The legends of Trinidad and Tobago’s Carnival are remembered annually by Burt Marcellin and his dedicated team at mas enterprise, Blow Mano Blow Mas. With just a few months before the revelry of another carnival season unfolds, Marcellin has revealed that this year’s presentation, ‘Mama Dis Is Mas,’ is a special one. He highlights the welcomed involvement of veteran mas maker, Chris Humphrey.
On Saturday, September 28th, the Carnival Monday mas band launches its 2025 presentation, which pays tribute to Aldwyn Roberts – the Calypsonian known world over as, Lord Kitchener. Gone, but certainly not forgotten, Kitchie’s music remains a tremendous source of inspiration for much of today’s Calypso and Soca artistes. “I believe we must keep the legacy of these artistes alive,” said Marcellin, recalling that out of the seven Brass-O-Rama titles won by his father, Mano Marcellin, six of these were accomplished by playing songs sung by Lord Kitchener. The elder Marcellin was the man responsible for incorporating live music on music trucks in T&T’s carnival. “This is our way of carrying on tradition, ensuring that carnival and the elements that make T&T’s festival a unique one, are not forgotten,” said Burt.
Blow Mano Blow played ‘McCarthy Party’ in 2024.
Ahead of 2025, the band launch at Quties- One Woodbrook place, will see an unveiling of four sections. On welcoming Humphrey to the Blow Mano Mas operation, Marcellin said, “It’s an honor to have Chris Humphrey involved with us this year. He is a legendary mas maker – a stalwart in the industry.” Doors opening at 8pm, those attending are in for a treat, with live brass music being delivered by Brass 2 The World, accompanied by Sanelle Dempster, Snakey, Sekon Sta and KC.
“We’ve been involved in a revolution since 2017 when it comes to this type of mas and experience. What we offer is truly an experience on the road. Our musicians are not stationed on the trucks. They are in the crowd, playing their instruments and engaging with our masqueraders,” Marcellin shared, adding that last year’s Monday presentation won the band the title of Most Original Band of the Day- Carnival Monday at the Savannah. “What I can say is that we’ll be stepping it up in 2025 with something very, very different,” he teased, assuring that masqueraders choosing Blow Mano Blow receive tremendous value in a band that is cost effective and safe. “It’s all about giving people another option when it comes to experiencing T&T’s carnival – those people who don’t want to pay exorbitant costume prices, those people who do not want to play in oversized mas bands and those music lovers who really want to experience live music on the road,” said Marcellin.
Security, Fun, Live Music – All Top Tier
Security of his masqueraders, a focal element of Marcellin’s planning, he has teamed up with the professionals at All Pro Security, to ensure everyone in Blow Mano Blow Mas, enjoys a safe Carnival Monday 2025. “We’re discussing adding cameras to our trucks, for that added bit of comfort next year,” he shared. A maximum capacity crowd of 600 its goal annually, Blow Mano Blow Mas is trailblazing in a culture that is usually punctuated by the concept of evolution. “The history of our culture is rich and diverse. We offer a bit of both worlds- sharing the energy of our legends in music, while still welcoming contemporary systems on Carnival Monday. Our masqueraders enjoy a drinks and food inclusive experience. We also offer portable washrooms and our cool-down buses for convenience and overall enjoyment,” he highlighted.
The Monday T -shirt mas band bridges the generational gap.
In this its 5th presentation, ‘Mama Dis Is Mas’, the Blow Mano Blow Mas family is excited to once again bring its vision to life on the road. “Last year, masqueraders were very happy with the inclusion of The Point Fortin Iron Giants’ on the road. They played from the hospital to the Savannah and the masqueraders enjoyed that element,” he recalled.
For Marcellin, this is more than just playing mas. It’s preserving the legacy of Mano Marcellin- his father, and certainly, the musicians and artistes who played a pivotal role in T&T’s Carnival product.
As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.
This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation.
Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today.
The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.
For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally.
“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms.
The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET:The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.
Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.
Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.
Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.
Denise Belfon was one of the featured artistes at So Sweet.
One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.
For Berry, being on stage beside Tigress was a full circle experience. The music of the United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.
For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.
SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.
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