Marge Blackman, the daughter of Soca music inventor, Ras Shorty I, has written “the song of the decade.” These were her words to Rodney Julius, a US based artist she’s collaborated with on a track that’s described as a song of service to country, and perhaps the world.
“Free State of Mind,” is a refreshing spin on the traditional sound of Calypso. Uplifting and thoughtful, this piece of art is considered by its creators as a gift to country and the world. “When I spoke with Marge Blackman about the project, she said, “Julius do you mind if we produce the track?” Blackman’s 18-year-old son, Moziah produced the song, delivering on the authentic sound Julius had hoped for.
The project began just after Blackman’s trip to India, where she had performed for thousands alongside Machel Montano at Yogi, Sadhguru’s Maha Shivratri celebrations. She had been fasting, however upon completion of her fast, she commenced work on ‘Free State of Mind.’
“When she sent me the acoustic version, I was brought to tears,” admitted Julius. A Sealots, Trinidad native, Julius loves the authentic Tringabonian culture and because of this, he maintains focus on delivering music with purpose. “I remember looking at The Mighty Duke and the other calypsonians as a youth, and admiring the way they dressed. They always thought of the younger people who were looking up to them,” he said, adding that he feels Calypso music and all that comes along with the genre, needs to be revived. “This is Jamoo calypso with a hint of Soca. This is a contribution to culture and wherever it takes me, I’ll be there. Wherever God needs me to be, I’m there,” he said.
“Free State of Mind” is a project of passion, brought together by mindful human beings who are dedicated to the betterment of mankind and each other. “I have to say thank you to Peter Wildfire Noel who did my vocal production. He did a great job. I have to give him honorable mention,” said Julius. He also gives tremendous credit to Krystle Bascombe, one of Trinidad and Tobago’s acclaimed drummers, for doing live drums on the track.
The song was written by Marge Blackman and produced by Jamoo 13th Sound. The track’s executive producers are Hubert ‘Ziah’ Lila, Rich London and Rodney Julius himself. “We haven’t done this song for the sake of competition or fanfare. We understand that by calypso our stories are told. With that in mind, we offer our gifts and talents in service to Trinidad and Tobago, the Caribbean and the wider world,” said the singer.
Trinidad and Tobago’s Greatest Show on Earth, the main focus for many at this time, the artistes on this single are understanding of the timing. Julius explained that he had considered a hiatus from the business of music, however one day even as those thoughts filled his mind, God directed him to continue. “What I will say to everyone doing music, and especially to the young artistes is, keep digging deeper and remember, there’s always someone looking on at you,” he shared.
“Free State of Mind” is available on all streaming platforms, and music lovers are encouraged to follow the artistes as they continue their mission of empowerment.
Stay updated on their efforts via Instagram @margeblackmantt and @juliustheartiste.
As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.
This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation.
Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today.
The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.
For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally.
“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms.
The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET:The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.
Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.
Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.
Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.
Denise Belfon was one of the featured artistes at So Sweet.
One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.
For Berry, being on stage beside Tigress was a full circle experience. The music of the United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.
For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.
SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.
error: This content is protected. if you wish to use this content in anyway please contact us.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.