Protoje is back with a bang, unveiling the gripping video for his track “80’s Wild”. A timely commentary on Jamaica’s political unrest, corruption, and systemic oppression during the late ‘70s and ‘80s, the song serves as a pivotal piece of his upcoming film, The Jamaican Situation, set for release in 2025. Not only does the track appear on The Jamaican Situation: Side A (out now via In.Digg.Nation Collective/Ineffable Records), but it’s also featured as part of the official soundtrack for the film, which Protoje co-directs with SAMO.
The video, directed by SAMO, takes a bold approach with tight, intimate shots of Protoje as he effortlessly moves through various iconic Jamaican backdrops. The visuals are as politically charged as the song itself, with references to key historical moments and figures in Jamaican history, such as the tragic deaths of Jacob Miller, Bucky Marshall, and Bob Marley, displayed on vivid posters throughout the video.
“80’s Wild” – A Snapshot of Political Turmoil in Jamaica
“80’s Wild” is more than just a song—it’s part of a larger narrative Protoje is crafting around Jamaican identity, history, and social struggles. The track is deeply embedded in the themes of his upcoming directorial debut, The Jamaican Situation. Protoje describes the film as a story about “a man returning home and navigating his identity amidst the complexities of modern Jamaican life.” The music, he explains, plays a crucial role in enriching these themes, blending seamlessly into the narrative.
Protoje’s vision for the soundtrack is clear: to tell the story of his homeland through both music and film. In the 5-track EP that makes up Side A, he’s brought together some of Jamaica’s most renowned producers, including Grammy-winning IzyBeats (known for his work on Koffee’s hits “Toast” and “W”), as well as Iotosh, Ziah.Push, and Zion I Kings. Each track on Side A contributes to the wider conversation around Jamaica’s socio-political climate, offering a mixture of sounds and stories.
Exploring Love, Resilience, and Political Struggles
While “80’s Wild” captures the turbulence of Jamaica’s past, Side A also explores a range of other powerful themes. “Mariposa” (produced by Zion I Kings) is a poignant reflection on love, while “Barrel Bun” (Ziah.Push) calls for systemic change. “Where We Come From” (featuring Jahshii, produced by IzyBeats) celebrates the resilience of the Jamaican people, and “30 Million” (produced by Iotosh) addresses greed and political agendas. Together, the songs offer a multifaceted introduction to the larger Jamaican Situation project, with Side B expected to drop closer to the film’s 2025 release.
European Tour Recap & Upcoming Plans
The artiste recently wrapped up his European tour, where he brought the dub-heavy sounds of his 2023 album In Search of Zion to fans across the continent. The album features remixes and dub versions of tracks from his previous LP, In Search of Lost Time, and was produced by the legendary Zion I Kings. On tour, Protoje was joined by Tippy I Grade (one-third of Zion I Kings) for an intimate and stripped-back live dub session.
Spice Mas, like every other carnival, is seasonal, but for Carriacou, Grenada artiste, Skinny Banton, music isn’t. He has unleashed seven songs in 2026, and like clockwork he’s locked in and ready to deliver his energy, good vibes and storytelling strengths to audiences celebrating another memorable Spice Mas experience this year.
For Skinny Banton, whose real name is Shirlan George, Grenada’s Jab culture is fuel to his fire. In the past, songs like ‘Soak It Good’ and ‘Wrong Again,’ brought him tremendous acclaim across the region and internationally. This season, The Jambalasse project is anticipated to be one of the artiste’s most powerful contributions, signaling his intentionality to promote his country’s authentic culture, wherever he goes. “With this project we’re trying to keep the history, while celebrating the present by revamping a song that was done by Moss International 35 years ago,” he said. That song was called ‘Jambalasse Rule,’ released in 1991. “We revamped the riddim because it was one of the first songs considered to be an original Jab Jab song from Grenada, at that time,” he explained.
Proud of his personal efforts to keep the awareness on Grenada’s cultural traditions, Skinny Banton advocates for the continued celebration of these traditions and understands his role as an artiste. “No matter what we face as artistes in this space, we stay true to our mission. I have several songs that the people will enjoy in Spice Mas and beyond. One of my personal favourites is ‘Pain,’ a song I would like to share with my fans in Trinidad and Tobago when Carnival 2027 comes around,” he said.
