The name ‘General Grant’ is one that most people in Trinidad and Tobago and across the region, know and appreciate. A part of the music business for over 40 years, Grant maintains relevance, releasing new music frequently, and pushing hard to deliver to the people. Another Carnival celebration now in focus at home in Trinidad and Tobago, General Grant says he wants his flowers while he’s still alive, lamenting that while many artistes often go unrecognized for their contributions, they are certainly the ones who represent for country, wherever they go.
A brand-new single released, Grant is back home in Trinidad these days. He lives in New York and says being there has given him broader perspective along with the opportunity to see the potential that is available.
The new song, ’Nothing to Something,’ was written by the artiste himself, however he thanks fellow entertainer, Farmer Nappy for his initial direction. “I met Farmer on a flight and I asked him for some assistance to make the right connections for something different, something fresh, for myself. He sent me a rddim from MSK Music out of Barbados,” explained the singer. That opportunity and help would then lead to writing being completed in New York and subsequent production by Andrew Denny, in Barbados.
Positive and honest, the song encourages elevation and progress. “Elevation is the key in life no matter how long it takes. This song is motivation. Where there is a will, there is a way,” said Grant as he encouraged people to believe in themselves. “Believe in yourself. Don’t doubt yourself. We can all go from nothing to something,” he said.
On the topic of Soca music and music out of Trinidad and Tobago in general, the veteran entertainer said he hopes artistes understand the importance of pushing as a team with one clear focus. “Soca music is receiving small bursts of recognition internationally, but in the grand scheme of things, we’re still a small fish in a big pond. The music is generally maintained in the same pockets internationally, with some small inroads by a few individual artistes,” he acknowledged, adding, “I don’t believe one person, as a solo representative, can represent the whole of Trinidad and Tobago. One person can’t speak for me or another. Inroads in the music industry internationally, require strong contingents of creatives who can showcase the varied creativity and expressions of our people,” he said.
In the early 90’s, General Grant became the first T&T dancehall-style artist to see his music hit the Billboard charts. His single, ‘D Shot Call’, released in 1993, climbed to number 17 back then. Years later, he remains eager to produce new music and entertain audiences. “I want younger artistes coming up to understand that it’s good to be an individual, with your own style. Always do what fits you. Don’t change your style just to jump on trends. Perfect your style and remain humble as you grow,” he emphasized.
Bent on making it clear that artistes are the true representatives of the country, General Grant said, “Politicians do not make Trinidad what it is. Artistes and creatives make Trinidad what it is. The people make Trinidad and Tobago; Everything that we are- the way we eat, the way we lime, the way we fete and treat people, that’s what we sell to the world and that’s the energy we must always share with others,” he said.
To stay in the know on all that’s happening with the entertainer, follow him on Instagram @1generalgrant and on Facebook @curtisgrant.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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