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Archived: Terri Lyons Has A Lot on Her Mind. Her Heart Hurts For Soca and Culture.

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She has given us great music. Whether the songs she’s delivered time and time again, have made it to the mainstream soca circuit in Trinidad and Tobago, is another story. For Terri Lyons, her fight to maintain the true sound of the Soca genre, is more important. She believes we’re losing the essence of what Soca is, altering the sound a bit too much, something she says will have adverse effects for the culture of Trinidad and Tobago, in years to come.

Terri Lyons wants youths to be educated from early childhood, on the various cultural elements of Trinidad and Tobago.

EBUZZTT.COM spoke with the younger of SuperBlue’s two daughters in entertainment, recently. She admitted that evolution, while often hard to accept, is essentially inevitable, but lamented that while much is changing about Soca music’s sound, the attitude of the population when it comes to accepting the genre’s worth and that of the artistes who give so much of themselves, to keep it going, is not changing. “One thing that isn’t changing much is our attitude toward our own culture- to us, to keeping our heritage and history alive,” said the younger Lyons. She wants the people of Trinidad and Tobago particularly, to defend the genre more. Lyons is also calling on the powers that be, to play a more instrumental role in influencing the youth from a young age, to appreciate the culture of the country. “Every school in T&T should have a pan room- a properly sound proofed pan room. That is our national instrument. That is something we should have. We have no respect,” said a passionate Lyons.

The young mother of one who doubles up as a frontline vocalist with Nadia Batson’s all female band, SASS, says while many people would not want to hear what she has to say on this topic, she feels Trinidad and Tobago places more effort on promoting foreign artists that they do, their own. “A lot is changing but again I say, the attitude toward our own culture, isn’t. There is just too much back biting in the industry and a lack of appreciation for the artistes,” she argued.

Lyons has teamed up with Grenada’s Mr. Killa on a brand new single ahead of Carnival 2019.

Terri has released a new single with Grenada’s Mr. Killa. The track which is called, “Wey Yuh Dey” is described as a call for all Caribbean people to show the rest of the world, just how hard islanders party. The track is laced with Afro beats and rides the Afro Jab riddim. She certainly isn’t against collaborations and fusing the sounds of the Caribbean, but for Lyons, the heartbeat of Soca must not be sacrificed for global appeal. She says when it comes to the soca music genre, she feels there should be no compromises and the world should know it as Soca- regardless of how it’s spelt. She says any attempt to change the name of the genre, which was birthed in Trinidad and Tobago, is disrespectful and should never be accepted.

Her only son, Mathias, a major driving force in her life, Terri is calling for more to be done in the school system in Trinidad and Tobago, to educate the impressionable youth on the history of T&T’s culture. “Kids in school need to be educated about our culture. They know more about Fetty Wap and Lil Uzi, than they know about Kitchener and Sparrow or Cro Cro, or Shadow. We have to start to educate the kids from young,” she pleaded.

Lyons said it is sad that many of this country’s foundation artistes, on whose shoulders soca music was borne, are not being respected in the land of their birth. “We talk a lot of big talk about this and that, but the people in charge really aren’t doing anything,” she said.

CHECK OUT TERRI’S NEW SINGLE WITH MR. KILLA.  

 

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Dominica, Martinique Connect in the Name of Bouyon, Just in Time For World Creole Festival This Weekend.

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Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer.  In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.

Building Connections In the Name of Music.

For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.

Maurane Voyer x Reo

Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.

The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song. 

Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.

Taking A Look at What Unifies.

“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.

The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.

Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could.  Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.

“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.

The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.

The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.

With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.

The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.

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Tobago’s Trendsetter Goofy, A Different Kind of Cultural Ambassador. Show Some Respect.

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As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.

Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.

In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.

Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.

Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”

Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.

Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.

This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?

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