One female soca artiste says she is praying that one day, God will shine a light on the music industry in Trinidad and Tobago, to afford her and other budding artistes, an opportunity to truly be heard. Not the average ‘new artist,’ Crystal Charles, best known as C.C is the frontline singer of the band, Brass 2 The World. She was recruited to join the ranks of the well-respected brass band, in 2025 and says it’s been the highlight of her career thus far. As the spotlight turns from Christmas into another intense Carnival season, the entertainer who’s been in the industry professionally since 2010, is hoping that a larger cross section of T&T will hear her music.
A short season in play, C.C has unleashed ‘Time’ alongside fellow entertainer, Hooligan. It was produced by Okay Pronto out of New York City, and boasts a strong Afrobeat synergy with Soca. “Hooligan and I just built a vibe and wrote this song on the spot,” she said, adding that it was also her very first experience working with Pronto. “The song is an Afro/Soca/Dancehall blend, with a smooth, sweet vibe,” she explained, noting that the aim is to penetrate not just the short T&T carnival season, but also an international audience. Like many others in the world of Soca, C.C has been patiently waiting her turn and with a powerful vocal tone, she knows she is deserving of consideration. “I’ve been in the business for a long time but I took a break for about 6 years and returned to music. I know stepping away when I did, impacted my growth as an artiste but I am back at it and I know that consistency in important to success.”
Describing her musical style as groovy, passionate, emotional, sweet and RnB infused, C.C does not shy away from her feminine energy. “I’d love to work with Nadia Batson, Patrice Roberts and Machel, someday,” she revealed, explaining that she’s been honing her writing skills, building confidence in this area and learning that believing in herself is necessary to success. “’Time’ is both intimate and infectious. I think it’s a feel-good song that’s perfect for late-night rendezvous and intimate relations,” said the singer, making it clear that this one, while unleashed ahead of Carnival, is risqué and perfectly suited for adults.
C.C – the artiste who wears multiple hats as a businessowner and medical professional, is eager to push into the industry and says she sees herself exploring multiple music genres, and delivering several albums within the next five years. “I’ve learnt that consistency is key. I believe that as an artiste you just have to keep pushing and eventually, when your time comes, and God says yes, nobody can say no. I’m just keeping the faith,” she affirmed.
Follow C.C’s journey as she welcomes the thrill of Carnival 2026 alongside Hooligan and as lead singer of Brass 2 The World. “I’m as ready as I’ll ever be for the excitement and the opportunities. I want everyone to follow me on my ride @c.c_theoneandonly on Instagram,” she said.
The national Carnival Commission says more than 10,000 patrons came out to Flava Village at the Queen’s Park Savannah on Thursday night to see female Soca artiste, Patrice Roberts.
An event dubbed, ‘Always Us,’ held as a free showcase for Carnival lovers, delivered a number of truly entertaining soca stars, among them, Shal Marshall, Shurwayne Winchester, Nadia Batson, Farmer Nappy and Mical Teja. The NCC, in a media statement said, “an estimated 8,000 people filled the popular Carnival venue, with an additional 2,000patrons enjoying the show from viewing screens along The Drag, creating an electric Carnival atmosphere despite heavy rainfall earlier in the day.”
With her usual high energy performances, Patrice held the attention of fans throughout the night.The concert was described by the artiste as a heartfelt “thank you” to her fans and supporters. NCC’s Chief Executive Officer, Keiba Jacob-Mottley, said the organisation welcomed the opportunity to partner with Roberts. “We commend Patrice for her decision to give back in this meaningful way and applaud her commitment to ensuring that high-quality local entertainment remains accessible to everyone during the Carnival season, Mottley said, adding, “Our collaboration reinforces the NCC’s focus on creating memorable Carnival experiences that celebrate our artistes while removing financial barriers for the public,” she added.
The NCC CEO noted that the Flava Food Village, one of two signature Carnival villages at the Savannah, alongside the John Cupid Carnival Village, is offered as a vibrant, inclusive space where patrons can enjoy food, culture, and nightly performances free of charge. She added that other NCC events, such as “Welcome to the Gayelle” represent the continuing work at delivering a successful Carnival 2026.
David Baptiste, President of the Carnival Entrepreneurs Association, described the night as a milestone for vendors at the Savannah. “Last night was truly beautiful and something I have never seen before – an event of this magnitude in terms of crowd size, and people supporting the vendors. Many vendors sold out last night. We need more of this, and I am looking forward to the next event. Events like these boost business for our vendors at the Savannah and make them truly feel like they are a part of the Carnival festival,” Baptiste said.
From dancehall music with rough lyrical content to social commentary that aims at changing mindsets, East Trinidad native, Squeezy Rankin says he has found his true calling in Calypso music. The entertainer is on the road to the preliminary round of the Calypso Monarch Competition later this month, with a single called ‘Rat Race’ – this, one year after ‘Justice’ influenced younger audiences to take a stronger look at the Calypso genre, something that he hopes he can continue to do as his journey in music continues.
Squeezy Rankin has been an artiste on the ground for many years. He has pivoted from dancehall into Calypso music.
In a recent radio interview, the reigning Young King, whose real name is Anthony La Fleur, said prior to 2025, he had not done music professionally in 13 years. Jumping back into the spotlight, he said, was a bit intimidating, but the exposure last year has prepared him for 2026 and the artiste is expected to confidently claim his space in the Calypso Monarch competition this year.
As real as it gets, Squeezy Rankin- a man on the ground, has always fought for his place in the music industry locally. Now, as Calypso music embraces him even more, he says he believes he’s found his place. “I plan on releasing two songs during the year because I want to change the narrative that Calypso music is old people music,” he said, adding that his hope is that urban radio stations see the value in sharing topics of social commentary, such as ‘Justice’ and ‘Rat Race’- songs deep in meaning and valuable beyond measure, in the greater scheme of things.
Determined to change mindsets one song at a time, Squeezy Rankin says his strong suit is certainly social commentary and he will not, at any time, delve into political commentary. “I was advised by someone who is deep in politics to stay out of it and I literally listened. You know sometimes we hear people, but we aren’t listening. I thought about what he said, and it made sense. I literally listened, even though they say I don’t listen,” he said with a laugh.
‘Rat Race’ was written by Squeezy and Angelo Pantin with production by Q-Ban Production.
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