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Seven Songs. One Big Artiste. Grenada’s Spice Mas Better Be Ready for Skinny Banton.

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Spice Mas, like every other carnival, is seasonal, but for Carriacou, Grenada artiste, Skinny Banton, music isn’t. He has unleashed seven songs in 2026, and like clockwork he’s locked in and ready to deliver his energy, good vibes and storytelling strengths to audiences celebrating another memorable Spice Mas experience this year.  

For Skinny Banton, whose real name is Shirlan George, Grenada’s Jab culture is fuel to his fire. In the past, songs like ‘Soak It Good’ and ‘Wrong Again,’ brought him tremendous acclaim across the region and internationally. This season, The Jambalasse project is anticipated to be one of the artiste’s most powerful contributions, signaling his intentionality to promote his country’s authentic culture, wherever he goes. “With this project we’re trying to keep the history, while celebrating the present by revamping a song that was done by Moss International 35 years ago,” he said. That song was called ‘Jambalasse Rule,’ released in 1991. “We revamped the riddim because it was one of the first songs considered to be an original Jab Jab song from Grenada, at that time,” he explained.

Proud of his personal efforts to keep the awareness on Grenada’s cultural traditions, Skinny Banton advocates for the continued celebration of these traditions and understands his role as an artiste. “No matter what we face as artistes in this space, we stay true to our mission. I have several songs that the people will enjoy in Spice Mas and beyond. One of my personal favourites is ‘Pain,’ a song I would like to share with my fans in Trinidad and Tobago when Carnival 2027 comes around,” he said. 

Strengthening Others 

Other tracks released by Skinny include, ‘When Yuh Eating,’ ‘Right Up,’ ‘Black Fuh Juvay,’ ‘Can’t Stop Us,’ ‘Carnival Traffic’ featuring Jamaican artiste, I Octane, ‘My Behaviour,’ featuring Tonic X and ‘Water Line Burst,’ collaboratively done with Nicki Akull. “The collaborations done with Tonic X and Nicki Akull mean a lot to me. They are upcoming artistes who I share good vibes with. When I was younger and had hopes of connecting and collaborating with bigger artistes, it was not easy,” he recalled, adding that it often felt daunting. He says because he understands the feeling, he is happy to be able to help these up-and-coming entertainers. “This was just my way of giving them strength and encouragement. I feel like nobody takes you seriously when you don’t have a foot in the door – they refuse to embrace you because you are not known. I want them to keep pushing after this,” he added.  

Dedicated and refocused, Skinny Banton is pushing full speed ahead. “I’m doing music videos for most of the songs. I already have a video for ‘Black Fuh Juvay,’ which has been uploaded to YouTube and all other streaming platforms, and the video for ‘My Behaviour’ with Tonic X is also out,” he said. Grateful to Jamaican artiste, IOctane for the strength given to him on their collaboration on the single, ‘Carnival Traffic,’ Skinny said this particular song is one that he loves, and he hopes the people will, as well. 

For the past three years, the artiste had been approached by upcoming entertainer, Nicki Akull for the single they eventually brought forward this year. “Waterline Buss – Nicki Akull’s persistence and determination really brought this song into existence,” he said, happy to have eventually come around to making it happen. Even with such a vast number of singles released, Skinny Banton says he is ready to work with artistes across the Diaspora. “I’m still creating, still working and I’m looking forward to establishing more ground in the Soca community and around the world.” 

Social Media, Music and Trends. 

Certainly attuned to the necessary promotional adjustments that many artistes have been forced to adopt, Skinny Banton says he hopes that despite the rise in social media content distribution, true talent and good music is not sacrificed. “I feel like content creation online should not take away from artistes creating and delivering great music, because without the content, the music should still stand on its own, and with the content, the people still need the music,” he shared. “I also feel like a lot of trends are created from making yourself an online spectacle and not the music being able to sustain itself, so you may get attention for what you post as content, but the music you’re posting the content for sometimes does not have enough substance to sustain itself for longevity,” he rationalized. 

Thoughtful, conscious and truly talented, Skinny Banton is a necessary part of the Caribbean’s creative landscape. His storytelling ability, coupled with his appreciation for the art and vocal capacity, makes him an artiste everyone should tap in to. “I want to encourage the young artistes to stay focused and keep pushing and never be discouraged by the many things that’s said on social media. They must work hard to establish their business to suit them, because every artiste will do things differently, when it comes to the business; Never be discouraged by the naysayers,” he advised. He thanked his fans for their love and support over the years. “People who’ve been supporting from day one and continue to support, as well as the new supporters I’ve gotten along the way – thank you. To the DJs and radio personalities, I appreciate you. One hand doesn’t clap. Thank you for keeping my songs on rotation and I hope you all continue to support me.” 

