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“Please Programme Directors, Do Better.” Soca Artiste Calls for Equity.

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“Please programme directors, do better.” 

Solemnly and with no malice in heart, one son of the soil is pleading for equity in the music business as the Carnival 2024 season rears its head in Trinidad and Tobago. Mr. Bessor is working with two well respected music producers this year – Kyle Phillips and Nikholai Greene. Already, he’s unleashed a single called, ‘Brighter Days’ alongside M1- an artiste he credits with giving him the strength to push harder in the music business, despite the challenges faced. The song, he says, has received little to no airplay across the nation’s airwaves, since its release three weeks ago. 

He isn’t complaining though. What he intends to do, is push even harder. The ‘Brighter Days’ project was first produced by Kes Keys of The Asylum Vikings before being co-produced by Phillips who he says, truly worked with him, to deliver what he knows is A class quality when it comes to music and sound engineering. “Kyle has worked with many, many artistes and there’s really no reason any DJ should ignore the work that comes out of his studio,” said Mr. Bessor. He believes in the young producer’s ability and likewise, he says Kyle chose to work with him out of sheer belief in his talents and capabilities. 

Mr. Bessor is grateful despite the challenges faced.

Grateful for the support of fellow entertainer, M1, Mr. Bessor said the Sangre Grande based artiste has been rooting for him since they began working together in 2007. Compelled to keep going as a result, this season he decided to invest in his very own carnival project. “I am the executive producer of the Bess Box riddim. I purchased the riddim from Shot Master J and we have tracks by Rocky, Shurwayne and my song is called, ‘Anything Goes,’” he explained. “I’m trying different avenues to get my name out there- to get myself seen and heard,” he admitted. 

Mr. Bessor’s deep rooted feelings aren’t very different from the feelings expressed by many in the soca music industry. He is however taking a different approach, empowering himself by making an investment in the music he believes in. 

At the end of November, the artiste will unleash his third contribution to the upcoming Carnival season in Trinidad and Tobago. “I have a song called ‘Soca Taking Over Places’ – the acronym to which is STOP. It calls on the people to stop saying that soca isn’t going anywhere, stop self-sabotaging the genre and stop selling it short,” he explained, excitedly recalling the way dancehall artiste, Bounty Killer was brought to strong condemnation of current dancehall trends when Machel Montano’s ‘Pop A Bottle’ was played at the annual Sting showcase, earlier this year. That single is produced by Nikholai Greene of NMG Productions and gives clear indication of Mr. Bessor’s solidarity when it comes to the soca music genre. 

A short season of revelry ahead, the artiste acknowledges the challenges that abound for everyone involved, but maintains, every artiste deserves an opportunity to be heard, with the listening audience being given 100% choice when it comes to what makes them feel good. 

For more on Mr. Bessor, follow him on Instagram and Facebook @mrbessor.  

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Music News

JrDynamite Gets Real On New Single “Fake Energy.”

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Trinidad and Tobago gospel dancehall artiste JrDynamite is opening up about some of life’s toughest emotional battles on his latest single, Fake Energy.

Produced by Adrian “Always Kreative” Emily, the track blends smooth dancehall rhythms with JrDynamite’s signature sing-jay style to deliver a message that is both deeply personal and widely relatable. Through honest storytelling, the artiste explores feelings of disappointment, isolation, and self-doubt while encouraging listeners to remain grounded in faith.

At its core, Fake Energy examines the challenges of identifying genuine support in a world often filled with superficial connections. The song reflects on loyalty, appreciation, and the search for authentic relationships, all while asking difficult questions about who truly stands by us during life’s most challenging moments.

While the message is universal, the track also shines a light on the emotional struggles many men face as they carry responsibilities while feeling unseen or underappreciated. JrDynamite uses the song to create space for reflection, vulnerability, and healing without losing the uplifting spirit that defines his music.

Anchored by faith and resilience, Fake Energy reminds listeners that even when human relationships disappoint, strength and purpose can still be found through God’s unwavering love.

With its soulful melodies, introspective lyrics, and polished production, Fake Energy continues JrDynamite’s mission of creating music that not only entertains but also inspires listeners to protect their peace, recognize their worth, and keep moving forward.

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Music News

General Grant and Mr Renzo Unite Caribbean Rhythms on “De Shot Call (Remix)”

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The vibrant sounds of classic dancehall and contemporary reggaeton collide on “De Shot Call (Remix),” a dynamic new collaboration from Trinidad and Tobago recording artist General Grant and versatile entertainer Mr. Renzo.

.Designed to ignite dancefloors while honoring the rich musical heritage of the Caribbean, the track blends the raw, energetic spirit of early 1990s dancehall with the infectious grooves and global appeal of modern reggaeton. The result is a high-energy anthem that bridges generations, cultures, and musical styles.

Inspired by the golden era of dancehall that helped shape Caribbean music culture, “De Shot Call (Remix)” reimagines that signature sound through a contemporary lens. The production delivers nostalgic undertones while embracing the polished rhythms and vibrant energy that resonate with today’s audiences.

For General Grant, the project continues his commitment to preserving and evolving authentic Caribbean music. Widely respected for his contributions to the dancehall and reggae landscape, he brings his signature delivery and commanding presence to the remix, reinforcing the song’s connection to the genre’s roots.

Joining him is Mr. Renzo, a singer, songwriter, and entertainer whose career spans more than two decades. Recognized for his ability to blend Caribbean, Latin, pop, and urban influences, Mr Renzo adds a fresh and modern dimension to the track, helping to create a sound that transcends borders and appeals to a broad international audience.

Together, the two artists showcase how Caribbean music continues to evolve while remaining grounded in its traditions. “De Shot Call (Remix)” serves as a celebration of that journey, highlighting the seamless transition from dancehall’s formative years to Reggaeton’s current global prominence.

The single was executive produced by Lawrence Adams – Mr. Renzo, who also co-wrote the track alongside Curtis Grant – General Grant. Recording and editing duties were handled by Stephon Gabriel, while engineer Ovy Thouni delivered the song’s polished mix and master.

With its infectious rhythm, energetic performances, and cross-generational appeal, “De Shot Call (Remix)” is positioned to become a favourite among fans of Caribbean music and lovers of dancefloor-ready hits alike.

Whether you’re a longtime dancehall enthusiast or a fan of today’s reggaeton movement, this collaboration offers the perfect soundtrack to turn up the volume and celebrate the enduring influence of Caribbean music.

“De Shot Call (Remix)” is now available for audiences ready to experience the fusion of old-school dancehall energy and modern reggaeton flavor.

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