The legends of Trinidad and Tobago’s Carnival are remembered annually by Burt Marcellin and his dedicated team at mas enterprise, Blow Mano Blow Mas. With just a few months before the revelry of another carnival season unfolds, Marcellin has revealed that this year’s presentation, ‘Mama Dis Is Mas,’ is a special one. He highlights the welcomed involvement of veteran mas maker, Chris Humphrey.
On Saturday, September 28th, the Carnival Monday mas band launches its 2025 presentation, which pays tribute to Aldwyn Roberts – the Calypsonian known world over as, Lord Kitchener. Gone, but certainly not forgotten, Kitchie’s music remains a tremendous source of inspiration for much of today’s Calypso and Soca artistes. “I believe we must keep the legacy of these artistes alive,” said Marcellin, recalling that out of the seven Brass-O-Rama titles won by his father, Mano Marcellin, six of these were accomplished by playing songs sung by Lord Kitchener. The elder Marcellin was the man responsible for incorporating live music on music trucks in T&T’s carnival. “This is our way of carrying on tradition, ensuring that carnival and the elements that make T&T’s festival a unique one, are not forgotten,” said Burt.
Blow Mano Blow played ‘McCarthy Party’ in 2024.
Ahead of 2025, the band launch at Quties- One Woodbrook place, will see an unveiling of four sections. On welcoming Humphrey to the Blow Mano Mas operation, Marcellin said, “It’s an honor to have Chris Humphrey involved with us this year. He is a legendary mas maker – a stalwart in the industry.” Doors opening at 8pm, those attending are in for a treat, with live brass music being delivered by Brass 2 The World, accompanied by Sanelle Dempster, Snakey, Sekon Sta and KC.
“We’ve been involved in a revolution since 2017 when it comes to this type of mas and experience. What we offer is truly an experience on the road. Our musicians are not stationed on the trucks. They are in the crowd, playing their instruments and engaging with our masqueraders,” Marcellin shared, adding that last year’s Monday presentation won the band the title of Most Original Band of the Day- Carnival Monday at the Savannah. “What I can say is that we’ll be stepping it up in 2025 with something very, very different,” he teased, assuring that masqueraders choosing Blow Mano Blow receive tremendous value in a band that is cost effective and safe. “It’s all about giving people another option when it comes to experiencing T&T’s carnival – those people who don’t want to pay exorbitant costume prices, those people who do not want to play in oversized mas bands and those music lovers who really want to experience live music on the road,” said Marcellin.
Security, Fun, Live Music – All Top Tier
Security of his masqueraders, a focal element of Marcellin’s planning, he has teamed up with the professionals at All Pro Security, to ensure everyone in Blow Mano Blow Mas, enjoys a safe Carnival Monday 2025. “We’re discussing adding cameras to our trucks, for that added bit of comfort next year,” he shared. A maximum capacity crowd of 600 its goal annually, Blow Mano Blow Mas is trailblazing in a culture that is usually punctuated by the concept of evolution. “The history of our culture is rich and diverse. We offer a bit of both worlds- sharing the energy of our legends in music, while still welcoming contemporary systems on Carnival Monday. Our masqueraders enjoy a drinks and food inclusive experience. We also offer portable washrooms and our cool-down buses for convenience and overall enjoyment,” he highlighted.
The Monday T -shirt mas band bridges the generational gap.
In this its 5th presentation, ‘Mama Dis Is Mas’, the Blow Mano Blow Mas family is excited to once again bring its vision to life on the road. “Last year, masqueraders were very happy with the inclusion of The Point Fortin Iron Giants’ on the road. They played from the hospital to the Savannah and the masqueraders enjoyed that element,” he recalled.
For Marcellin, this is more than just playing mas. It’s preserving the legacy of Mano Marcellin- his father, and certainly, the musicians and artistes who played a pivotal role in T&T’s Carnival product.
With less than a month to go before Kanvas Koncert: Unplugged returns to Sound Forge, Trinidad and Tobago rising sensation, Coutain is giving audiences their first taste of what’s to come with the release of his latest single, Suga Dumplin.
Created alongside producer and longtime collaborator Michael “Tano” Montano, the track explores vulnerability, love and surrender, while offering a glimpse into the evolving sound behind Coutain’s most intimate live experience to date.
Denzil Coutain, professionally known as Coutain.
Coming out of the 2026 Carnival season, Coutain found himself wrestling with writer’s block. After stepping away to reset and recharge, he eventually reconnected with Montano. It was during those early sessions that the foundations of Suga Dumplin began to take shape — a record that explores vulnerability, love and what it takes to make a “badman” fall in love.
Over the years, the two artists have developed a collaborative process rooted in trust, honesty and respect. “We have a natural chemistry,” said Coutain. “When we are creating, we know when a song just isn’t there yet. We leave ego at the door, accept constructive criticism and keep refining until it feels right. We know that if we don’t like it, the people won’t like it either.”
