She has given us great music. Whether the songs she’s delivered time and time again, have made it to the mainstream soca circuit in Trinidad and Tobago, is another story. For Terri Lyons, her fight to maintain the true sound of the Soca genre, is more important. She believes we’re losing the essence of what Soca is, altering the sound a bit too much, something she says will have adverse effects for the culture of Trinidad and Tobago, in years to come.
Terri Lyons wants youths to be educated from early childhood, on the various cultural elements of Trinidad and Tobago.
EBUZZTT.COM spoke with the younger of SuperBlue’s two daughters in entertainment, recently. She admitted that evolution, while often hard to accept, is essentially inevitable, but lamented that while much is changing about Soca music’s sound, the attitude of the population when it comes to accepting the genre’s worth and that of the artistes who give so much of themselves, to keep it going, is not changing. “One thing that isn’t changing much is our attitude toward our own culture- to us, to keeping our heritage and history alive,” said the younger Lyons. She wants the people of Trinidad and Tobago particularly, to defend the genre more. Lyons is also calling on the powers that be, to play a more instrumental role in influencing the youth from a young age, to appreciate the culture of the country. “Every school in T&T should have a pan room- a properly sound proofed pan room. That is our national instrument. That is something we should have. We have no respect,” said a passionate Lyons.
The young mother of one who doubles up as a frontline vocalist with Nadia Batson’s all female band, SASS, says while many people would not want to hear what she has to say on this topic, she feels Trinidad and Tobago places more effort on promoting foreign artists that they do, their own. “A lot is changing but again I say, the attitude toward our own culture, isn’t. There is just too much back biting in the industry and a lack of appreciation for the artistes,” she argued.
Lyons has teamed up with Grenada’s Mr. Killa on a brand new single ahead of Carnival 2019.
Terri has released a new single with Grenada’s Mr. Killa. The track which is called, “Wey Yuh Dey” is described as a call for all Caribbean people to show the rest of the world, just how hard islanders party. The track is laced with Afro beats and rides the Afro Jab riddim. She certainly isn’t against collaborations and fusing the sounds of the Caribbean, but for Lyons, the heartbeat of Soca must not be sacrificed for global appeal. She says when it comes to the soca music genre, she feels there should be no compromises and the world should know it as Soca- regardless of how it’s spelt. She says any attempt to change the name of the genre, which was birthed in Trinidad and Tobago, is disrespectful and should never be accepted.
Her only son, Mathias, a major driving force in her life, Terri is calling for more to be done in the school system in Trinidad and Tobago, to educate the impressionable youth on the history of T&T’s culture. “Kids in school need to be educated about our culture. They know more about Fetty Wap and Lil Uzi, than they know about Kitchener and Sparrow or Cro Cro, or Shadow. We have to start to educate the kids from young,” she pleaded.
Lyons said it is sad that many of this country’s foundation artistes, on whose shoulders soca music was borne, are not being respected in the land of their birth. “We talk a lot of big talk about this and that, but the people in charge really aren’t doing anything,” she said.
Ahead of its 11th annual voyage in November, Damian “Jr. Gong” Marley’s Welcome to Jamrock Reggae Cruiseshares its story through a new film. VIBE premiered All in the Same Boat, a documentary directed by acclaimed filmmaker, Reshma B and produced by Boomshots TV that traces Marley and his manager Dan Dalton’s brainchild from a bold, outsider idea into one of the most culturally significant movements in reggae and dancehall today.
With over a decade’s worth of unforgettable moments pulled from the last 10 voyages, this 30+ minute documentary captures the spirit of a global reggae community built on shared identity, resilience, and reverence for Jamaican culture. It features iconic performances, real conversations with the artistes and DJs, and the heartbeat of it all: the “Jamrockers.” These are die-hard reggae lovers from over 40 countries who pull up every year for one reason – to feel that irreplaceable connection to Jamaican culture and keep the Marley message of “One Love” alive.
Having successfully navigated challenges including extreme weather and a global pandemic, the Welcome to Jamrock Reggae Cruise continues to thrive. Its 11th staging will return for its annual voyage from November 11th to the 16th, sailing from Miami aboard Norwegian Joy.
