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Protoje Drops Powerful Video for “80’s Wild” Ahead of Highly Anticipated Film Release.

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Protoje is back with a bang, unveiling the gripping video for his track “80’s Wild”. A timely commentary on Jamaica’s political unrest, corruption, and systemic oppression during the late ‘70s and ‘80s, the song serves as a pivotal piece of his upcoming film, The Jamaican Situation, set for release in 2025. Not only does the track appear on The Jamaican Situation: Side A (out now via In.Digg.Nation Collective/Ineffable Records), but it’s also featured as part of the official soundtrack for the film, which Protoje co-directs with SAMO.

The video, directed by SAMO, takes a bold approach with tight, intimate shots of Protoje as he effortlessly moves through various iconic Jamaican backdrops. The visuals are as politically charged as the song itself, with references to key historical moments and figures in Jamaican history, such as the tragic deaths of Jacob Miller, Bucky Marshall, and Bob Marley, displayed on vivid posters throughout the video.

“80’s Wild” – A Snapshot of Political Turmoil in Jamaica

“80’s Wild” is more than just a song—it’s part of a larger narrative Protoje is crafting around Jamaican identity, history, and social struggles. The track is deeply embedded in the themes of his upcoming directorial debut, The Jamaican Situation. Protoje describes the film as a story about “a man returning home and navigating his identity amidst the complexities of modern Jamaican life.” The music, he explains, plays a crucial role in enriching these themes, blending seamlessly into the narrative.

Protoje’s vision for the soundtrack is clear: to tell the story of his homeland through both music and film. In the 5-track EP that makes up Side A, he’s brought together some of Jamaica’s most renowned producers, including Grammy-winning IzyBeats (known for his work on Koffee’s hits “Toast” and “W”), as well as Iotosh, Ziah.Push, and Zion I Kings. Each track on Side A contributes to the wider conversation around Jamaica’s socio-political climate, offering a mixture of sounds and stories.

Exploring Love, Resilience, and Political Struggles

While “80’s Wild” captures the turbulence of Jamaica’s past, Side A also explores a range of other powerful themes. “Mariposa” (produced by Zion I Kings) is a poignant reflection on love, while “Barrel Bun” (Ziah.Push) calls for systemic change. “Where We Come From” (featuring Jahshii, produced by IzyBeats) celebrates the resilience of the Jamaican people, and “30 Million” (produced by Iotosh) addresses greed and political agendas. Together, the songs offer a multifaceted introduction to the larger Jamaican Situation project, with Side B expected to drop closer to the film’s 2025 release.

European Tour Recap & Upcoming Plans

The artiste recently wrapped up his European tour, where he brought the dub-heavy sounds of his 2023 album In Search of Zion to fans across the continent. The album features remixes and dub versions of tracks from his previous LP, In Search of Lost Time, and was produced by the legendary Zion I Kings. On tour, Protoje was joined by Tippy I Grade (one-third of Zion I Kings) for an intimate and stripped-back live dub session.

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Ebuzz News

Denise Belfon’s OVO Package from Drake, Included a Dominos Game.

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She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.

Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.

Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.

The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.

CLICK HERE TO SEE HER REACTION.

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Belmont, Trinidad Delivers On ‘Hill and Gully’ Riddim. Anisha Pleas for Peace.

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A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.

Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.

Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.

For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”

Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”

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