Caribbean Buzz
Integrity over Sexualization. New Soca Artistes Rreecey and Eggy Dan Stand Firm.
Imagine being told that in order to be seen and heard, as an upcoming female artiste in the Soca music industry, physical exposure is necessary. Somewhat daunted by this, New York based artiste, Rreecey says she finds herself caught between being passionately driven and angered.
A new single, ‘Stink and Dutty,’ done collaboratively with her friend and fellow artiste, Eggy Dan, Rreecey says she’s been open to marketing and promoting her music, using all available tools, however she makes it clear, she is not in the business of selling her body, arguing that women should not be made to suffer for their integrity.
The sexualization of women in the music industry is not new, nor is it exclusive to Soca music. Other female artistes, among them, Alison Hinds, have spoken out on the hyper-sexualization of the music industry, but to no avail. Despite this challenge now faced, Rreecey says she will press on, promising to continue her momentum with hopes that she can prove herself worthy of airplay and event bookings in the Carnival season ahead.
‘Stink and Dutty’ was written by Jason ‘Shaft’ Bishop, one of the Caribbean region’s most requested songwriters. The duo say they’ve found tremendous support in Shaft’s camp, highlighting that with Jason, they’ve been given great music, and even better advice. “Jason is really good at what he does and he guides you really well. He’s a good one,” said Eggy Dan.
Having recently survived a major car accident, Eggy, whose real name is Marvin Lewis, is on the road to recovery. “I’m not back to my usual self just yet but I am doing physical therapy.” He was lucky to survive a car accident on Mother’s Day this year, suffering a severe back injury. “It’s been very hard. I haven’t been working, but with the release of the new single, we made the sacrifice needed recently, visiting Tobago for a promotional run, ahead of Tobago’s carnival,” he said. That experience however, altered his view on the business somewhat, lamenting that people in the industry are very good at making false promises. “There is a lack of proper accountability in the Soca music business, with no redress available to upcoming artistes. People behind the scenes are taking on certain roles and giving assurances, but they’re doing it for money, not for the love of the artform,” said Rreecey.
New Music with Millbeatz
Their trip to T&T last month was not wasted. The duo recorded new music at Millbeatz Music and are excited for the unveiling of these projects. “We’re looking toward the end of the year and we’re excited to share these new songs with Soca lovers,” said Rreecey. They plan on releases two groovy soca track individually, in the next few months. The New York based entertainer explained that she has taken on the task of personally becoming acquainted with leaders in the industry, including event promoters, in a bid to manage risk, after unfortunate experiences in the recent past.
Friends and fans of the artistes have been very observant of their growth. “It’s always great to get the feedback of the people who’ve seen our development over time. Sometimes it’s difficult to maneuver as new artistes, and it doesn’t help when seasoned artistes refuse to share their knowledge and offer advice,” said the young female artiste. Eggy however recalled fellow entertainer, Preedy’s words of support to him. “Preedy told us it won’t be easy but he said we should just keep pushing.”
For both these entertainers, there is a strong will and desire to create long- lasting music. “I want my music to live on. I don’t want to create disposable music. That doesn’t make sense,” said Eggy. Rreecey says despite the challenges that present itself for new artistes choosing Soca music as their outlet, she remains steadfast in her approach. “It’s really tough in New York now, with a lot of promoters becoming artistes and even hiring themselves. This could hurt the culture because if legitimate artistes who take this craft seriously, are continuously overlooked, what can we expect in 10 years?”
No matter the challenge, the New York based team of Rreecey and Eggy Dan is pushing through. Visuals and additional marketing, a major part of their promotional thrust in the months ahead, the artistes are working dedicatedly to bring good music, enjoyable vibes and long-lasting quality to the Soca scene.
“Preedy told us it won’t be easy but he said we should just keep pushing.”
Eggy Dan
Caribbean Buzz
Skinny Banton Sets the Tone with ‘Liquor’ ; Reminds Real Revelers of Vibes in Store.
As Carnival 2025 in Trinidad and Tobago looms, one of the Caribbean’s most unique and intriguing male artistes, Skinny Banton, is gearing up to make his mark in a big way. With his latest release, Liquor, already causing waves, the Grenadian-born artist is proving he’s here to stay, bringing his personal style, and down- home Caribbean spirit to a global audience.
