Even as he celebrates his 12th Road March title win, Machel Montano’s words uttered earlier in the season, has left a tremendous mark on those who were lucky enough to hear him speak. At the premiere of his documentary, ‘Like Ah Boss,’ on February 10th, Machel called on the government of Trinidad and Tobago, and corporate bodies operating in the country, to invest in the country’s youth, from an earlier age.
“Let’s not wait that long to know who we are,” urged Montano, in response to Ebuzztt’s question as to what he would say to his 9-year-old self. Machel said while he was able to go back to school to study Carnival Studies at the age of 50, his hope was that children who are in touch with who they are, even at the age of 9, would be given the opportunity to develop their skillsets and talents, from an earlier age. “Let them learn the history of where Chutney music come from and where Calypso come from and if we teach that you will see how deep this is and then, let’s teach that along with classical music training and vocal training and piano playing and reading music and writing music. Let’s make these youths not have to struggle how I had to struggle,” he pleaded.
Referring to young Angelo Gore who appeared on stage with him at Monday Madness, one night prior, Machel said, “This little boy is singing in key. This little boy is amazing and you know nobody have nowhere to go and put him tomorrow to make him 10X. We not doing that in this country. Like we don’t care!” he expressed.
Machel said in Trinidad and Tobago there are people across society who are so incredibly talented, however with no proper programs to their benefit, the talent is wasted. “We have people making roti, who playing pan. We have people driving taxi and playing pan. How they remembering all ‘dem’ notes for eight minutes?” he questioned.
The artiste said while there is a lot of talent in the country that is not recognized and often bypassed, he is no longer going to be waiting for government or private corporations to recognize that. “I am going to use my money and other people money – my friends money, Junior Sammy and I will build it,” he said, to some laughter. He was not kidding though. The artiste and his Monk team have already begun working. “We have SoundBridge,” said Che Kothari- Montano’s manager. “We have a SoundBridge programme now where we did interviews and we built a whole system that will live online that will teach youths about Marketing, Producing, Songwriting, Performing – every single thing, all the secrets; and we will be there to hold their hand,” said Machel.
Kothari said SoudBridge will break down Machel’s journey in an educational way. “Elizabeth has an incredible book and then there’s the documentary and the next phase is this SoundBridge programme which is essentially Machel’s journey but in an educational way – workshops, tutorials, interviews with collaborators, management books. It’s going to break down Machel’s journey and his team, and the behind the scenes of how to make it happen,” said Che. He said the programme would be online but there would also be physical workshops as they tour everywhere they go.
WHAT WOULD MACHEL SAY TO HIS 9 YEAR OLD SELF.
Machel’s ‘Like Ah Boss’ documentary is showing in Trinidad and Tobago now.
“I know the education that was coming to me, was not serving me – not everybody have to be a doctor or a lawyer or a politician or some kinda office worker. In Trinidad we think big job is administration- yuh in de bank, yuh is ah executive. We look down on pan tuners, we look down on calypsonians and we think they are just jesters. We are not. This is creativity. Creation is the highest form of human existence,” said the entertainer.
Machel says youths today should educate themselves on the things that they like. “Whatever it is, hone a skill. I drop out of school. My mother start to cry. My father say, “ok.” I went and find somewhere to become a Sound Engineer. Learnt production, learnt recording, learnt troubleshooting, learnt engineering. That is why I always a step ahead of them. I know things. I went to school and I have some things under my bel,” said Montano.
Machel says he would have liked to have been better vocally trained at a higher level, in Trinidad and Tobago. “I would’ve liked to have been learning my thing, in a highly professional environment and I think that’s what is missing. I often bawl out and say we need a school for the Arts that looks like QR – big concrete, big windows, big stained glass windows and it have the best- Boogsie and Carl Jacobs and David Rudder working – all de men who know things, working alongside people from Julliard and Berkley – we mix it up nah, so we know making sure we getting people who understand the highest of heights.”
On Ash Wednesday, it was announced that Machel Montano had sealed the deal, once again, securing a Road March title in his country. It was his 12th title which has secured his place in history, having surpassed Aldwyn ‘Lord Kitchener’ Roberts for the most Road March titles in T&T.
There’s a major shift happening in entertainment in T&T. The energy is rising. On the heels of Tobago Carnival – a spectacle that has left mas lovers craving more, there’s a band launch on the horizon that promises entertainment lovers a true taste of what Trinidad’s South West peninsula has to offer. URAVE is a brand that’s building community and dedicatedly setting things in motion for the best Borough Festival Point Fortin has ever experienced, in 2027.
