Caribbean Buzz
Skinny Fabulous Took Home The Most at CMAs. Now He’s Fired Up for 2025.
On Thursday, August 28th, St. Vincent and the Grenadines Soca star, Skinny Fabulous won four awards at the Caribbean Music Awards. He secured the most awards of the night, chief among them, the award for Male Soca Artiste of the Year. “Any category that a man like Machel Montano falls in, you never expect that you would be victorious. That’s the one that made me get really emotional,” he said candidly in the aftermath. The artiste says he is now even more motivated to deliver in the Carnival season ahead.
For entertainers like Skinny Fabulous, who hails from one of the smaller islands in the region, the recognition is invaluable. “Typically, the bigger islands often make off with the recognition- the shine. When you’re from a smaller island and you end up in categories with the big boys from the big islands, and end up victorious, it’s humbling,” he said, adding, “Now the geographical lines and demarcations between the islands really do not matter anymore. Now we are operating as one Caribbean melting pot when it comes to Soca and that’s a good way forward, I think.”
Three additional awards, ‘Video of the Year,’ ‘Soca Collaboration of the Year’ and ‘Song of the Year,’ in the Soca genre, have further cemented the artiste’s worth in the industry. He explained that the Caribbean Music Awards has provided a necessary service to the artistes involved in Caribbean music. “Sometimes as artistes, we look for motivation from different places and I think this is a place that has given those of us in the industry, somewhat of the highest kind of motivation,” said Skinny. That motivation has indeed worked, as Skinny says he’s be back in studio immediately after New York’s Labor Day celebrations.
THE IMPACT OF ONE SONG
‘Come Home,’ the 2023 Road March contender, collaboratively sung with Trinidad and Tobago’s Nailah Blackman, delivered the additional awards to the artiste. He says the song’s success is a testament to the hard work of the production team and both artistes’ management teams. “It’s one of those things that helps you confirm that you cannot half step on things if you believe in a product,” he said, emphasizing the importance of going all out when the product is one that you truly believe in. “It makes absolute sense to go full hundred on the product if you believe in it. That means investing in visuals, artwork, music videos, investing in the full promotion. You can’t have one foot in and one foot out,” he added.
At home in St. Vincent and the Grenadines, the love and expressions of congratulations on his success at the CMA’s, have been felt. “Vincy people love their people. We argue in house, but when it comes to an international platform, we really rally with each other,” he said, noting that after the event, Prime Minister Dr. Ralph Gonzalves was one of the first people to contact him. “A team is very important,” shared Skinny, as he reflected on his journey. “You can travel fast by yourself or you can travel far with a team.”
A number of hit singles to his credit, Skinny Fabulous is by no means new to the music business. He advises those looking on to surround themselves with people who believe in them- people who will support their vision and see their talent. “Find somebody who cares and make them your manager. Sometimes the best manager for you is not necessarily the manager with the most experience. Sometimes it’s the person that loves you the most and actually cares about you,” he rationalized. With that said, the singer and songwriter graciously extended thanks to members of his team, among them, Leonardo Worrell, Riggo Suave, Kubiyashi, Karen Vera, International DJ Stephen, Eternal Vibes and Ruel Ward of Pyramid Entertainment. “I am extremely thankful to my very large team and every supporter,” said the artiste.
THE GROWTH OF SOCA
Soca music, the genre that has brought him tremendous recognition, Skinny Fabulous looks forward to the genre’s progression. “We’re seeing growth in the festivals. They’re getting bigger and our ability to fill arenas and historic venues, has shown, however I still think there’s more work to do in educating the people on the importance of purchasing and signing up for streaming services. This is not exclusive to Soca, but even dancehall as well,” he admitted. “We don’t move the scale enough so it’s still a case where we still have to plead to people, ‘yeah you can get it free but you can also support the artistes by paying your 99 cents for the song or signing up for the streaming services, streaming it and sharing it. I think when we start to move those kinds of numbers then we will see the growth we deserve.”
For now, Gamal Doyle is enjoying the validation received at the Caribbean Music Awards. He says he is excited to deliver again in 2025, and has certainly received all the inspiration needed to push on.
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Caribbean Buzz
Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
Caribbean Buzz
Belize’s Shyne, Talks Culture and Governance at Island Music Conference. Challenges Caribbean Leaders.
Belizean political leader and notable Hip Hop figure , The Honourable, Dr. Moses “Shyne” Barrow has identified Jamaica as a regional blueprint for how culture and governance can work together to build sustainable industry.
Delivering a keynote address entitled, ‘From Stage to State’ at the Island Music Conference (IMC) in Kingston, Jamaica last week, Barrow urged Caribbean governments to move beyond symbolic support of the arts and toward structured public–private partnerships.
“These conferences are so very important,” he told delegates, describing information exchange as critical in an evolving global music economy. Responding to a question from Overtime Media about cultural influence as an economic engine, Barrow pointed to Jamaica’s global footprint. “The work of great musicians such as Bob Marley and Shabba Ranks, as well as the development of Reggae and Dancehall music, has done more for the Jamaican tourism product than anything else,” he said.
PHOTO: Overtime Media.
According to Barrow, Jamaica exemplifies how successive political administrations, despite partisan rivalry, maintained consistent implementation policies that enabled private-sector investment in the music industry. “They were fighting each other, but giving the same implementation,” he noted, crediting that alignment for helping Jamaican music achieve unmatched global recognition.“There is no one in the world who does not know about Jamaica — its music, its food and its culture,” he noted.
Barrow framed his own political evolution as rooted in Hip Hop’s entrepreneurial DNA. Calling his transition from performer to legislator “quintessential Hip-Hop,” he cited moguls who expanded beyond music into business and influence, arguing that creative thinkers belong in positions of power. “We belong in parliament. We belong in the cabinet. We belong in the Prime Minister’s office and in the President’s office,” he said. He also addressed emerging challenges facing the creative sector, particularly artificial intelligence and intellectual property protection.“We need to protect our rights. We need to protect our work and that can only be legislated,” Barrow warned. “If we don’t get involved in the legislative process, we’re going to wake up one day and find that our rights are gone.”
Calling the human mind “the greatest thing on planet Earth,” he cautioned against over-reliance on technology, stressing that creatives must remain central to innovation. Reflecting candidly on his past, including a decade of incarceration following a 1999 nightclub shooting, Barrow described his return to Belize as a shift toward service. “By then, my dreams had already come true,” he said. “But when I looked around my country, I saw people still struggling. So I chose a life of service.”
Barrow also revealed plans to return to the stage with a world tour marking the 25th anniversary of his debut album, while reaffirming his commitment to public service. Closing his address, he challenged Caribbean leaders to diversify the profiles of those shaping legislation.“The Caribbean’s creative class has already shaped global culture,” he said. “Now we must shape policy.”
– NIGEL TELESFORD / Overtime Media.
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