Caribbean Buzz
BASS, The First DJ Turned Soca Artiste Was Instrumental in Getting Soca Played on HOT97 NYC.
Soca music has come a long way. For decades, the sound of Trinidad and Tobago’s prized cultural expression has been touted as the sound of the Caribbean, and for many of the other islands, the music is becoming a major part of their individual tourism attraction. In 1996, Trinidad and Tobago DJ, Adrian Hackshaw, best known as Third Bass, became the first DJ to dive into soca artistry. His first song was called, ‘J’ouvert Morning.’ “That song inspired 3 Canal to do ‘Blue’ the following year and it created an avenue for more songs dedicated to J’ouvert,” he said in an exclusive Ebuzztt interview.
Twenty – nine years later, Bass continues to unleash new Soca music. His contributions for 2026 include, ‘Take Jam’ and ‘Not For The Swift.’ Despite what seems like a never ending fight for equity across the airwaves, Bass has a lot to be grateful for. “I always wanted to be a DJ, artiste and to be on radio so I live my dream everyday,” he said.
For many operating in the Soca industry today, the 90’s experience is not something they can relate to. It was during the early 90’s that Machel Montano – now the King of Soca, would deliver songs like ‘Big Truck’ and ‘Big Phat Fish.’ Bass was around then and operated in a space that was growing. “In 1998, I put Edghill Thomas, now known as MX Prime on his first soca track with me. Back then he was known as Magga Dan and he was big on the dancehall circuit locally,” he highlighted. The song was called, “All Ah Dat in It.”
That year, Bass was introduced to Destra Garcia. She was a young, female singer who was singing RnB and Gospel music. “Her producer, Ken Holder, was working on what would be the first Soca riddim, coined the Pigtail Riddim, because of how ‘phat’ it sounded. I wrote the first song for Destra and I, which was called, ‘Just A Friend.’ That was 1999.”
The journey to where Soca music is today, isn’t a linear situation. It wasn’t built on the back of one person or one team. Bass, like many other creatives, has positively impacted the industry for many years, even while others have been celebrated loudly, and his humility has kept him largely unnoticed. “I spent some time in New York, where I was responsible for new soca getting played on Hot97. I met Bobby Konders and Massive B Sounds in 2001. They had a big reggae and Caribbean show that was reaching the entire TriState area. I asked them why they were still playing songs from the 90s,” said the entertainer. He said he was told that the major Soca distribution company, JW Records, had indicated that they would have to pay for the new Soca music. “Mind you, these guys got promos from all the big record labels back then. When I heard what was happening, I immediately went to JW Records on Church Avenue in Brooklyn, and I spoke with them. I explained to them what this opportunity could do for the music and I was able to take records to Bobby Konders and Jabba to play on Hot97FM,” said Bass. He highlighted that among the songs, were tracks like ‘Water Flowing’ from Machel Montano’s album ‘Here Comes The Band,’ and Iwer George’s ‘Carnival Come Back Again. “I was also asked to play the music since I was more familiar with it at that time.”
Soca music’s current global standing as a relatively new genre, has been one of tremendous grit and effort by many individuals – some seen and others behind the scenes. Many have remained committed to its development as a Trinbagonian creation, because it forms part of the cultural identity of Trinidad and Tobago’s people. Now, as more regional artistes tap into the market, opportunities for global appeal are certainly opening up, but it must never be forgotten that Soca music’s growth to where it stands today, was only made possible thanks to the dedication of people like Adrian Hackshaw who loved it from the heart and refused to see it sidelined.
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Caribbean Buzz
The International Soca Monarch Will Return in 2027. Trinidad and Tobago Takes on the World. Wadicks Weighs In.
The ground has been calling for it – the return of the International Soca Monarch competition in Trinidad and Tobago. Now there’s news that the the competition will return in Carnival 2027 under the theme, Trinidad and Tobago vs The World.
One artiste, true to the authenticity of the culture, says it’s great news. Ebuzztt caught up with Wadicks earlier on Friday, just after the news broke. “This is something very good for artistes to test themselves – to see how best they are in representing the country when it comes to Soca music. It’s good for people to gauge themselves against their cohorts and it’s been a while since artistes have been able to really do that,” he said.
The competition’s official date is yet to be revealed, however if tradition is marinated, it will be held on Friday, February 5th. Scorch Limited and Scorch Events will produce the show. “For 2027, the competition returns with a bold, international dimension, placing Trinidad and Tobago’s Soca talent against artistes from around the world in a celebration of the genre’s growing global reach,” said a media statement issued. Details surrounding venue and participation requirements will be forthcoming.
For Wadicks and many other Soca artistes who occupy the space, the music delivered ahead of the competition is of dire importance. “I will jump in once the people gravitate to the music. The people must not be wondering what song this artiste is singing when they hit the stage in the competition. You don’t want to enter with a song the people don’t know,” he emphasized.
In the early years of the international Soca Monarch competition, under the stewardship of Mr. William Munroe, the International Soca Monarch was a monument in Carnival. Radio stations were heavily engaged and money spent on major advertising campaigns that saw emerging and seasoned artistes interviewed and their music placed on intentional rotation as a result of paid advertising. Whether this approach will be taken, as the effort to re-establish the solidity of Trinidad and Tobago in this area gets underway, is left to be seen. “No matter what, it starts with the people. Once the people accept the event and come out to enjoy it… but the marketing of the event is very important too. It’s a huge undertaking and if Scorch can get the people who come to their events and all the other people who love the culture, that would be fantastic to get T&T back to where it once was when it comes to the ISM,” said Wadicks. He has one song already bubbling ahead of Carnival 2027 and plans to release a second next week. “I have ‘Thickerz’ out already and I’m releasing a rum tune next week,” said the artiste cheerfully. He’s never in a bad mood.
