Unmistakably, he’s next in line to claim major space in the Soca music industry and he’s already got a title to his name. Sucre is Trinidad and Tobago’s Youth Soca Champion and as the year winds down, the Zig Boi Music Group artiste, is preparing for bigger outcomes in 2026.
Sucre holds the Soca Champions junior title.
A new song released with varied formats for consumption across demographics set to be unleashed soon, the work is being done by both the artiste and his team, to ensure success. “Even before he entered the Ultimate Soca Champions competition, Sucre had been involved in a steady development program,” explained Zig Boi Music Group CEO, Mr. Spine. Years in the music industry in Trinidad and Tobago, across the region and internationally, has afforded the music producer a vantage point that has proven extremely helpful.
Sucre, whose full name is Nkosi Sucre, has been under Spine’s guidance for the past two years and already, the partnership has proven successful. “The development programme with Sucre saw us expose him to events, take him into the studio and engage in networking, all while working on unreleased music, during the first year,” said Spine. He explained that in his second year with Zig Boi, Sucre enrolled with the band Traffic and was exposed to band life and the sonics in a band room environment. “Traffic is a legendary band, however the aim was to engage a younger audience and the decision was made to form the Evolution Band – a youth centred band that represents the younger demographic when it comes to music and entertainment.”
CEO of Zig Boi Music, Mr. Spine.
Spine recalls that the announcement of the Soca Champions competition was unexpected, lamenting the fact that for many youths, there had been no outlet for stage development in the Soca industry in T&T, since the International Soca Monarch competition. “It was a great place to have him test his ability and he went on to win the competition,” Spine said proudly. Sucre has since performed in St Maarten, opening for the Morgan Heritage Family, and now as he refocuses ahead of 2026, the 24-year-old says his aim is to continue to show youths that they can do it too. “Ten years ago, I made the decision to do music. I was 14-years-old and I showed evidence of having a natural talent for music. I went on to study music and I got onto the merit list at CAPE,” he said, revealing that his desire to hone his craft saw him go on to acquire a Music degree from the University of the West Indies.
The artiste, songwriter and producer has even been credited with a Road March win in Guyana, having worked with budding, female artiste, Omaiah Hall. “I see myself finding my sound in the medium to long term. I know I’m in my developmental stage and I’m a representation of the youth and the talent that youths have to offer. Eventually I want to provide a space for other young artistes and creatives. The aim is to create a community of people and have a new generation follow a new wave of Soca,” he declared.
The new single, ‘Gimme Wuk Darlin,’ is the second instalment to a love story started by the artiste, in 2025. The first single was called, ‘Hold on Darlin,’ and speaks to all women. When it comes to the new sound of soca music, Sucre says he believes youths must find their voice. “Times will change, perspectives on life will change. It’s a matter of finding a safe space to express yourself and just be yourself.”
Proud of his development thus far, the young Trinbago talent is looking ahead. He will re-enter the Soca Champions competition, this time competing against Blaka Dan and other artistes in the main competition. “I’m going to be looking out for Blaka Dan – the champion, but really and truly, I just want to be able to show people why I deserve that spot in the finals. I want to go out there and show my best,” he said. Plans to step foot into territories beyond the Caribbean in the year ahead, Sucre and the team at Zig Boi Music Group say they are utilizing their in-house facilities to better their product. “We’re always open to working with other people, as much as we have our in- house resources,” said Spine. Zig Boi Music commands a full-scale marketing and promotional facility, aiding artistes with graphic support, photography, video production, fashion, imaging and more. Spine said fans of good Soca music can look out for great things from Sucre, complemented by his team at Zig Boi Music, as the 2026 Carnival season comes into focus.
It might be a complete surprise to see James Saunders on your television screen delivering the sports news and then hear his voice in song, on the radio. For the average fan who grew to love his bubbly personality as one of Trinidad and Tobago’s most popular sport anchors, the transition may feel sudden. The truth is, the Moruga-born media personality has been balancing both worlds for nearly two decades – it’s just that, finally, more people are catching on.
“Fake Energy,” a track released in June that recognised Men’s Mental Health, received a lot of love on social media and introduced him to a whole new audience. Speaking with Ebuzztt, the singer pointed out that very rarely are men asked, “How are you… really?” He hopes his new single helps create space for genuine vulnerability, and aids in changing the narrative about what being “strong” really means.
“If we can make those conversations normal, we’ll save lives. We smile publicly while privately carrying disappointment, rejection, loneliness, or self-doubt. If this song gives someone permission to check on a friend, or realize they aren’t alone, then it’s already a success in my eyes,” he shared.
The lyrics hit home on a personal level; he has endured stretches of having to show up for work and family while masking private pain. “It reminds me that music is about more than just entertainment; it sparks the kind of dialogue people have been dodging for years, including me.”