Strengthening Others
Other tracks released by Skinny include, ‘When Yuh Eating,’ ‘Right Up,’ ‘Black Fuh Juvay,’ ‘Can’t Stop Us,’ ‘Carnival Traffic’ featuring Jamaican artiste, I Octane, ‘My Behaviour,’ featuring Tonic X and ‘Water Line Burst,’ collaboratively done with Nicki Akull. “The collaborations done with Tonic X and Nicki Akull mean a lot to me. They are upcoming artistes who I share good vibes with. When I was younger and had hopes of connecting and collaborating with bigger artistes, it was not easy,” he recalled, adding that it often felt daunting. He says because he understands the feeling, he is happy to be able to help these up-and-coming entertainers. “This was just my way of giving them strength and encouragement. I feel like nobody takes you seriously when you don’t have a foot in the door – they refuse to embrace you because you are not known. I want them to keep pushing after this,” he added.
Dedicated and refocused, Skinny Banton is pushing full speed ahead. “I’m doing music videos for most of the songs. I already have a video for ‘Black Fuh Juvay,’ which has been uploaded to YouTube and all other streaming platforms, and the video for ‘My Behaviour’ with Tonic X is also out,” he said. Grateful to Jamaican artiste, IOctane for the strength given to him on their collaboration on the single, ‘Carnival Traffic,’ Skinny said this particular song is one that he loves, and he hopes the people will, as well.
For the past three years, the artiste had been approached by upcoming entertainer, Nicki Akull for the single they eventually brought forward this year. “Waterline Buss – Nicki Akull’s persistence and determination really brought this song into existence,” he said, happy to have eventually come around to making it happen. Even with such a vast number of singles released, Skinny Banton says he is ready to work with artistes across the Diaspora. “I’m still creating, still working and I’m looking forward to establishing more ground in the Soca community and around the world.”
Social Media, Music and Trends.
Certainly attuned to the necessary promotional adjustments that many artistes have been forced to adopt, Skinny Banton says he hopes that despite the rise in social media content distribution, true talent and good music is not sacrificed. “I feel like content creation online should not take away from artistes creating and delivering great music, because without the content, the music should still stand on its own, and with the content, the people still need the music,” he shared. “I also feel like a lot of trends are created from making yourself an online spectacle and not the music being able to sustain itself, so you may get attention for what you post as content, but the music you’re posting the content for sometimes does not have enough substance to sustain itself for longevity,” he rationalized.
Thoughtful, conscious and truly talented, Skinny Banton is a necessary part of the Caribbean’s creative landscape. His storytelling ability, coupled with his appreciation for the art and vocal capacity, makes him an artiste everyone should tap in to. “I want to encourage the young artistes to stay focused and keep pushing and never be discouraged by the many things that’s said on social media. They must work hard to establish their business to suit them, because every artiste will do things differently, when it comes to the business; Never be discouraged by the naysayers,” he advised. He thanked his fans for their love and support over the years. “People who’ve been supporting from day one and continue to support, as well as the new supporters I’ve gotten along the way – thank you. To the DJs and radio personalities, I appreciate you. One hand doesn’t clap. Thank you for keeping my songs on rotation and I hope you all continue to support me.”
Trinidad and Tobago gospel dancehall artiste JrDynamite is opening up about some of life’s toughest emotional battles on his latest single, Fake Energy.
Produced by Adrian “Always Kreative” Emily, the track blends smooth dancehall rhythms with JrDynamite’s signature sing-jay style to deliver a message that is both deeply personal and widely relatable. Through honest storytelling, the artiste explores feelings of disappointment, isolation, and self-doubt while encouraging listeners to remain grounded in faith.
At its core, Fake Energy examines the challenges of identifying genuine support in a world often filled with superficial connections. The song reflects on loyalty, appreciation, and the search for authentic relationships, all while asking difficult questions about who truly stands by us during life’s most challenging moments.
While the message is universal, the track also shines a light on the emotional struggles many men face as they carry responsibilities while feeling unseen or underappreciated. JrDynamite uses the song to create space for reflection, vulnerability, and healing without losing the uplifting spirit that defines his music.
Anchored by faith and resilience, Fake Energy reminds listeners that even when human relationships disappoint, strength and purpose can still be found through God’s unwavering love.
With its soulful melodies, introspective lyrics, and polished production, Fake Energy continues JrDynamite’s mission of creating music that not only entertains but also inspires listeners to protect their peace, recognize their worth, and keep moving forward.
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