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Julius and Marge Follow Purpose, Delivering ‘Free State of Mind.’

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Marge Blackman, the daughter of Soca music inventor, Ras Shorty I, has written “the song of the decade.” These were her words to Rodney Julius, a US based artist she’s collaborated with on a track that’s described as a song of service to country, and perhaps the world. 

“Free State of Mind,” is a refreshing spin on the traditional sound of Calypso. Uplifting and thoughtful, this piece of art is considered by its creators as a gift to country and the world. “When I spoke with Marge Blackman about the project, she said, “Julius do you mind if we produce the track?” Blackman’s 18-year-old son, Moziah produced the song, delivering on the authentic sound Julius had hoped for. 

The project began just after Blackman’s trip to India, where she had performed for thousands alongside Machel Montano at Yogi, Sadhguru’s Maha Shivratri celebrations. She had been fasting, however upon completion of her fast, she commenced work on ‘Free State of Mind.’ 

“When she sent me the acoustic version, I was brought to tears,” admitted Julius. A Sealots, Trinidad native, Julius loves the authentic Tringabonian culture and because of this, he maintains focus on delivering music with purpose. “I remember looking at The Mighty Duke and the other calypsonians as a youth, and admiring the way they dressed. They always thought of the younger people who were looking up to them,” he said, adding that he feels Calypso music and all that comes along with the genre, needs to be revived. “This is Jamoo calypso with a hint of Soca. This is a contribution to culture and wherever it takes me, I’ll be there. Wherever God needs me to be, I’m there,” he said. 

“Free State of Mind” is a project of passion, brought together by mindful human beings who are dedicated to the betterment of mankind and each other. “I have to say thank you to Peter Wildfire Noel who did my vocal production. He did a great job. I have to give him honorable mention,” said Julius. He also gives tremendous credit to Krystle Bascombe, one of Trinidad and Tobago’s acclaimed drummers, for doing live drums on the track. 

The song was written by Marge Blackman and produced by Jamoo 13th Sound. The track’s executive producers are Hubert ‘Ziah’ Lila, Rich London and Rodney Julius himself. “We haven’t done this song for the sake of competition or fanfare. We understand that by calypso our stories are told. With that in mind, we offer our gifts and talents in service to Trinidad and Tobago, the Caribbean and the wider world,” said the singer. 

Trinidad and Tobago’s Greatest Show on Earth, the main focus for many at this time, the artistes on this single are understanding of the timing. Julius explained that he had considered a hiatus from the business of music, however one day even as those thoughts filled his mind, God directed him to continue. “What I will say to everyone doing music, and especially to the young artistes is, keep digging deeper and remember, there’s always someone looking on at you,” he shared.

“Free State of Mind” is available on all streaming platforms, and music lovers are encouraged to follow the artistes as they continue their mission of empowerment. 

Stay updated on their efforts via Instagram @margeblackmantt and @juliustheartiste. 

CHECK OUT THE SONG:

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‘Lucifer Puppet’ – New Track Brings It Straight. Minister on A Mission.

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Ronald Herry is ‘Minister’

Armed with purpose and strengthened daily by his virtue, Minister – a spiritually inclined artiste, is set to unleash a track that he knows, has the power and potential to persuade change in depressed communities across Trinidad and Tobago. 

Ronald Herry is a man on a mission. He has dedicated his life to serving God and doing God’s will, using his talent now, to go beyond the walls of his ministry, and reach into the hearts of men. “‘Lucifer Puppet’ is a song that is made for a time such as this,” he says. The track, penned by the artiste himself and produced by Chinx Roots, seeks to revive consciousness, awaken right thinking, particularly since Minister is of the firm belief that much of what the world is presently experiencing goes beyond the physical realm. “With the crime situation as it is, and the way that our youths are involving themselves in gangs and violence, I believe this song is relevant. For those of us who believe in the spiritual side of things, we know there are forces behind it all, and I think the song will bring heightened consciousness to what is behind these things,” said the singer. 

Trinidad and Tobago’s Prime Minister, reacting to a spate of violent attacks among school aged children recently, has threatened expulsion for those found violating the expected code of conduct. For the artiste, Minister, and the team of creatives dedicatedly pushing positivity, efforts are consistently being made to reach troubled youth on their level. “In marketing this song and its lyrics, our creative team will utilize social media to a great extent. We’ve also placed a lot of effort into the visuals for the single, which directly speaks the language of the youths,” said Stephon Gabriel – engineer at Gabriel Creative Studios. Together with Minister, he has given great consideration to the impact music has had on society. “The video for the song will show, in the simplest way, just how much people are being used in nefarious ways. Negativity has been glamorized, particularly on social media. The song will point out the ways in which society is being used and abused, and we’re confident it will awaken a sense of consciousness,” said Minister. 