It’s been five years since his unforgettable hit, Wrong Again, took the world by storm and the track remains a fan favorite to this day. Its infectious energy and authentic vibe solidified Skinny as an artiste to watch, and since then, his music has resonated with listeners across the region and internationally. His ability to blend catchy rhythms with meaningful lyrics has made him a staple in Caribbean music, while his sound remains a perfect blend of traditional influences and contemporary flair.
The Jab culture of Grenada has always been a source of inspiration for the Carriacou native. But it’s not just one island or one genre that defines him. Skinny draws from the wider Caribbean experience, creating music that speaks to all the islands, enticing the international crowd along the way. As he explains, his music isn’t confined to one place or one story; It’s about sharing the universal joy of the Caribbean with the world.
“Music is for everyone,” says Skinny. “It’s not about where you’re from. It’s about connecting people from different walks of life through rhythm, melody, and energy. When people come to Carnival, they’re looking for an experience that will stay with them forever, and I want to be a part of that.”
Ahead of Trinidad and Tobago’s 2025 Carnival, Liquor is quickly becoming one of those intrinsic songs. With its irresistible beat and carefree lyrics, the song is a celebration of the Caribbean spirit — the good times, the laughter, and yes, the drinks that fuel the party. “This is a song for the drinkers, the ones who bring the vibes to the Carnival with every sip they take,” Skinny laughs. “But remember — everything in moderation! You don’t want to be the one ruining the vibes for everyone else.”
Last year, Carriacou, the artiste’s home island, was devastated by Hurricane Beryl. Amid that unfortunate circumstance, he stood up with a sense of determination to draw awareness to the plight of those left to clean up and get their lives back to normal. His popularity as an entertainer, aided somewhat in that effort as he was able to assist with food and necessities for those affected. Through his artistry, Skinny continues to shine a spotlight on his roots, celebrating the vibrant culture and resilience of his community.
In Trinidad recently, he reconnected with fans of his music, sharing the new songs ahead of the 2025 Carnival season. “Music is the universal language,” he said. “It doesn’t matter where you’re from or what language you speak. What matters is that it makes you feel something — and that’s what I try to give. The people know good music. They need music to lift their spirits, make them move, and sing along,” he explained, adding, “That’s what I strive to provide — music that resonates, that connects, music that brings people together.”
To stay connected with Skinny Banton and get the latest on his upcoming music and Carnival appearances, follow him on Instagram and Facebook @skinnybanton.
Caribbean Buzz
Scorch 101 Soca Hit List Sends Soca Lovers Crazy.
Soca music lovers from all around the world tuned in to Trinidad and Tobago radio station Scorch 101 FM on Friday as the station delivered what can only be described as a deep dive into the music genre. With 101 days to go to Carnival 2025 the team at Scorch Radio pushed out a plan to ensure listeners from around the world tuned in, and that they did.
The Internet could not get enough of the music that is so often attached only to the carnival culture. A list of what the Scorch team considers 101 of the top Soca tracks based on criteria such as danceability, cultural impact, lyrical content, music production, and versatility brought out Soca enthusiasts from every nook and cranny across the Internet. In one day, Scorch radio penetrated the Diaspora and brought people together, though via the Internet, to banter heartily over whether the choices were or were not valid.
Judges on the panel included DJ Adam, Travis World, and DJ Private Ryan among others. Scorch Radio CEO Kwesi ‘Hoppy’Hopkinson steered the event, giving his views throughout the day on the music that would be shared with listeners worldwide. In the end, the most impactful Soca single would be Machel Montano and Destra Garcia’s ‘It’s Carnival.’ Delivered in 2003, the collaboration between these two accomplished Soca artistes maintain a powerful presence at carnival fetes held around the world, annually. The song however, did not capture that year’s Road March in Trinidad and Tobago. That year, Fay Ann Lyons stole the show with ‘Display,’ a song that did not make it to the Scorch Radio 101 Soca Hit List. The multiple title holder’s ‘Meet SuperBlue’ was positioned at #90 on the Scorch 101 Soca Hit List.
The single-day Soca showcase perplexed some who questioned the rationale behind the choices and the placement on the list. Kevin Little’s globally known, ‘Turn Me On,’ made it to #2 while Rupee’s “Jump” was given the third spot on the list. The 2010 Road March “Palance,”made the list at #4.
Whether agreed upon in its entirety or not, the Scorch Radio team created an effective campaign that ignited the energy of Soca music lovers globally.