Speaking exclusively with Ebuzztt.com, Directors, Kariym Balthazar and Roland Hamilton shared details on ‘Life Beyond The Creek’ – the concept for URAVE’S 2027 Borough Festival presentation. The event takes place at the Clifton Hill Beach Resort on Saturday, November 7th from 9pm.
URAVE’s Kariym Balthazar
Two of seven directors who make up a broad team of professionals, their planning for this upcoming event, has been extensive. “We officially kicked off the project in May this year. We’ve put in a lot of work and with a strong team, we are guaranteeing an enhanced Borough Festival,” said Hamilton. He has been a part of the entertainment and promotional landscape in Trinidad and Tobago for the past 15 years. Hamilton said the URAVE brand was conceptualized back in 2015, but opportunity to present it to the people of Point Fortin and those coming into the Borough the way it was conceptualized, has only truly shown itself at this time. “This is not just a band. We’ll also be doing events in the space as well. URAVE will host something like a ‘First Jam’ in the Borough celebrations in 2027 and even our road experience will start off with a brunch event for two hours, with food stations before we hit the streets to play mas. When our masqueraders get off the road, they will enjoy a las’ lap experience too,” he said.
Four mas sections ready for presentation on Saturday, Balthazar told Ebuzztt that this is just the beginning. “We plan on taking URAVE into different spaces – not just Point Fortin Borough Festival, so in the future, URAVE may even be in Carnival in Port -of-Spain,” he said. The four sections are, “Pitch Lake,” “Garden Jewels,” “Fields Road,” and “Columbus Bay,” – all honoring integral aspects of the Southern experience. “I am from La Brea. La Brea and Point Fortin are like brother and sister,” said Hamilton, explaining that the idea is to truly highlight the South Western part of the island by giving those who are unfamiliar an experience of what they have to offer. “Deep South often feels neglected. We don’t have the opportunities or the experiences that others often have. We always have to go into Port-of-Spain to experience mas, so because I would’ve experienced mas so many times, URAVE aims at delivering a higher standard when it comes to experience, so that people who do not frequent Port of Spain, can enjoy what its like in the Borough Festival.”
URAVE stands for Unimaginably, Rhythmic, Audio, Visual, Experience. “These words are at the heart of the brand. The focus is on how people feel, how they are welcomed, and what they leave with. This is not something that is predominant in the Point Fortin Borough space so it is important to us, to establish this standard,” said Hamilton. He says the theme, “Life Beyond the Creek celebrates the beauty, creativity and talent within the South Western peninsula.
Roland Hamilton says URAVE was conceptualized in 2015.
The band launch is being touted as one that will showcase exactly what masqueraders can expect on the rod come 2027. Though starting off with more of a Monday Wear mas deliverable, the band will be going hard to ensure the feeling of revelry and fun are high priority. “Years ago, bands like Legacy and Ronnie and Caro, and other big bands would come down from Port-of- Spain, but Borough Day has never had a Point Fortin based mas band involved.
Years ago, Legacy, Ronnie and Caro and other big bands would come down from Port of Spain and they never really had a Point Fortin based mas band involved. Our team has been having discussions with the Point Fortin Borough executives and we’ve been discussing all areas to ensure what we bring enhances the celebration,” said Hamilton, noting that the overall aim is to bring life to the celebration. “We hope even big mas bands will come back into the space after our presentation in 2027,” he said.
The Economics and the People.
All bases covered, inclusive of safety and convenience, Hamilton noted the state of the present economy. Understanding of the economic climate, he said URAVE’S website will go live after the band’s launch on Saturday and those interested in playing will be able to register with the option of securing a payment plan.”
On Saturday night in Point Fortin, fetters can expect a whole lot of energy and Carnival vibes. Artistes inclusive of Farmer Nappy, Trinibaby, Christo and Viking Ding Dong, will be apart of the excitement. “We are creating a safe space for people to come out and have fun. We want to always have a great time. The feeling is very important to us and we will show potential masqueraders just what it will mean to be on the road with URAVE, when we launch the band this weekend,” Hamilton assured.
Follow URAVE online on Instagram for more on what’s to come and be part of the greatest Borough Festival experience in 2027.
