In one month, the island of Tobago will be in carnival mode. It’s third annual Carnival staging is an anticipated calendar event to carnival chasers, worldwide. Promotional powerhouse, Kairi People, hosts of mainstay events like Runaway, Different, AWP, N’ouvert, JBI and Breakfast Is, are in full support of the Tobago carnival product, and once again, the team is heading back to the island, ready to deliver something that’s top tier – something Tobago deserves.
Set to host its third edition of ‘Runaway’ Tobago, on October 16th, event organizer, Richard Gordon says this is one of the premiere events that can ultimately be used as a marker for the people who live overseas. “They can come in to Tobago from that day or the day before. This is the event that will energize the atmosphere leading into the Carnival.”
PHOTO: Ken Sambury
As usual, Runaway’s theme remains consistent, the event being hosted midweek on what is a normal working day. “It’s not a holiday. Patrons always make it their business to be at Runaway from midday, leaving work early or doing whatever is necessary to be there,” said Gordon.
The effort to deliver Kairi People’s ‘Runaway’ in Tobago is very intentional. “I have hired Tobago’s DJs, our MC is from Tobago and we included two upcoming artistes from Tobago last year. The aim is to showcase the talent that lies in Tobago, as well,” said Gordon.
The Kairi People brand has over the years, stood hard and fast to the mantra, ‘value for money.’ Their outfit spares no cost in delivering the perfect array of Caribbean cuisine and tantalizing cocktails. Runaway Tobago will offer the ambience of Pigeon Point’s scenic oceanfront view, added to which, Gordon says those coming to the event can feel free to enjoy a splash if they so desire. “The dress code for the event is usually elegantly casual. It’s really not beachwear, but of course, if you so desire, you can enjoy the beach, grab your drink and go back into the water,” said Gordon.
This event in particular, has offered patrons coming over from Trinidad, the option of return airfare included in their ticket packages. “The response has been very good. The last flight is already totally booked to return to Trinidad. People are opting to fly over and spend the night in Tobago after the event. Some are making it a long weekend too,” he shared. Patrons coming over from Trinidad will also have storage unit access, should they choose to walk with additional clothing.
Farmer Nappy will be back in 2024. PHOTO: Ken Sambury
Runaway has always been an anticipated event in T&T. From its humble beginnings as an event built and shared among friends, to years later, an annual staple- first in Trinidad and now, a sure part of the Tobago Carnival landscape, Richard Gordon is pleased. “This event isn’t officially aligned with the Tobago Tourism Agency, but I’m doing my part to add to the Tobago tourism product,” he assured.
PHOTO: Ken Sambury
Colourful and vibrant clothing and décor the order, Runaway will see performances by De All Starz Band, which includes, Viking Ding Dong and College Boy Jesse. Added to the lineup is, Waddicks who has been enjoying a very busy post carnival 2024 year, and the incomparable, Farmer Nappy. “We continue to engage entertainers ahead of the event, and we guarantee that for an affordable $600 all inclusive, patrons will have the time of their lives on sister isle, Tobago,” said the organizer.
As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.
This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation.
Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today.
The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.
For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally.
“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms.
The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET:The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.
Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.
Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.
Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.
Denise Belfon was one of the featured artistes at So Sweet.
One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.
For Berry, being on stage beside Tigress was a full circle experience. The music of the United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.
For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.
SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.
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