One female soca artiste says she is praying that one day, God will shine a light on the music industry in Trinidad and Tobago, to afford her and other budding artistes, an opportunity to truly be heard. Not the average ‘new artist,’ Crystal Charles, best known as C.C is the frontline singer of the band, Brass 2 The World. She was recruited to join the ranks of the well-respected brass band, in 2025 and says it’s been the highlight of her career thus far. As the spotlight turns from Christmas into another intense Carnival season, the entertainer who’s been in the industry professionally since 2010, is hoping that a larger cross section of T&T will hear her music.
A short season in play, C.C has unleashed ‘Time’ alongside fellow entertainer, Hooligan. It was produced by Okay Pronto out of New York City, and boasts a strong Afrobeat synergy with Soca. “Hooligan and I just built a vibe and wrote this song on the spot,” she said, adding that it was also her very first experience working with Pronto. “The song is an Afro/Soca/Dancehall blend, with a smooth, sweet vibe,” she explained, noting that the aim is to penetrate not just the short T&T carnival season, but also an international audience. Like many others in the world of Soca, C.C has been patiently waiting her turn and with a powerful vocal tone, she knows she is deserving of consideration. “I’ve been in the business for a long time but I took a break for about 6 years and returned to music. I know stepping away when I did, impacted my growth as an artiste but I am back at it and I know that consistency in important to success.”
Describing her musical style as groovy, passionate, emotional, sweet and RnB infused, C.C does not shy away from her feminine energy. “I’d love to work with Nadia Batson, Patrice Roberts and Machel, someday,” she revealed, explaining that she’s been honing her writing skills, building confidence in this area and learning that believing in herself is necessary to success. “’Time’ is both intimate and infectious. I think it’s a feel-good song that’s perfect for late-night rendezvous and intimate relations,” said the singer, making it clear that this one, while unleashed ahead of Carnival, is risqué and perfectly suited for adults.
C.C – the artiste who wears multiple hats as a businessowner and medical professional, is eager to push into the industry and says she sees herself exploring multiple music genres, and delivering several albums within the next five years. “I’ve learnt that consistency is key. I believe that as an artiste you just have to keep pushing and eventually, when your time comes, and God says yes, nobody can say no. I’m just keeping the faith,” she affirmed.
Follow C.C’s journey as she welcomes the thrill of Carnival 2026 alongside Hooligan and as lead singer of Brass 2 The World. “I’m as ready as I’ll ever be for the excitement and the opportunities. I want everyone to follow me on my ride @c.c_theoneandonly on Instagram,” she said.
As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.
This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation.
Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today.
The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.
For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally.
“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms.
The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET:The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.
Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.
Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.
Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.
Denise Belfon was one of the featured artistes at So Sweet.
One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.
For Berry, being on stage beside Tigress was a full circle experience. The music of the United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.
For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.
SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.
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