A legacy of being a real hardcore performer, Soca star Shurwayne Winchester is assuring women all over T&T, the region and the world, that he is prepared to give them all they need… Musically that is!
The entertainer has unleashed four songs, two collaboratively done with new artistes outside of T&T, and two brand new singles that are already making heads roll with excitement. ‘Bam Bam,’ produced by Mang Productions and Stone Livingston, was released last week and has been quickly followed up by ‘Iron Man’ on the Bess Box riddim, produced by Shot Master J and Kyle Phillips with Executive producer credit going to Mr. Bessor. Both songs are what Shurwayne calls, ‘tunes for the ladies.’ He makes it very clear that Carnival is woman and unapologetically argues that the more artistes move away from pleasing women, the less enjoyment we’ll see at fetes.
“Women are the heart and soul of Carnival. We love to see them move and enjoy the music. We have to start with them first, please them and when the hardcore music’s released for the real revelry, they’d have already been fed their sweetness. Then they’ll be ready to unleash their fire,” he said. Laughing at his statement, the artiste revealed a bit of his thought process when he sits down to write. “I always think of being the fetter. I think of how the person in the all-inclusive, or the cooler fete feels in the crowd, listening to the music, whether high on life or something else. I think of the man in the fete with his woman – how she may want to be held and danced with. A lot goes into writing and then when I hit the studio, the vocals are the additives really,” he shared.
One of Trinidad and Tobago’s true performers with unmatched vocals, Shurwayne says no matter what, he knows his place as an artiste, and will maintain his standard as a musician and a human being. “I don’t intend to sacrifice being the man that I am for clout or fame. The standard of artistry I’ve delivered over the years will be my legacy in time to come. For now, I want to continue pleasing and finessing these women. Many men aren’t doing that so I’ll take on the job.”
With still more music in his arsenal, the entertainer said he’s over just doing music for Carnival- for a season. “My aim is catalogue building. The bigger, the stronger the catalogue, the greater the value. I’ve done a lot of music, a lot of collaborations,” he said, recalling that he’s worked with Maxi Priest, Christopher Martin, Busy Signal, Major Laser, Serani, Destra, Baron, Bunji, Lord Nelson, Sparrow, David Rudder, Keida, Ultimate Rejects and so many other artistes. “When it comes to music, I really can’t contain what I have inside me. I have to always let it out. Most times, it’s for the ladies, but when the energy is unleashed, the fellas will always get something to get on bad to.”
Two other singles released in late October, ‘Up In Here’ featuring an artiste from Roatan by the name of Jhaytea and ‘Gyal Love Bend’ with It’s Jus from Barbados, Shurwayne says he believes in bringing new artistes into the spotlight, no matter where they’re from. “We all have something to offer the people. Music isn’t a one size fits all. There’s gonna be something sweet in a song that attracts one listener or 10, and another 5 just may not feel it. That’s why the people who share the music with the world have to understand that it’s not about how they personally feel about the song,” he explained.
From Christmas 2023, into Carnival 2024, Shurwayne’s pumping with adrenaline. Soca Parang, a genre of music with hits also in his arsenal, he says he’s just doing what comes natural to him. “There’s no forcing anything. I’m just doing what I love and I hope the people I’m doing it for will receive it in the same way.” Last weekend he got proof of their enjoyment of some of his new music during a trip to Toronto where he performed at a Soca Junkies event. “The ladies again!” he laughed. “The ladies will always be ready for Shurwayne. I love them for that!”
It’s about to be a memorable night for the nostalgic as the once hottest nightspot in West Trinidad, reopens its doors, welcoming the King of Steam, Yung Bredda for ‘SoDa.’
Akhenaton “Yung Bredda” Lewis headlines the event launch which synergies soca and dancehall music and culture. Once dubbed Club Coconuts and later, Fuzion, the event takes place tonight at the famous Trinidad and Tobago venue which is home to the Cascadia Hotel in St. Ann’s. “This is the only place to see Yung Bredda perform all his Steamy hits and get familiar with all his new releases before the Christmas and Carnival takes over,” said organisers in a media statement. “We’re looking forward to seeing all the fans of Steam link up with all the Soca lovers the Dancehall crews, so we can all represent for Caribbean music and culture to close off 2026.”
The SoDa Movement is building a database and will showcase a synergy of Soca and Dancehall music and culture via a series of events, collaborations and music recordings designed in distinctly unique and symbiotic formats. SoDa aims to showcase and highlight the harmony, versatility, similarities and diversity between Soca and Dancehall.