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Ebuzz News

A Theatrical Carnival Production Is Set for August 30th, Paying Tribute to the Mighty Sparrow. Blow Mano Blow is Coming.

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Another band launch is coming up in T&T. Blow Mano Blow Productions is preparing to introduce its latest presentation with a production that promises to be about much more than costumes and the traditional band launch.

The band will officially unveil its 2027 Carnival presentation, “To Birdie With Love,” on Sunday, August 30th, at the Queen’s Hall Garden Theatre in St. Ann’s. The event is carded to be a tribute to the music, legacy and cultural influence of the legendary Mighty Sparrow.

At the heart of the presentation are five sections inspired by some of Sparrow’s most enduring classics: “Jean and Dinah,” “Congo Man,” “Marajhin,” “Happy School Days” and “Margarita,” and according to the organizers, Blow Mano Blow will being it all to life in a distinguishable way.

Blow Mano Blow paid tribute to Calypso Rose in 2026.

Rather than treating the launch as simply a reveal of costumes and sections, the production is being billed as a theatrical Carnival experience, with each section brought to life through a combination of storytelling, drama, music and mas. The theatrical performances have been written and directed by acclaimed T&T playwright Penelope Spencer, adding a deliberate dramatic element to the presentation.

That approach speaks to what Blow Mano Blow brings to Carnival each year: an experience designed to extend beyond the road and the costume itself, placing culture, performance and storytelling at the centre of the mas experience. For Carnival lovers, “To Birdie With Love” represents an opportunity to encounter Sparrow’s music through a different lens. His iconic compositions become the foundation for five distinct sections, with the production using theatre and live performance to create a connection between the music and the mas.

The launch will also deliver the energy expected of a Carnival event, with performances from Brass 2 The World, Rave the Band, popular soca artistes and DJs from Sweet 100.1FM.

Guests will get their first look at the official Carnival 2027 costumes, while early registration for Carnival Monday will also be available. Door prizes, giveaways, food, drinks and the atmosphere of Carnival will round out the evening. For both experienced masqueraders and those preparing to play mas for the first time, the event offers an early introduction to what Blow Mano Blow has planned for Carnival Monday, 2027. This year, Blow Mano Blow’s presentation will be more than a costume collection, but rather the showcasing of a complete Carnival experience.

With Sparrow’s music serving as its creative foundation, theatre providing the storytelling framework, live music supplying the energy and mas completing the visual experience, “To Birdie With Love” seeks to place Trinidad and Tobago’s cultural legacy firmly within the excitement of contemporary Carnival.

The launch takes place on August 30th, the day before T&T’s Independence, from 6:00 pm to midnight at the Queen’s Hall Garden Theatre, with admission priced at TT$200.

For Blow Mano Blow Productions, the message is clear: Carnival 2027 begins with a celebration of one of Trinidad and Tobago’s greatest cultural icons—and an invitation to experience mas in a way that brings music, theatre, culture and Carnival together on one stage.

One night. Five sections. Live music. Theatre. Soca. Mas. Culture.

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Caribbean Buzz

Dancehall Trailblazer, Patra Will Gets Her Flowers at This Year’s Caribbean Music Awards.

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There was a time when Jamaican dancehall was largely viewed as a male-dominated space. Then came Patra, a bold, distinctive voice who helped change the conversation about what a female dancehall artist could achieve.

The Jamaican entertainer rose to prominence in the late 1980s and exploded onto the international scene in the 1990s, bringing her commanding delivery and unmistakable style to audiences far beyond Jamaica.

Songs such as “Worker Man,” “Romantic Call” and “Pull Up to the Bumper” introduced Patra to a global audience and helped establish her as one of the most recognizable female faces of the dancehall movement during its international expansion.

Queen of the Pack, Patra.

Her success was significant not simply because of the records she sold or the charts she reached. Patra was part of a generation of Caribbean artists proving that music born in Jamaica could compete for attention on the world’s biggest stages.

She also helped create a path for the many female dancehall artists who followed, demonstrating that women could command the same attention, confidence and cultural influence in a genre traditionally dominated by men.

Now, decades after her breakthrough, Patra is receiving her flowers.

The Caribbean Music Awards will honor the dancehall veteran with a special recognition at this year’s ceremony in Trinidad, alongside fellow Caribbean music legends Shyne, Calypso Rose and Alan Cavé.

For Patra, the honor represents more than a career milestone. It is recognition of a woman who helped carry the sound and spirit of Jamaican dancehall to the world—and in doing so, became part of Caribbean music history.

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