Stacked from foundation to future, this year’s lineup brings together reggae and dancehall’s most influential voices: Damian “Jr. Gong” Marley and Stephen Marley (Traffic Jam Set), Burning Spear, Sizzla, Capleton, Beenie Man, Protoje, Barrington Levy, Elephant Man, Junior Reid, Lila Iké, Ding Dong & the Ravers Clavers, Tony Matterhorn “Man on the Moon”, Gyptian, 450, Richie Spice, Ghost, Mr. Lexx, Professor Nuts, L.U.S.T., Sister Carol, Sevana, Flourgon, Johnny P, and Jemere Morgan are confirmed.
The cruise’s famed Sound Clash at Sea will return alongside powerhouse sound systems including Stone Love (Geefus), King Jammy, Silverhawk Sound, Rory Stone Love, Renaissance Sound, Federation Sound, Warrior Sound, Rampage Sound, Kingston12 HiFi and Souljah1 Muzik, preserving a cornerstone of Jamaican music culture in its most authentic form.
Jamrock is a Premiere Reggae Event
The Jamrock experience has evolved into the premier reggae event at sea—one that continues to redefine how the culture is celebrated on a global stage. The five-day experience continues to immerse guests in the full spectrum of Jamaican life—from Nyabinghi sunrise sessions and sound bath meditations to dancehall workshops, fitness programming, and curated culinary offerings led by acclaimed Chef Lumley. A new addition this year includes a live theatrical production by legendary playwright Oliver Samuels, adding yet another layer to the cruise’s ever-expanding cultural canvas.
Beenie Man will be on the cruise in November.
Following the impact of Hurricane Melissa in 2025, the cruise will return to Jamaica with renewed purpose, maintaining its distinction as the only chartered cruise with two Jamaican port stops. That commitment translates into tangible impact, generating millions annually for the island’s tourism and cultural economy while reinforcing a direct connection between the music, the people, and the place that birthed it.
As All in the Same Boat makes clear, Welcome to Jamrock Reggae Cruise is a movement with its own rhythm, one that continues to bring the diaspora home, while inviting the world in. Since its inception in 2014, the mission remains the same: to create a space where reggae lives, breathes, and connects us all.
The documentary made its debut during the 10th annual cruise and later screened at Art Basel in support of hurricane relief efforts led by the Marley family’s Ghetto Youths Foundation. Damian Marley and Dan Dalton were executive producers of the film.
Jamaican dancehall artiste, Popcaan continues to bridge generations in music with the release of his powerful new single, ‘Born Fi Conquer.’ The track features veteran reggae singer, Junior Reid and was produced by Popcaan’s nephew, rising talent, Joel Engineer.
The track is a bold and inspiring anthem rooted in purpose and resilience, says the entertainer’s team. “From its opening moments, Born Fi Conquer delivers a strong message of self-worth and perseverance, reminding listeners that no matter their occupation or circumstance, they are deserving of greatness,” a media statement issued, reassured.
Anchored by the affirming refrain, “Born fi win, born fi conquer,” the single encourages individuals to step fully into their potential and live out their purpose unapologetically.
Popcaan continues to show his ability to seamlessly blend contemporary dancehall with timeless influences and on this collaboration he once again demonstrates his deep respect for the foundation of Jamaican music. His collaboration with the ‘One Blood’ legend, Junior Reid highlights a consistent pattern in his career; intentionally creating alongside legendary voices who helped shape the sound and Jamaican culture and the dancehall genre.
Junior Reid’s verse which adds depth and authenticity to the record, pays tribute to the hardworking people of Jamaica while reinforcing a message of upward mobility and hope. With lines centered on perseverance and progress, he reminds listeners that “the only way is up,” echoing the song’s overarching theme of triumph.
“Working with Junior Reid is a great honour for me. I have deep respect for the elders who paved the way and built this industry. Being able to create great music with them is a full circle moment,” said Poppy. The new single was produced by Joel Engineer and signals the emergence of a new generation of producers, blending fresh sonic direction with culturally rich storytelling.
‘Born Fi Conquer’ is now available on all major streaming platforms.
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