‘Lucifer’s Puppet’ isn’t the artiste’s first deliverable in the creative space. “I’ve worked alongside artistes like Blackie and Chucky in the past. I’ve been around the industry, but I never pursued it heavily. I didn’t really think it was for me,” explained Herry. He however believes in the power of evangelism and the importance of using one’s gifts with purpose. “As a minister in ministry and the leader of a youth group, I am heavily involved in evangelism. I understand the importance of reaching the youths on their level. I am privy to their stories and in dealing with them I understand what they are involved in,” he said, reiterating the importance of restoring sight to the blind. “Many of these youths are just children and they are more or less spiritually blinded or lacking knowledge and understanding, so you really can’t blame them. Many of them do not have the parental guidance needed.” 

Minister believes parents are the first crime stoppers in any society and urges proper guidance. “Instilling positive values in our youth is still very important. Another important aspect of parenting is ensuring that children understand rules and adhering to them because this essentially trickles down into society. What we see happening across our communities is simply a reflection of what is happening in the home,” he said. Optimistic in the power of positive music, Minister says he wants to deliver music that will stimulate the mind and spark a thought, bringing light into dark areas. He laments the popular culture that propagates negative expression, saying that while a song may seek to share one person’s story with the rest of the world, it may have an adverse effect on someone else. “If the music does not highlight solutions and encourage change, all that’s being shared is a negative narrative. If the song is speaking about the impact of a particular lifestyle, it’s important that the solutions be shared as well,” he argued, adding that while the world has glorified negativity, the truth is, those singing the negative lyrics are merely seeking a way out, unconscious of those they are leaving in the mess. 

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Caribbean Vibes Take Over Times Square in Epic Celebration of Culture and Unity.

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New York City turned into a Caribbean carnival hotspot on Tuesday, June 10, as “A Caribbean Fete in Times Square” lit up the heart of Manhattan with music, color, and contagious island energy. The electrifying event, hosted by I AM CARIBBEING in collaboration with TSQ Live, marked Caribbean American Heritage Month in true festive fashion — drawing thousands of revelers and maxing out Times Square’s capacity, according to official sources.

For two hours, the Crossroads of the World throbbed to the rhythms of Soca, Dancehall, Reggae, Kompa, and more. Global party starters DJ Private Ryan and Kevin Crown turned the square into a massive outdoor dance floor, with flag-waving fans from across the Caribbean diaspora (and beyond) moving to the beat. A surprise set from Soca star Trinidad Killa amped up the party even more, delivering an explosive performance that had the crowd in full fete mode

As national flags soared high and the crowd pulsed in vibrant unison, Times Square was transformed into a living tribute to Caribbean pride. The grand finale? A euphoric eruption as Machel Montano’s Road March-winning hit “Pardy” blared through the speakers, sending fans into a frenzy.

“It was iconic,” said DJ Private Ryan, fresh off the stage and fresh from receiving an official proclamation from the City of New York. “To represent Trinidad & Tobago and the Caribbean at large in such a globally recognized venue is one of those once-in-a-lifetime experiences. I hope we see more of this — more world-class celebrations of our vibrant culture.”

And he’s not alone. Shelley Worrell, founder of I AM CARIBBEING and Little Caribbean NYC, called the night “historic” for both the Caribbean community and the broader diaspora. “To see so many flags represented, so much joy and cultural unity in Times Square — it was a powerful moment,” she shared. “The energy from DJ Private Ryan, Kevin Crown, and Trinidad Killa created a viral buzz across TikTok, Instagram, and Twitter. Caribbean culture was on full display, and the world was watching.”

The event wasn’t just for Caribbean nationals either — organizers handed out themed bandanas to non-Caribbean attendees, making sure everyone felt the love and spirit of the islands. Families, tourists, longtime New Yorkers — all came together in one big, beautiful display of inclusion and celebration.

“A Caribbean Fete in Times Square” was more than a party — it was a cultural milestone. As the first event of its kind in the iconic space, it set a new precedent for Caribbean visibility in mainstream spaces. With I AM CARIBBEING leading the charge, this high-energy showcase is just the beginning of a larger movement to uplift Caribbean voices and legacies not only in New York, but worldwide.

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