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Ding Dong Is Serious. Artiste Releases 2 New Songs, Slims Down As He Focuses on Tobago.

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Thirty-five pounds lost on a journey of accountability, Trinidad and Tobago Soca trendsetter, Ding Dong is out the gate early, already delivering two songs ahead of Tobago carnival 2025. Intentional and extremely strategic, the DJ and artiste, says he’s doing what he has to, to be able to give fans a full range of music, no matter demographic or vibe. 

Over the past few years, Andre Holder has consistently delivered for Carnival in Trinidad and Tobago, ensuring that he has not only been a mainstay to the festival, but an ambassador of the new sound of Soca music. A frontline artiste with de All Starz Band, Ding Dong takes his artistry seriously, explaining that he dutifully works with a new producer and songwriter each year. 

As he prepares for this year’s Tobago Carnival and Trinidad Carnival 2026, he has turned to songwriter Emmanuel Rudder and producer, Richard Gosine. “I’ve released ‘Wanna Party’ on the Guitar Man riddim,” said the artiste, explaining that the riddim, which also features Salty and Ms. Kerlz, is Gosine’s breakthrough project. “He’s been on the scene, but this is actually his first project and the riddim is named after him,” he highlighted. ‘Wanna Party’ is just one of a series of songs Ding Dong plans on releasing for Tobago carnival in October. “These songs will essentially make the transition into Trinidad’s carnival, but I’ve been observing the growth of Tobago’s festival and we’re making Tobago the focus for now.” 

A second single, ‘Mas Band Thoughts’ was released on September 12th. Featuring DJ Spider, the track was produced by both DJ Spider and Darien Bailey, and hears the entertainer manipulate his vocals to introduce listeners to something less invasive, and possibly, a little more enticing. For Ding Dong, the journey is to be reveled in. “I’ve been setting up my repertoire in a specific way. I started off with 105 BPM and each season, I’ve tried to catch four songs in a BPM before moving on to a higher BPM. Right now, I’m hitting 115- 130. I need two more songs at 130 and then I’ll move into Power Soca to have a well- rounded set,” he said, making it abundantly clear that it’s all strategic. 

Discipline has been a key component to the success of this radio disc- jockey turned all-out Soca artiste. Fueled by an undeniable love for music, Ding Dong has set himself in a category that some see as unbeatable. Now, bent on ensuring that his body can further his ambitions on stage, he’s pushing hard for a better physical weight. “Documenting my weight-loss journey has shown people that patience and discipline is the key to growth in life, I think. I’m showing the relationship between mind, body, soul and fitness. The journey is not easy,” he admits, highlighting that for him, sleep- a necessary component, is often difficult to attain. “As an entertainer, sleep is hard and the body needs sleep to repair itself when you’re on a fitness journey. When your body is accustomed to being up during peak season, reverting to sleeping at night becomes difficult. I call it the party body and you can’t change that because you’ll be tired at events when that time comes around again.

Big plans and equally big songs in store for fans of Soca music, the young, well-loved entertainer is aspiring for greatness. “I’m giving my repertoire a little more maturity when it comes to the catalogue. The aim is to make the catalogue of music diverse,” he reiterated, encouraging variety and enjoyment for the seasons of revelry ahead, first in Tobago and then in Trinidad, come February 2026. 

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‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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