The ground has been calling for it – the return of the International Soca Monarch competition in Trinidad and Tobago. Now there’s news that the the competition will return in Carnival 2027 under the theme, Trinidad and Tobago vs The World.
Wadicks, a true performer says he will enter if his music engages the people.
One artiste, true to the authenticity of the culture, says it’s great news. Ebuzztt caught up with Wadicks earlier on Friday, just after the news broke. “This is something very good for artistes to test themselves – to see how best they are in representing the country when it comes to Soca music. It’s good for people to gauge themselves against their cohorts and it’s been a while since artistes have been able to really do that,” he said.
The competition’s official date is yet to be revealed, however if tradition is marinated, it will be held on Friday, February 5th. Scorch Limited and Scorch Events will produce the show. “For 2027, the competition returns with a bold, international dimension, placing Trinidad and Tobago’s Soca talent against artistes from around the world in a celebration of the genre’s growing global reach,” said a media statement issued. Details surrounding venue and participation requirements will be forthcoming.
For Wadicks and many other Soca artistes who occupy the space, the music delivered ahead of the competition is of dire importance. “I will jump in once the people gravitate to the music. The people must not be wondering what song this artiste is singing when they hit the stage in the competition. You don’t want to enter with a song the people don’t know,” he emphasized.
The year was 2011 and in Trinidad and Tobago, William Munroe had been at the helm of the ISM for 19 years.
In the early years of the international Soca Monarch competition, under the stewardship of Mr. William Munroe, the International Soca Monarch was a monument in Carnival. Radio stations were heavily engaged and money spent on major advertising campaigns that saw emerging and seasoned artistes interviewed and their music placed on intentional rotation as a result of paid advertising. Whether this approach will be taken, as the effort to re-establish the solidity of Trinidad and Tobago in this area gets underway, is left to be seen. “No matter what, it starts with the people. Once the people accept the event and come out to enjoy it… but the marketing of the event is very important too. It’s a huge undertaking and if Scorch can get the people who come to their events and all the other people who love the culture, that would be fantastic to get T&T back to where it once was when it comes to the ISM,” said Wadicks. He has one song already bubbling ahead of Carnival 2027 and plans to release a second next week. “I have ‘Thickerz’ out already and I’m releasing a rum tune next week,” said the artiste cheerfully. He’s never in a bad mood.
Grenadian artiste, Snakey is the reigning Power Soca Monarch.
With Grenada’s Soca Monarch now leading as the poster child of what Soca Monarch should look and feel like, Wadicks says he thinks the Spice Isle does a great job of showing the world just what true enjoyment of the music looks like. “They have no fashion statement – Grenada has no respect for clothes as compared to Trinidad where it’s more about fashion than enjoyment. In Grenada you could come out in any colour and after the party, patrons leaving dirty and sweaty, having had a time,” he said with a laugh.
Prize monies a major factor when it comes to competitions in Trinidad and Tobago, Wadicks says he doesn’t believe this should be the defining factor in any artiste’s decision to enter the competition. “The Soca Monarch brings out the best in an artiste when it comes to interacting with the people and getting the people to accept the challenge of a command. Artistes have to be able to move the crowd ; Besides being strong vocally, their ability to command the crowd must be on point,” he highlighted, adding, “We as the representatives of the culture should be pushing to bring back the Soca Monarch to where it was, but of course, not everybody will think like me.”
Artistes like Iwer George, Fay Ann Lyons, Bunji Garlin, Machel Montano, Shurwayne Winchester and others who could command crowds, were once the standard in T&T’s Soca Monarch history. It is hoped that everyone will return for the culture.
On the tempo of the Soca that’s required for big flag crews and real mayhem to return to big venues in T&T, Wadicks agrees that the sweetness that’s currently trending must subside. “Once the tempo starts to escalate things will get better. ‘De t’ing too sweet, especially for a short season,” he said frankly.
The Scorch team at the helm of the 2027 production says this production will have “no backroom and no bacchanal,” with an expert panel of music industry experts, cultural commentators and soca veterans scoring creativity, lyrics, stage presence, overall impact and a specially introduced aspect – the Sparrow Tribute. “The Mighty Sparrow belonged to both sides of this battle, so every finalist – home side and away side must pay tribute to the Calypso King of the World somewhere in their Fantastic Friday presentation,” explains an accompanying ISM27 deck issued to the media.
The word is out and the people have gotten exactly what they’ve been asking for. What’s left to see now is just who supports with cultural passion and pride at the forefront, and who chooses not to.
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