Known by followers for his fire freestyling talent, the entertainer who goes by the sobriquet Jr. Dynamite traces his musical gift back to his late father who was a DJ. Growing up around his record collection exposed him to everything from reggae and dancehall to soul, gospel and calypso. He soon realised music was a tool to tell stories, create memories and bring people together. Today he lists Bunji Garlin, Tiko Angelos, and Vybz Kartel as his “lyrical heroes,” while crediting Papa San, Prodigal Son and Damian Marley for influencing him inspirationally. Over the years James has performed at The Pilgrimage (Trinidad’s biggest gospel festival), The Lime Tobago, and across the Caribbean including Barbados, Anguilla, Grenada, St. Vincent and Saint Martin. He’s also sung on stages as far as Canada and Brazil.
Juggling all of thathas meant sleep often takes a backseat. The sacrifice, he says, feels worth it. “When you’re passionate about something, you make time for it. I never wanted to look back one day and wonder, ‘What if I had given my music a real chance?”
Guided by his Christian faith, he’s careful not to make his music feel like a lecture. He keeps it real; highlighting anxiety, disappointment, and relationships. Nothing is off limits. On the hardest day of their lives, he wants his listeners to press play and feel inspired, believing that “tomorrow can be better.”
Never one to sit still, James, who has penned more songs than he could recall during this interview, is already putting the finishing touches on his new project, an EP due to drop later this year. He calls it his most personal body of work: a collection of melodic stories tackling purpose, perseverance, faith, and identity meant to make you reflect and even shed some tears. “There are songs that will remind you that no matter what life throws at you, there is always hope on the other side.”
When he looks back at his journey, he is proud to have had the courage to pursue his passions despite the setbacks and the naysayers. He even teased that a few international collabs are coming soon. “I don’t want to say too much on that right now,” he said. “I knew this was bigger than a hobby when I found myself writing songs to process life’s experiences and encourage people. Music isn’t just something I do, it is part of who I am.”
Want more? Check out his brand new love release titled “You & Me.”
Grammy Award-winning reggae band Morgan Heritage returns with “Come Feel The Love,” an uplifting new single written and produced by nine-time Grammy Award-winning artist, producer, and songwriter Stephen Marley.
Released on July 10th through Ghetto Youths International, the song serves as a vibrant musical invitation to experience Jamaica through its people, culture, landscapes, and unmistakable spirit. According to a media release the song celebrates the essence of Jamaica through authentic storytelling, using the universal language of reggae to capture the island’s warmth, resilience, beauty, and enduring sense of community.
Led by the unmistakable voices of Gramps Morgan and Mojo Morgan, the single paints vivid images of Jamaica’s natural beauty, from the iconic lignum vitae and soursop trees to Negril’s coastline, Lovers’ Leap, and the communities where generations have shaped one of the world’s most influential musical cultures.
Complementing the song is a visually stunning official music video produced by Filmaica and directed by Fernando Hevia. Filmed entirely on location throughout Jamaica, the visual showcases many of the island’s breathtaking landscapes and cultural landmarks. Gramps Morgan’s performance scenes were captured in Negril and at the iconic Lovers’ Leap in St. Elizabeth, both destinations referenced in the lyrics, bringing an added level of authenticity and emotional connection, while celebrating the beauty and diversity of Jamaica.
Built around the infectious refrain, “Come Feel The Love,” the record embodies Jamaica as more than a destination – it is a feeling rooted in family, music, community, and connection.
Celebrating Home.
“Come Feel The Love” marks Morgan Heritage’s first newly recorded release since the ascension of one of its founding members, Peetah Morgan, opening a new chapter for one of reggae’s most celebrated groups while honoring the legacy he helped build. The single reflects the band’s enduring commitment to carrying its message of unity, love, and cultural pride to audiences around the world.
“Jamaica has given us so much, our identity, our music, our culture, and our purpose,” said Gramps Morgan. “This song celebrates everything we love about home and invites the world to experience the same warmth and inspiration that continues to shape who we are.”
Mojo Morgan added, “Reggae has always connected people across cultures and generations. ‘Come Feel The Love’ reminds us that Jamaica’s greatest gift isn’t just its beauty, it’s the love, unity, and positive spirit that people feel the moment they arrive.”
The record seamlessly blends Morgan Heritage’s signature harmonies with Stephen Marley’s timeless production, creating a contemporary roots,reggae anthem that honors Jamaica’s traditions while introducing its story to a new generation of listeners.
As one of reggae’s most celebrated families, Morgan Heritage has spent decades carrying Jamaican music to audiences around the world, earning a Grammy Award and building a legacy of socially conscious, spiritually uplifting recordings. Their collaboration with Stephen Marley, one of reggae’s most accomplished artists and producers, brings together two of Jamaica’s most influential musical legacies in a powerful celebration of the island, its people, and its culture.
More than the release of a new single, “Come Feel The Love” represents the beginning of Morgan Heritage’s next chapter, one rooted in the same values that have defined the band for generations while embracing a renewed purpose. As they honor Peetah Morgan’s enduring legacy, the group continues its mission of celebrating Jamaica through music and spreading love, unity, hope, and positivity to audiences around the world.
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