Music News
Sucre Is Taking Soca to the Youths. Big Plans Afoot for 2026.
Unmistakably, he’s next in line to claim major space in the Soca music industry and he’s already got a title to his name. Sucre is Trinidad and Tobago’s Youth Soca Champion and as the year winds down, the Zig Boi Music Group artiste, is preparing for bigger outcomes in 2026.
A new song released with varied formats for consumption across demographics set to be unleashed soon, the work is being done by both the artiste and his team, to ensure success. “Even before he entered the Ultimate Soca Champions competition, Sucre had been involved in a steady development program,” explained Zig Boi Music Group CEO, Mr. Spine. Years in the music industry in Trinidad and Tobago, across the region and internationally, has afforded the music producer a vantage point that has proven extremely helpful.
Sucre, whose full name is Nkosi Sucre, has been under Spine’s guidance for the past two years and already, the partnership has proven successful. “The development programme with Sucre saw us expose him to events, take him into the studio and engage in networking, all while working on unreleased music, during the first year,” said Spine. He explained that in his second year with Zig Boi, Sucre enrolled with the band Traffic and was exposed to band life and the sonics in a band room environment. “Traffic is a legendary band, however the aim was to engage a younger audience and the decision was made to form the Evolution Band – a youth centred band that represents the younger demographic when it comes to music and entertainment.”
Spine recalls that the announcement of the Soca Champions competition was unexpected, lamenting the fact that for many youths, there had been no outlet for stage development in the Soca industry in T&T, since the International Soca Monarch competition. “It was a great place to have him test his ability and he went on to win the competition,” Spine said proudly. Sucre has since performed in St Maarten, opening for the Morgan Heritage Family, and now as he refocuses ahead of 2026, the 24-year-old says his aim is to continue to show youths that they can do it too. “Ten years ago, I made the decision to do music. I was 14-years-old and I showed evidence of having a natural talent for music. I went on to study music and I got onto the merit list at CAPE,” he said, revealing that his desire to hone his craft saw him go on to acquire a Music degree from the University of the West Indies.
The artiste, songwriter and producer has even been credited with a Road March win in Guyana, having worked with budding, female artiste, Omaiah Hall. “I see myself finding my sound in the medium to long term. I know I’m in my developmental stage and I’m a representation of the youth and the talent that youths have to offer. Eventually I want to provide a space for other young artistes and creatives. The aim is to create a community of people and have a new generation follow a new wave of Soca,” he declared.
The new single, ‘Gimme Wuk Darlin,’ is the second instalment to a love story started by the artiste, in 2025. The first single was called, ‘Hold on Darlin,’ and speaks to all women. When it comes to the new sound of soca music, Sucre says he believes youths must find their voice. “Times will change, perspectives on life will change. It’s a matter of finding a safe space to express yourself and just be yourself.”
Proud of his development thus far, the young Trinbago talent is looking ahead. He will re-enter the Soca Champions competition, this time competing against Blaka Dan and other artistes in the main competition. “I’m going to be looking out for Blaka Dan – the champion, but really and truly, I just want to be able to show people why I deserve that spot in the finals. I want to go out there and show my best,” he said. Plans to step foot into territories beyond the Caribbean in the year ahead, Sucre and the team at Zig Boi Music Group say they are utilizing their in-house facilities to better their product. “We’re always open to working with other people, as much as we have our in- house resources,” said Spine. Zig Boi Music commands a full-scale marketing and promotional facility, aiding artistes with graphic support, photography, video production, fashion, imaging and more. Spine said fans of good Soca music can look out for great things from Sucre, complemented by his team at Zig Boi Music, as the 2026 Carnival season comes into focus.
Music News
Stepping Into Her Own, Jalessa Says It’s Time for ‘Freedom.’
For 16-year-old rising star, Jalessa Lazarus, this month has been bitter sweet. The teenager is set to release her new single, ‘Freedom,’ but even as she delivers musically, she is reminded of her grandmother who passed away in May this year, after being diagnosed with Breast Cancer. “She would always tell me I can do all things through Christ who strengthens me,” said the youngster as she reminisced on the encouragement, she often received from her family matriarch.
Jalessa Lazarus is a talented, young entertainer in the Soca space, and even as her present focus is on the 2027 CXC examinations, her love for music abounds, and so she is still releasing the Teddy Rhymes penned, ‘Freedom,’ with hope of maintaining her standing in the music space in 2027. “This song is all about expressing yourself – encouraging enjoyment and appreciation for the culture of Trinidad and Tobago. I want people to really get to know what we here in T&T are all about – all that we have and all that we can share with the world,” said the artiste.
The song was produced by Millbeatz Music – a familiar space for the entertainer, as she is also being taught to play the piano and guitar under the Millbeatz Entertainment umbrella – under the tutelage of Kevin Millien. “I’m trying my very best to do both music and school. CXC is serious. I have a time-table that helps me with balancing both my studies and music,” she explained. Jalessa is very aware of the importance of a good education. She has a good head on her shoulders, along with parents who keep her grounded, and guide her every step of the way. “I’m doing Maths, English Language, IT, Social Studies, Principles of Business and Office Administration,” she said, assuring that she will release more music upon the completion of her exams. “I want to be an inspiration to other young entertainers coming behind me. I also want to travel – take my music around the world,” she expressed, adding that she has dreams of stepping into the RnB arena one day – her inspiration being Adele.
A proud student of the artform, under the tutelage of artistes like Preedy, Nailah Blackman, Patrice Roberts and Voice, Jalessa says she loves Soca music and thinks colourful language has no place in the genre. It’s a topic that is fast becoming a cause for concern according to some, this as more artistes experiment with the inclusion of expletives in their music. “I do not support colourful language in Soca. It’s unnecessary and I don’t think it should be used in our music – music that we are sharing with the world,” said the youngster. “I think Soca is a different type of music, from anything else. Music is generally a vibe. It’s therapy for people – our music is all about dancing, freeing up, dressing up in costumes and being happy; it’s happy music,” she added.
Her groovy soca single, ‘Freedom,’ a true expression of her personality and what she wants the world to know about the land of her birth, Jalessa Lazarus continues to reach for the stars, all while drawing awareness to serious issues. “I want to take the time to extend hope and prayers to anyone who’s dealing with any type of cancer this month and everyday onward. God is always with you,” she said.
Rooted in her culture and diligently focused on her future, Lazarus plans on releasing an EP and says even though she will sit out competitions in 2027, she will return after the completion of her CXC exams. Her mother, Phylesha meanwhile expressed immense pride in her daughter’s commitment and took a moment to thank Teddy Rhymes for his support and encouragement. “I don’t think she will be going back into junior competitions but we are looking beyond exams and I want to especially thank Teddy for believing in Jalessa and encouraging her.”
For more on Jalessa Lazarus, follow her on her on Instagram @jalessa_lazarus.
Around the World
Dominica, Martinique Connect in the Name of Bouyon, Just in Time For World Creole Festival This Weekend.
Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer. In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.
Building Connections In the Name of Music.
For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.
Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.
The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song.
Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.
Taking A Look at What Unifies.
“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.
The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.
Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could. Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.
“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.
The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.
The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.
With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.
The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.
