Machel said in Trinidad and Tobago there are people across society who are so incredibly talented, however with no proper programs to their benefit, the talent is wasted. “We have people making roti, who playing pan. We have people driving taxi and playing pan. How they remembering all ‘dem’ notes for eight minutes?” he questioned.

The artiste said while there is a lot of talent in the country that is not recognized and often bypassed, he is no longer going to be waiting for government or private corporations to recognize that. “I am going to use my money and other people money – my friends money, Junior Sammy and I will build it,” he said, to some laughter. He was not kidding though. The artiste and his Monk team have already begun working. “We have SoundBridge,” said Che Kothari- Montano’s manager. “We have a SoundBridge programme now where we did interviews and we built a whole system that will live online that will teach youths about Marketing, Producing, Songwriting, Performing – every single thing, all the secrets; and we will be there to hold their hand,” said Machel.

Kothari said SoudBridge will break down Machel’s journey in an educational way. “Elizabeth has an incredible book and then there’s the documentary and the next phase is this SoundBridge programme which is essentially Machel’s journey but in an educational way – workshops, tutorials, interviews with collaborators, management books. It’s going to break down Machel’s journey and his team, and the behind the scenes of how to make it happen,” said Che. He said the programme would be online but there would also be physical workshops as they tour everywhere they go.

WHAT WOULD MACHEL SAY TO HIS 9 YEAR OLD SELF.

Machel’s ‘Like Ah Boss’ documentary is showing in Trinidad and Tobago now.

“I know the education that was coming to me, was not serving me – not everybody have to be a doctor or a lawyer or a politician or some kinda office worker. In Trinidad we think big job is administration- yuh in de bank, yuh is ah executive. We look down on pan tuners, we look down on calypsonians and we think they are just jesters. We are not. This is creativity. Creation is the highest form of human existence,” said the entertainer.

Machel says youths today should educate themselves on the things that they like. “Whatever it is, hone a skill. I drop out of school. My mother start to cry. My father say, “ok.” I went and find somewhere to become a Sound Engineer. Learnt production, learnt recording, learnt troubleshooting, learnt engineering. That is why I always a step ahead of them. I know things. I went to school and I have some things under my bel,” said Montano.

Machel says he would have liked to have been better vocally trained at a higher level, in Trinidad and Tobago. “I would’ve liked to have been learning my thing, in a highly professional environment and I think that’s what is missing. I often bawl out and say we need a school for the Arts that looks like QR – big concrete, big windows, big stained glass windows and it have the best- Boogsie and Carl Jacobs and David Rudder working – all de men who know things, working alongside people from Julliard and Berkley – we mix it up nah, so we know making sure we getting people who understand the highest of heights.”

On Ash Wednesday, it was announced that Machel Montano had sealed the deal, once again, securing a Road March title in his country. It was his 12th title which has secured his place in history, having surpassed Aldwyn ‘Lord Kitchener’ Roberts for the most Road March titles in T&T.

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Caribbean Buzz

Dancehall Trailblazer, Patra Will Gets Her Flowers at This Year’s Caribbean Music Awards.

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There was a time when Jamaican dancehall was largely viewed as a male-dominated space. Then came Patra, a bold, distinctive voice who helped change the conversation about what a female dancehall artist could achieve.

The Jamaican entertainer rose to prominence in the late 1980s and exploded onto the international scene in the 1990s, bringing her commanding delivery and unmistakable style to audiences far beyond Jamaica.

Songs such as “Worker Man,” “Romantic Call” and “Pull Up to the Bumper” introduced Patra to a global audience and helped establish her as one of the most recognizable female faces of the dancehall movement during its international expansion.

Queen of the Pack, Patra.

Her success was significant not simply because of the records she sold or the charts she reached. Patra was part of a generation of Caribbean artists proving that music born in Jamaica could compete for attention on the world’s biggest stages.

She also helped create a path for the many female dancehall artists who followed, demonstrating that women could command the same attention, confidence and cultural influence in a genre traditionally dominated by men.

Now, decades after her breakthrough, Patra is receiving her flowers.

The Caribbean Music Awards will honor the dancehall veteran with a special recognition at this year’s ceremony in Trinidad, alongside fellow Caribbean music legends Shyne, Calypso Rose and Alan Cavé.

For Patra, the honor represents more than a career milestone. It is recognition of a woman who helped carry the sound and spirit of Jamaican dancehall to the world—and in doing so, became part of Caribbean music history.

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Caribbean Buzz

Trinidad and Tobago, First to Host Caribbean Music Awards Elite Weekend Experience, This September.

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After three celebrated years at Brooklyn’s historic Kings Theatre, the Caribbean Music Awards (CMA) expands beyond the awards stage with the launch of the inaugural Caribbean Music Awards Elite Weekend Experience, a destination celebration taking place September 18-20, 2026, in Trinidad & Tobago.

This year’s celebration unfolds under the theme, Sounds of the Caribbean, honoring the rhythms, voices, and cultural traditions that have shaped generations and continue to influence music around the world.