Event Coordinator, Jerome Antoine is a noted, dynamic and enterprising music producer, a Tribe Music Truck Manager and former radio DJ at RED 96.7 FM. He explained that SoDa is NOT another genre, but a social and cultural movement. “The SoDa movement is designed to create, explore and amplify synergies within the Soca and Dancehall industries,” Antoine explained. He said that for more than four decades, the public has listened to and created, enjoyed, made memories with, and celebrated their achievements with tons of Dancehall and Soca music as the soundtrack. “We have even created our own sub-genres like Trinibad and Steam and the artistes and citizens of the Caribbean continue to explore and enjoy both genres and cultures all the time” He noted the effect of the pandemic. “A few years ago and coming out of the pandemic, we saw a void in the entertainment scene and felt the need to blend the two worlds and apply a more engaging and edu-taining approach to presenting their similarities and strengths. Now, we feel like the time is right to celebrate these two genres and cultures, as we prepare for The Greatest Show on Earth in a few months and celebrate the Christmas season and the end of a highly eventful 2025 year.”
SoDa will feature a special performance by Yung Bredda, as well as several guest acts representing Soca and Dancehall. DJs Travis World and Salty, DJ Prodigy and the official SoDa DJ, Lord Hype will provide the soundtrack leading up to and in-between the live action.
Welcome Drinks will be provided by Rudeboy, with Hennessy flowing in the VIP Section, but there will be a fully-stocked bar and HybridTT cocktails available for purchase as well. Social media ravens can prepare for live video interviews on site by Overtime Media, ET&T, Scorch TV, EbuzzTT and MYOB.Enttt.
The cheat code to succeeding at everything you touch as a creative, is passion – pure, lingering passion. That’s one Trinbagonian creative’s final analysis of the inroads he’s personally made over the years. Now, jumping from behind the engineering of sounds we know and love from Soca artistes across the length and breadth of the region, to expressing his very own internal truths, Stephon Gabriel is once again following passion.
Stephon has produced for many artists and has released a project of his own.
Gabriel Creative Studios in Couva, is the playground created by this sound engineer. He left his position at Microsoft years ago, to follow his passion, he says, this after returning to T&T, having studied music at USC. “I’ve been in the music industry for over 15 years. From the age of 14, I knew music lived in me. I was the guy at school everyone would come to, to record love songs for their girlfriends,” he recalled with a chuckle. He says those formative years influenced what he would later become. “I got a guitar for my 14th birthday and it was set from there. Since that time, I’ve been heavily involved in both music and film. I’ve worked on a few featured films, including work done as part of the crew on ‘Home and Again’ here in Trinidad,” he said, adding that on the music side of things, he’s worked in some capacity with most of the big names in Soca.
Jumping head-first now into territory he has strongly assisted with, but has never been in the spotlight for, Gabriel releases a new single called, ‘Soft Touch.’ “This song came about because I wanted to express myself. It started with one of my producers I work with – Jumaane, who sent me a couple tracks and I put aside a particular one and then on one random night I listened to it and got to writing. That was three months ago,” he recalled. Now, the track finally completed, after great collaboration with like-minded musicians, Gabriel says he’s eager for the world to hear it.
A mixture of exploration and passion, Gabriel’s latest creative effort adds to his ongoing dedication to effectively positioning Caribbean artistes for international opportunities. “I have a publishing arm of my company called ‘Just In Time Music,’ which aims to bridge the gap between Caribbean creatives and Hollywood and the world,” Gabriel explained, adding, “I have agents out there who work with me to get our music placed into movies and television shows.”
The music producer said he began creating independent songs strictly for film and because it was so well received, he was able to secure several deals, in a relatively short space of time. “I went on to extend the service to creatives here in Trinidad and Tobago but part of the challenge has been educating others on publishing and other aspects of that side of the business,” he admitted.
Optimistic and dedicated, Stephon Gabriel has proceeded to do what he can, to teach others about the ins and outs of the global music industry. He set up a TikTok account, educating fellow Caribbean creatives with tips and other valuable information pertinent to royalties, masters, publishing and the like. “StephanGabrial868 is the channel and as I continue with that effort, I’ll say one of my goals is to one day be able to go to my distributor and choose “Soca” as the genre for the music I deliver,” he said.
Armed with his skills as a music and film professional, Stephon Gabriel’s pushing every envelope – passionately following his heart even into artistry, understanding that anything is possible in today’s world. “I’ve worked on hundreds, maybe thousands of songs for people. My voice is in a lot of songs as well. As a creative you love to do what you love and there are limitations on what you can do on someone else’s song,” he said, noting that doing this new single of his own, offered him the opportunity to do it his way.
“Earlier this year I did what I call a re-imagine of Kees’ ‘Cocoa Tea’ and I went left with it, changing the instruments and posting it online in January. It was surprising to see that it was so well received; I got a lot of engagement online,” he recalled.
Passionate and ready for whatever may come, Stephon has gone all out on the release of ‘Soft Touch.’ “It’s being released with a video and I just want to say the song isn’t a release for ‘carnival’ per say. It’s a song for global appreciation. It’s a groove that can be enjoyed all year long.”
‘Soft Touch’ was written by Gabriel with production collaboratively done by Jumaane, Jaydot, Amiel Duncan and Gabriel himself. The song was mastered by Andre Stewart.
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A CLASS
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