Taking Calypso Forward
Producer Michael “Tano” Montano sees Suga Dumplin as part of a broader effort to carry the spirit of Calypso into a new era, drawing on the music they grew up listening to while making it resonate with younger audiences. “I feel like I’ve been hearing those songs my whole life,” said Montano. “We know what those songs can do and what they’ve done. The task now is making them relatable to younger people in a tasteful way.”
Coutain agrees. “The sound that is being produced now is only an evolution of what has already been heard,” he explained. “This sound is modern yet holds the soul of the old. This sound is new. This sound is what will make people not only fall in love, but dance again.”
That same artistic philosophy will shape Kanvas Koncert: Unplugged, which returns to Sound Forge on Sunday June 28 from 4:00 p.m. Now in its fourth staging following three consecutive sold-out editions, Kanvas has built a reputation for bringing people closer to the music through live performance, storytelling and connection. This year’s show will also feature a lineup of local and regional artists, with additional acts set to be revealed in the lead-up to the event.
Stripped -Back.
Speaking on the inspiration behind the Unplugged theme, Coutain said he has become increasingly drawn to stripped-back performances and reconnecting with the music in a deeper way.“I feel like we don’t always take the time to appreciate the finer details that really make up life. Sometimes less is more and sometimes subtlety speaks volumes,” he said. “This show is about growth, not just within me and my team, but hopefully within the Kommunity as well. After leaving Sound Forge, you should feel like you’ve just attended a family function, connected through music, energy and love.”
Tickets for Kanvas are available via Island E-Tickets.com and at select outlets nationwide, including King Strip Restaurant and New Image Barber Shop (East); 5AM Coffee Shop and The Lost Tribe (West); DFlare Fashions and Lazy Lizard Lounge (Central); Lash’d by Lys and Immersive Tech (South); and Oogy Wawa (Tobago).
The time has come for good vibes to counteract all negative energy and together with his manager/producer, US based, Trinidadian artiste, Mr. Lee it doing what he feels he can, to inject that positivity.“I know the streets. I can tell you about the streets. Badness and the roughness is what they know. If they got the chance to get to know something else, they would do something else,” said the entertainer.
His music is refreshing. Afrobeats, coupled with Soul and RnB bring to life, a song on The Only 1 Riddim, that he calls, “Take Care.” For Mr. Lee, an artiste with many years of experience on the entertainment circuit overseas, and in the Caribbean, he is mindful of what he sings. “This type of music is necessary at all times to spread love and joy. I wish there could have been more beautiful messages all the time because it’s really important to spread love,” he said with hope.
Joining artistes like Preedy and Christo on the riddim, Mr. Lee is proud of the project. “This project means a whole lot to me. I have two girls and my wife and I have to express my love to them every single day of my life. I have my mom, my sisters, and I have to show them all the love I have within me. All the artistes on this riddim have done the same – we all expressed what we want to express to our loved ones. Most are real stories that can be relatable to others in society,” he explained.
On the topic of love and the importance of understanding what love is, Mr. Lee said for human beings to share love, they must first feel love. “If your father is not showing you love, how will you know love. Most of our youths have no parents around them. They are being influenced by a harsh representation of love, which really, is not love.” At the same time, he called on the elders within societies around the world, to try to strike a balance with the youth, especially in present time. “When I was growing up, the older heads never wanted to release a lot to the youths; they never wanted to give the youths a chance. People in positions of power must give the youths a chance to prove themselves. They have great ideas, but they need mentorship and guidance,” he said.
“Take Care,” written by Joseph ‘Pronto’ Figueroa, is a quality single with a passionate plea for more honest, kind, loving relational experiences. Unlike much of today’s lyrics, Mr. Lee keeps it classy, maintaining a thoughtful approach to music, with lyrics that penetrate. “The raw thoughts – we never heard that as youths. Some things should be kept personal,” he opined. An advocate for goodness, Mr. Lee is calling on men around the world to show their companions more love, in the right way. “Everybody wants to fight and kill. They don’t want to talk about things properly. We need to talk to our spouses more. We need to learn how to communicate better and spend more time with our loved ones.”
Happy to have enjoyed a successful run in Carnival 2026, in Trinidad and Tobago, Mr. Lee is working on new music even as he promotes this brand-new track. “I’m working on new Soca to release for the Summer. I’m working, and I’m happy with the progress I’ve been able to make so far. It’s a process,” he said of being in the music business.
The state-to-state carnival wave set to begin in the US soon, Mr. Lee says this year he is looking forward to heading to Miami for Carnival there and will be back home in T&T, come Carnival 2027. In the meantime, the T&T native and dedicated family man is spreading love through good music that he knows is absolutely necessary at this time.
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