Machel Montano and Full Blown
Photo Credit: Nikita Small

The Fourth Annual Caribbean Music Awards will take place on Saturday, September 19, 2026, at the National Academy for the Performing Arts (NAPA) in Port of Spain, marking a milestone moment as the celebration expands into the Caribbean region for the first time.

The Caribbean Music Awards Elite Weekend Experience will transform CMA from a single-night awards ceremony into a multi-day celebration bringing together artists, fans, industry professionals, creators, tastemakers, media, and cultural leaders from across the Caribbean and around the world.

What’s In Store

The Elite Weekend Experience will feature a series of events celebrating music, culture, and community throughout the destination. Festivities will include an exclusive Welcome Reception, pre-show experiences, the Fourth Annual Caribbean Music Awards, the official after-party, a special steelpan concert presented by Stars and Steel, and additional programming designed to celebrate Trinidad & Tobago’s cultural influence. Additional programming, partnerships, performers, presenters, and special announcements will be unveiled in the coming weeks.

The move to Trinidad & Tobago marks the beginning of an exciting new chapter for the Caribbean Music Awards, while honoring the city where it all began. New York was the ideal birthplace for the Awards, home to one of the world’s largest and most influential Caribbean diaspora communities. It was there that the Caribbean Music Awards established its identity, built its audience, and proved there was a global appetite for a world-class celebration dedicated solely to Caribbean music and culture.

Lady Lava
Photo Credit: Nikita Small

Over the past three years, Brooklyn’s iconic Kings Theatre became more than just the home of the Caribbean Music Awards. It became the launchpad for a movement that united artists, industry leaders, fans, and cultures from across the Caribbean and beyond, under one roof. The energy, ambition, entrepreneurial spirit, and relentless hustle that define New York City helped shape the DNA of the Caribbean Music Awards, and that spirit will remain embedded in the brand no matter where it travels.

Now, with a strong foundation established, the Caribbean Music Awards begins the next phase of its evolution by bringing the celebration directly to the Caribbean. As the inaugural host destination for the Caribbean Music Awards Elite Weekend Experience, Trinidad & Tobago sets the stage for a long-term vision that will see the Awards partner with tourism boards and host destinations to spotlight a different Caribbean nation in future years. By rotating throughout the region, the Caribbean Music Awards aims to celebrate each destination’s unique culture, support tourism, create economic impact, and further strengthen the Caribbean’s creative economy while continuing to unite the global diaspora through music.

Majah Hype Returns, This Time With Nailah.

Bringing even more excitement to this year’s celebration, internationally celebrated Caribbean artiste, Nailah Blackman and acclaimed comedian, entertainer, and cultural personality Majah Hype will host the Fourth Annual Caribbean Music Awards, bringing their unique energy, charisma, and deep connection to Caribbean culture to the stage.

Majah Hype
Photo Credit: Nikita Small

For Majah Hype, the 2026 ceremony marks his fourth consecutive year hosting the Caribbean Music Awards, making him one of the longest-standing personalities connected to the celebration. Having witnessed the Awards grow from its early years at Brooklyn’s Kings Theatre into a global platform for Caribbean excellence, Majah continues to bring the humor, passion, and cultural pride that have made him one of the Caribbean diaspora’s most beloved entertainers.

“Four years hosting the Caribbean Music Awards? Mi feel like dem haffi give me my own seat at this point!” said Majah Hype. “But seriously, being part of this journey from day one has been a blessing. I’ve watched this celebration grow, seen the incredible talent come through, and witnessed how much this moment means to our people. To see it expand from Brooklyn’s Kings Theatre to Trinidad & Tobago is something special. Caribbean culture is powerful, the talent is endless, and mi ready fi celebrate everybody who continues to carry our music and our culture to the world.”

For Nailah Blackman, this year’s ceremony represents a new chapter in her relationship with the Caribbean Music Awards. Having experienced the event as an attendee, performer, nominee, and winner, Nailah now steps into the role of host while continuing to be recognized as one of the leading voices in Caribbean music.

Nailah Blackman
Photo Credit: Nikita Small

“The Caribbean Music Awards has been a special part of my journey,” said Nailah Blackman. “I’ve experienced this celebration as a fan, as a performer, as a nominee, and as a winner, and now being able to step into the role of host is truly an honor. To do it in Trinidad, surrounded by our people and our culture, makes this moment even more meaningful. I’m excited to celebrate the incredible artists who continue to push Caribbean music forward.”

Since launching in 2023, the Caribbean Music Awards has grown into one of the premier platforms celebrating Caribbean musical excellence, honoring artists across Dancehall, Reggae, Soca, Konpa, Chutney Soca, Zess, Dennery, Gospel, and emerging Caribbean genres. Last year’s ceremony marked a historic milestone with its BET broadcast debut, further expanding the Awards’ reach and strengthening its position as a leading global celebration of Caribbean music.

Following the announcement of more than 250 nominees across more than 40 categories earlier this year, anticipation continues to build toward what promises to be one of the biggest Caribbean Music Awards celebrations yet. This September, the Caribbean Music Awards Elite Weekend Experience will bring together the sounds, stories, and cultures that have defined generations of Caribbean creativity, inviting audiences from around the world to experience this year’s theme, Sounds of the Caribbean, from the heart of one of the region’s most influential cultural destinations.

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