With Grenada’s Soca Monarch now leading as the poster child of what Soca Monarch should look and feel like, Wadicks says he thinks the Spice Isle does a great job of showing the world just what true enjoyment of the music looks like. “They have no fashion statement – Grenada has no respect for clothes as compared to Trinidad where it’s more about fashion than enjoyment. In Grenada you could come out in any colour and after the party, patrons leaving dirty and sweaty, having had a time,” he said with a laugh.
Prize monies a major factor when it comes to competitions in Trinidad and Tobago, Wadicks says he doesn’t believe this should be the defining factor in any artiste’s decision to enter the competition. “The Soca Monarch brings out the best in an artiste when it comes to interacting with the people and getting the people to accept the challenge of a command. Artistes have to be able to move the crowd ; Besides being strong vocally, their ability to command the crowd must be on point,” he highlighted, adding, “We as the representatives of the culture should be pushing to bring back the Soca Monarch to where it was, but of course, not everybody will think like me.”
On the tempo of the Soca that’s required for big flag crews and real mayhem to return to big venues in T&T, Wadicks agrees that the sweetness that’s currently trending must subside. “Once the tempo starts to escalate things will get better. ‘De t’ing too sweet, especially for a short season,” he said frankly.
The Scorch team at the helm of the 2027 production says this production will have “no backroom and no bacchanal,” with an expert panel of music industry experts, cultural commentators and soca veterans scoring creativity, lyrics, stage presence, overall impact and a specially introduced aspect – the Sparrow Tribute. “The Mighty Sparrow belonged to both sides of this battle, so every finalist – home side and away side must pay tribute to the Calypso King of the World somewhere in their Fantastic Friday presentation,” explains an accompanying ISM27 deck issued to the media.
The word is out and the people have gotten exactly what they’ve been asking for. What’s left to see now is just who supports with cultural passion and pride at the forefront, and who chooses not to.
Caribbean Buzz
A Caribbean Icon Has Passed. The Mighty Sparrow Leaves Behind a Mighty Legacy. Machel, Shurwayne Reflect.
On the heels of his passing, the Caribbean community immediately drew for the memories of his heyday, but for those who knew him best, moments shared intimately with The Mighty Sparrow through musical interaction and opportunities presented, will continue to be a solemn reminder of the human being that he was.
Soca King, Machel Montano recalls the opportunities given to him by the legendary entertainer. Sparrow’s timeless hits will live on and for Machel and many other artistes, his death at the age of 91, is a very real reminder of life’s impermanence. “I am flooded with emotions of every kind but most of all, I am filled with joyful memories of moments I’ve shared, lessons I’ve learnt, and music that shaped my very being,” said Montano. In 2008, the pair had collaborated to re-create Sparrow’s classic hit, ‘Congo Man.’ It was certainly a collaboration that will live in Machel’s heart forever.
More than seven decades of service to the culture of Trinidad and Tobago, The Mighty Sparrow’s legacy includes honors received from the country he was adopted by from a very young age. He had been awarded the Hummingbird Medal Silver in 1969, the Chaconia Medal Gold in 1993 and the Order of the Republic of Trinidad and Tobago in 2014, for his inimitable contribution to one of Trinidad and Tobago’s most enduring musical art forms, Calypso.
Shurwayne Winchester, in paying tribute to the icon, said, “In every lifetime, your presence would be needed, your music would be essential, your wit and personality required, because you, Mighty, Mighty Sparrow, were a gift to us all.” Shurwayne was one of the last artistes to collaborate with the legendary Calypsonian. The song is called, “My Island Girl,” released in 2023.
Mentored and loved by the Mighty Sparrow throughout her career, Natasha Wilson shared that her heart is saddened and announced that he had taken his last breath at 2:22pm on September 27th. “Dr. Slinger Francisco, the Calypso King of the World has passed,” she said in a Facebook live video. She asked for time on behalf of the family, to process the death of the man many considered the greatest Calypsonian who ever lived.
The Mighty Sparrow was born in Grand Roy, Grenada in 1935. His family migrated to Trinidad and Tobago less than two years later. In 1956, his career started with the hit single, ‘Jean and Dinah.’ It may have been his most famous song, but it would be only one of many, many incredibly well-constructed Calypso singles. Kees Dieffenthaller, in paying tribute, said The Mighty Sparrow was “the blueprint.” Internationally acclaimed songwriter and vocalist, Angela Hunte also shared, “My Sundays will always be filled with your voice in my house.”
From Barbados to Jamaica, his birthplace, Grenada, Guyana, the United States, the UK and at home in Trinidad and Tobago, the loss of Slinger Francisco – The Mighty Sparrow, is felt. Guyana’s President, Irfan Ali said, “He brought recognition to our Caribbean civilization. His melodies and lyrics sailed far beyond the region’s shores,” adding, “Sparrow lifted calypso from mere entertainment into an art form.” The Honorable, Mia Mottley also shared sentiments of deep appreciation and adoration for the Birdie, as he was fondly called, writing, “Calypso gave the ordinary Calypsonian a voice. Sparrow carried it to the world with incomparable genius. Born in Grenada and raised in Trinidad, he belonged to all of us.” She called on Caribbean adults to, “let our children hear him. Let them know that this brilliance came from among us.”
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