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Caribbean Buzz

Integrity over Sexualization. New Soca Artistes Rreecey and Eggy Dan Stand Firm.

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Imagine being told that in order to be seen and heard, as an upcoming female artiste in the Soca music industry, physical exposure is necessary. Somewhat daunted by this, New York based artiste, Rreecey says she finds herself caught between being passionately driven and angered.


A new single, ‘Stink and Dutty,’ done collaboratively with her friend and fellow artiste, Eggy Dan, Rreecey says she’s been open to marketing and promoting her music, using all available tools, however she makes it clear, she is not in the business of selling her body, arguing that women should not be made to suffer for their integrity.

The sexualization of women in the music industry is not new, nor is it exclusive to Soca music. Other female artistes, among them, Alison Hinds, have spoken out on the hyper-sexualization of the music industry, but to no avail. Despite this challenge now faced, Rreecey says she will press on, promising to continue her momentum with hopes that she can prove herself worthy of airplay and event bookings in the Carnival season ahead.

‘Stink and Dutty’ was written by Jason ‘Shaft’ Bishop, one of the Caribbean region’s most requested songwriters. The duo say they’ve found tremendous support in Shaft’s camp, highlighting that with Jason, they’ve been given great music, and even better advice. “Jason is really good at what he does and he guides you really well. He’s a good one,” said Eggy Dan.

Having recently survived a major car accident, Eggy, whose real name is Marvin Lewis, is on the road to recovery. “I’m not back to my usual self just yet but I am doing physical therapy.” He was lucky to survive a car accident on Mother’s Day this year, suffering a severe back injury. “It’s been very hard. I haven’t been working, but with the release of the new single, we made the sacrifice needed recently, visiting Tobago for a promotional run, ahead of Tobago’s carnival,” he said. That experience however, altered his view on the business somewhat, lamenting that people in the industry are very good at making false promises. “There is a lack of proper accountability in the Soca music business, with no redress available to upcoming artistes. People behind the scenes are taking on certain roles and giving assurances, but they’re doing it for money, not for the love of the artform,” said Rreecey.

New Music with Millbeatz

Their trip to T&T last month was not wasted. The duo recorded new music at Millbeatz Music and are excited for the unveiling of these projects. “We’re looking toward the end of the year and we’re excited to share these new songs with Soca lovers,” said Rreecey. They plan on releases two groovy soca track individually, in the next few months. The New York based entertainer explained that she has taken on the task of personally becoming acquainted with leaders in the industry, including event promoters, in a bid to manage risk, after unfortunate experiences in the recent past.


Friends and fans of the artistes have been very observant of their growth. “It’s always great to get the feedback of the people who’ve seen our development over time. Sometimes it’s difficult to maneuver as new artistes, and it doesn’t help when seasoned artistes refuse to share their knowledge and offer advice,” said the young female artiste. Eggy however recalled fellow entertainer, Preedy’s words of support to him. “Preedy told us it won’t be easy but he said we should just keep pushing.”


For both these entertainers, there is a strong will and desire to create long- lasting music. “I want my music to live on. I don’t want to create disposable music. That doesn’t make sense,” said Eggy. Rreecey says despite the challenges that present itself for new artistes choosing Soca music as their outlet, she remains steadfast in her approach. “It’s really tough in New York now, with a lot of promoters becoming artistes and even hiring themselves. This could hurt the culture because if legitimate artistes who take this craft seriously, are continuously overlooked, what can we expect in 10 years?”

No matter the challenge, the New York based team of Rreecey and Eggy Dan is pushing through. Visuals and additional marketing, a major part of their promotional thrust in the months ahead, the artistes are working dedicatedly to bring good music, enjoyable vibes and long-lasting quality to the Soca scene.

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Caribbean Buzz

Lil’ Bitts Vows Never to Miss de Mas Again as She Prepares for a Jam-packed 2025 Season

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Shivonne Church- Isaacs (Lil’ Bitts) has been in the soca industry for 20 years.

