The legends of Trinidad and Tobago’s Carnival are remembered annually by Burt Marcellin and his dedicated team at mas enterprise, Blow Mano Blow Mas. With just a few months before the revelry of another carnival season unfolds, Marcellin has revealed that this year’s presentation, ‘Mama Dis Is Mas,’ is a special one. He highlights the welcomed involvement of veteran mas maker, Chris Humphrey.
On Saturday, September 28th, the Carnival Monday mas band launches its 2025 presentation, which pays tribute to Aldwyn Roberts – the Calypsonian known world over as, Lord Kitchener. Gone, but certainly not forgotten, Kitchie’s music remains a tremendous source of inspiration for much of today’s Calypso and Soca artistes. “I believe we must keep the legacy of these artistes alive,” said Marcellin, recalling that out of the seven Brass-O-Rama titles won by his father, Mano Marcellin, six of these were accomplished by playing songs sung by Lord Kitchener. The elder Marcellin was the man responsible for incorporating live music on music trucks in T&T’s carnival. “This is our way of carrying on tradition, ensuring that carnival and the elements that make T&T’s festival a unique one, are not forgotten,” said Burt.
Blow Mano Blow played ‘McCarthy Party’ in 2024.
Ahead of 2025, the band launch at Quties- One Woodbrook place, will see an unveiling of four sections. On welcoming Humphrey to the Blow Mano Mas operation, Marcellin said, “It’s an honor to have Chris Humphrey involved with us this year. He is a legendary mas maker – a stalwart in the industry.” Doors opening at 8pm, those attending are in for a treat, with live brass music being delivered by Brass 2 The World, accompanied by Sanelle Dempster, Snakey, Sekon Sta and KC.
“We’ve been involved in a revolution since 2017 when it comes to this type of mas and experience. What we offer is truly an experience on the road. Our musicians are not stationed on the trucks. They are in the crowd, playing their instruments and engaging with our masqueraders,” Marcellin shared, adding that last year’s Monday presentation won the band the title of Most Original Band of the Day- Carnival Monday at the Savannah. “What I can say is that we’ll be stepping it up in 2025 with something very, very different,” he teased, assuring that masqueraders choosing Blow Mano Blow receive tremendous value in a band that is cost effective and safe. “It’s all about giving people another option when it comes to experiencing T&T’s carnival – those people who don’t want to pay exorbitant costume prices, those people who do not want to play in oversized mas bands and those music lovers who really want to experience live music on the road,” said Marcellin.
Security, Fun, Live Music – All Top Tier
Security of his masqueraders, a focal element of Marcellin’s planning, he has teamed up with the professionals at All Pro Security, to ensure everyone in Blow Mano Blow Mas, enjoys a safe Carnival Monday 2025. “We’re discussing adding cameras to our trucks, for that added bit of comfort next year,” he shared. A maximum capacity crowd of 600 its goal annually, Blow Mano Blow Mas is trailblazing in a culture that is usually punctuated by the concept of evolution. “The history of our culture is rich and diverse. We offer a bit of both worlds- sharing the energy of our legends in music, while still welcoming contemporary systems on Carnival Monday. Our masqueraders enjoy a drinks and food inclusive experience. We also offer portable washrooms and our cool-down buses for convenience and overall enjoyment,” he highlighted.
The Monday T -shirt mas band bridges the generational gap.
In this its 5th presentation, ‘Mama Dis Is Mas’, the Blow Mano Blow Mas family is excited to once again bring its vision to life on the road. “Last year, masqueraders were very happy with the inclusion of The Point Fortin Iron Giants’ on the road. They played from the hospital to the Savannah and the masqueraders enjoyed that element,” he recalled.
For Marcellin, this is more than just playing mas. It’s preserving the legacy of Mano Marcellin- his father, and certainly, the musicians and artistes who played a pivotal role in T&T’s Carnival product.
Trinidad and Tobago gospel dancehall artiste JrDynamite is opening up about some of life’s toughest emotional battles on his latest single, Fake Energy.
Produced by Adrian “Always Kreative” Emily, the track blends smooth dancehall rhythms with JrDynamite’s signature sing-jay style to deliver a message that is both deeply personal and widely relatable. Through honest storytelling, the artiste explores feelings of disappointment, isolation, and self-doubt while encouraging listeners to remain grounded in faith.
At its core, Fake Energy examines the challenges of identifying genuine support in a world often filled with superficial connections. The song reflects on loyalty, appreciation, and the search for authentic relationships, all while asking difficult questions about who truly stands by us during life’s most challenging moments.
While the message is universal, the track also shines a light on the emotional struggles many men face as they carry responsibilities while feeling unseen or underappreciated. JrDynamite uses the song to create space for reflection, vulnerability, and healing without losing the uplifting spirit that defines his music.
Anchored by faith and resilience, Fake Energy reminds listeners that even when human relationships disappoint, strength and purpose can still be found through God’s unwavering love.
With its soulful melodies, introspective lyrics, and polished production, Fake Energy continues JrDynamite’s mission of creating music that not only entertains but also inspires listeners to protect their peace, recognize their worth, and keep moving forward.
The vibrant sounds of classic dancehall and contemporary reggaeton collide on “De Shot Call (Remix),” a dynamic new collaboration from Trinidad and Tobago recording artist General Grant and versatile entertainer Mr. Renzo.
.Designed to ignite dancefloors while honoring the rich musical heritage of the Caribbean, the track blends the raw, energetic spirit of early 1990s dancehall with the infectious grooves and global appeal of modern reggaeton. The result is a high-energy anthem that bridges generations, cultures, and musical styles.
Inspired by the golden era of dancehall that helped shape Caribbean music culture, “De Shot Call (Remix)” reimagines that signature sound through a contemporary lens. The production delivers nostalgic undertones while embracing the polished rhythms and vibrant energy that resonate with today’s audiences.
For General Grant, the project continues his commitment to preserving and evolving authentic Caribbean music. Widely respected for his contributions to the dancehall and reggae landscape, he brings his signature delivery and commanding presence to the remix, reinforcing the song’s connection to the genre’s roots.
Joining him is Mr. Renzo, a singer, songwriter, and entertainer whose career spans more than two decades. Recognized for his ability to blend Caribbean, Latin, pop, and urban influences, Mr Renzo adds a fresh and modern dimension to the track, helping to create a sound that transcends borders and appeals to a broad international audience.
Together, the two artists showcase how Caribbean music continues to evolve while remaining grounded in its traditions. “De Shot Call (Remix)” serves as a celebration of that journey, highlighting the seamless transition from dancehall’s formative years to Reggaeton’s current global prominence.
The single was executive produced by Lawrence Adams – Mr. Renzo, who also co-wrote the track alongside Curtis Grant – General Grant. Recording and editing duties were handled by Stephon Gabriel, while engineer Ovy Thouni delivered the song’s polished mix and master.
With its infectious rhythm, energetic performances, and cross-generational appeal, “De Shot Call (Remix)” is positioned to become a favourite among fans of Caribbean music and lovers of dancefloor-ready hits alike.
Whether you’re a longtime dancehall enthusiast or a fan of today’s reggaeton movement, this collaboration offers the perfect soundtrack to turn up the volume and celebrate the enduring influence of Caribbean music.
“De Shot Call (Remix)” is now available for audiences ready to experience the fusion of old-school dancehall energy and modern reggaeton flavor.
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