After two decades in the business, Lil’ Bitts—aka Shivonne Churche-Isaacs—has made a vow she plans to keep: never again will she sit out Carnival. The multi-talented artiste, known for her infectious energy and stage presence, has had a front-row seat to Trinidad and Tobago’s iconic festival season for years, but it wasn’t always smooth sailing. She still remembers the shock she felt when she made the decision to skip the parades on Carnival Monday and Tuesday one season, only to end up physically sick. “I got sick—like, literally,” she admits. “I’ll never ignore Carnival’s call again.”

This year, Bitts is more than ready to hit the streets with Yuma for an unforgettable Carnival 2025. The excitement is palpable as she gears up for what’s sure to be a thrilling season, both on and off the road.

Rising to the Occasion with “Brighter Days”

Lil’ Bitts is happy to add something different to her repertoire, with ‘Brighter Days.’

With five songs under her belt and a growing social media presence, Lil’ Bitts is enjoying a well-deserved moment in the spotlight. Her Instagram and other platforms have become hubs of interaction with fans, opening doors to new collaborations and promotional opportunities. “Social media is the ultimate artiste toolkit,” she says, urging fellow performers to embrace the digital world to connect with their audiences.

One of her most highly anticipated projects is the track “Brighter Days,” which she says has been in the works for three years. Produced by Gaffa Productions, the song has become a personal passion project. “This one is really special,” she shares. “The world needs positivity right now, and I feel like this song is necessary.” She credits the magic of modern technology for making it all come together, working with talented producers like Stemz, District 6 Studios, and Benje Music in hybrid mode from different locations in the region. She’s also collaborated with M1 on a single called “Wetter” for the 2025 season. “We’ve been talking about working together for years, and I’m so happy it’s finally happened,” she says. “M1’s a unique talent; there aren’t a lot of artistes like him.”

A Dream Come True: Chutney and Multi-Cultural Magic

Teaming up with Reshma Ramlal, Bitts has been reminded of the beauty that exists in T&T.

As if things weren’t busy enough, Lil’ Bitts has recently ventured into the world of chutney music. She got a call from the Pungalunks Factory to contribute vocals for a track with Reshma Ramlal, the Warrior Princess herself. The track, “Poowah Nah Ready,” is a dream come true for Bitts, who has always had an affinity for East Indian culture. “When I was a kid, I loved dressing in Indian clothes and watching Bollywood movies. I knew I wanted to do a Chutney song one day, but it had to feel natural. And this—this feels right,” she said. Bitts reflects on how much she’s learned and appreciated about Trinidad and Tobago’s multicultural beauty through this experience. “The energy on set, the unity—it was amazing. We’re one people, and that’s something I never want to forget.” The collaboration has already earned a place in the spotlight, with Ramlal making it into the semi-finals of the Chutney Soca Monarch competition.

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Caribbean Buzz

$1 Million Up for Grabs In New Ultimate Soca Champions Competition.

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Trinidad and Tobago is set to stage a revamped International Soca Monarch competition in what is now dubbed The Ultimate Soca Champion competition. The event’s final will be staged on Thursday, February 20th, with the semi final round set for Sunday, February 9th. The announcement was made earlier today by organisers, at a media conference held at Queen’s Hall, Port of Spain.

Soca artiste Voice is one of many big name artistes who’ve won big in the old International Soca Monarch Competition.

The organisers said the competition will not be split into Groovy/Power categories, however they said there will be special prizes for Best Groovy Soca, Best Power Soca and People’s Champion, based on public votes.

The event will feature the Ultimate Soca Champion reality TV show which organizers say is aimed at giving viewers an intimate look into the competition. “We believe this will help our culture to reach international audiences when packaged properly,” the team said.

In-Person Auditions will take place on Saturday, January 25th, 2025 at 9:00 AM at the Fernando Academy of the Performing Arts (SAPA). Regional/ International Artistes who are not in Trinidad and Tobago, are required to submit video auditions from January 20th at 8:00am to January 26th at 11:59pm.

“We aim to make this a production that captivates
audiences worldwide,” said Rome. “The Ultimate Soca Champion Competition will not only
elevate soca to international standards but also inspire the next generation of artistes.”

For registration, submission guidelines, and updates, visit ultimatesocachampion.com from Monday January 20th, or email ultimatesocachampion@gmail.com.

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