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An Epic Guide to Everything That No Promoter or Event Planner Will Share, Until NOW.

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No Gatekeeping

“EPIC,” he says, eliminates the gatekeeping of an expanding industry. “The book is important because the next event planner has to have this Caribbean ideology. Caribbean promoters have to plan differently from international event planners. It’s not the same cut and paste that an American or an Australian event planning team can plan with. Our products are different- items are imported etcetera,” explained Brendon. He is very aware of it all. Having served in the event and entertainment space in T&T, first under the stewardship of Island People’s Dane and Derrick Lewis, working alongside industry leaders like Sean Burkett and Tanya Gomes, from 2006 to 2010, before pursuing a Master’s Degree in Sports Management and even teaching an event planning course of study at the Arthur Lok Jack School of Business, for a decade, Brendon Brathwaite knows the game. “With my business, I had to navigate a lot of areas that there was no context, book, schooling, trainer to provide the guidance – you couldn’t sit down in a class and learn to do the things that I had to do. You couldn’t even go to a mentor- you had nobody to talk to. I had navigated this space by myself. I wanted to quit in 2016,” he said, expressing the frustration that is born out of that feeling of uncertainty where there’s no real guidance.

In 2022, amid the pandemic’s effect on numerous lives and industries, Brendon faced a decision. He had been offered a job in the Cayman Islands and was prepared to relocate. One week prior to leaving however, he was offered an event planning opportunity. He took it and, in that year, he managed to secure 30 jobs in the space, eliminating all consideration of taking on a job elsewhere. “Today I employ 60 young people. I am the breadwinner for these people. I take care of these people. A lot of painstaking work went into this book. This is a tried and tested testimony,” he explained, reiterating that most event planners and promoters will never share their secrets. “You can’t go and talk to major promoters locally and ask them how to host a fete. “I believe the reason they’re unattainable is because they have to protect their secrets. The events industry is very competitive. Because of that, most feel they should hold on to their magic,” he said.

Competitiveness His Superpower

As dyslexic as he might be, Brendon is very competitive and, in this space, he has mastered a set of skills that he knows are needed. “The practical part of event planning and the theoretical side of event planning are vastly different. Theory in event planning is like reading a recipe and not getting it exactly as it should have come out. The practical side of event planning is where you truly learn to execute,” he shared. What he has done with ‘EPIC’ however, is provide a real step by step guide to masterfully navigating the events planning space. “I have a glossary in the book of Caribbean event definitions and examples. This book is your mentor in your backpack,” he assured, explaining that any entrepreneur can benefit from what’s shared. “It includes information on safety and drone technology, risk management, something I call the vehicle driving policy to protect an event planner’s business because I’ve come to realize that casual negotiations often turn into nightmares.”

In addition to guidance on planning for specific Caribbean event models like cricket tournaments, cooler fetes, Creole Festivals, Chutney Festivals and even craft markets, Brendon shares knowledge on dress code policies and he offers guidance on shuttle planning and even delivers a virtual system flowchart and additional business operation guidelines for complete ease of execution. “Many Caribbean defined terms are placed intentionally in the book. We can study ourselves for the first time. We know what a party is. We don’t need to look to another territory’s definition of a party,” he emphasized.

Buzzconcepts, is a successful brand built with blood, sweat and tears, Brendon Brathwaite is a champion when it comes to event planning. “My success is defined by so many people. It’s not about me anymore,” he says. His parents, both extremely successful, credited professionals have seen him rise above the label of being dyslexic, and now, years later, he stands confident with an arsenal of knowledge in an industry that he has added significantly to. “The reason I did well at school was because I was the person that the bright people would study with. I could understand the concepts, but I couldn’t communicate it in words and on paper,” he explained. Looking back on his early school years, he recalls his struggle, saying that his passion to be the next Ato Boldon, fueled his competitive spirit. That competitive nature has been a blessing and now, paying it forward to others who, he knows, may absorb and learn differently, Brendon is sharing the tried, tested and successful methods to the Caribbean event planning industry.

Epic will go on sale on July 24th for $150TTD.He says his contact information is included in the resource and he will make himself available, for consultations to those who purchase. To purchase on Amazon or pre-order the book, those interested can visit www.epiccaribbean.net. Only a limited number will be printed for a limited time.

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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A Theatrical Carnival Production Is Set for August 30th, Paying Tribute to the Mighty Sparrow. Blow Mano Blow is Coming.

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Another band launch is coming up in T&T. Blow Mano Blow Productions is preparing to introduce its latest presentation with a production that promises to be about much more than costumes and the traditional band launch.

The band will officially unveil its 2027 Carnival presentation, “To Birdie With Love,” on Sunday, August 30th, at the Queen’s Hall Garden Theatre in St. Ann’s. The event is carded to be a tribute to the music, legacy and cultural influence of the legendary Mighty Sparrow.

At the heart of the presentation are five sections inspired by some of Sparrow’s most enduring classics: “Jean and Dinah,” “Congo Man,” “Marajhin,” “Happy School Days” and “Margarita,” and according to the organizers, Blow Mano Blow will being it all to life in a distinguishable way.

Blow Mano Blow paid tribute to Calypso Rose in 2026.

Rather than treating the launch as simply a reveal of costumes and sections, the production is being billed as a theatrical Carnival experience, with each section brought to life through a combination of storytelling, drama, music and mas. The theatrical performances have been written and directed by acclaimed T&T playwright Penelope Spencer, adding a deliberate dramatic element to the presentation.

That approach speaks to what Blow Mano Blow brings to Carnival each year: an experience designed to extend beyond the road and the costume itself, placing culture, performance and storytelling at the centre of the mas experience. For Carnival lovers, “To Birdie With Love” represents an opportunity to encounter Sparrow’s music through a different lens. His iconic compositions become the foundation for five distinct sections, with the production using theatre and live performance to create a connection between the music and the mas.

The launch will also deliver the energy expected of a Carnival event, with performances from Brass 2 The World, Rave the Band, popular soca artistes and DJs from Sweet 100.1FM.

Guests will get their first look at the official Carnival 2027 costumes, while early registration for Carnival Monday will also be available. Door prizes, giveaways, food, drinks and the atmosphere of Carnival will round out the evening. For both experienced masqueraders and those preparing to play mas for the first time, the event offers an early introduction to what Blow Mano Blow has planned for Carnival Monday, 2027. This year, Blow Mano Blow’s presentation will be more than a costume collection, but rather the showcasing of a complete Carnival experience.

With Sparrow’s music serving as its creative foundation, theatre providing the storytelling framework, live music supplying the energy and mas completing the visual experience, “To Birdie With Love” seeks to place Trinidad and Tobago’s cultural legacy firmly within the excitement of contemporary Carnival.

The launch takes place on August 30th, the day before T&T’s Independence, from 6:00 pm to midnight at the Queen’s Hall Garden Theatre, with admission priced at TT$200.

For Blow Mano Blow Productions, the message is clear: Carnival 2027 begins with a celebration of one of Trinidad and Tobago’s greatest cultural icons—and an invitation to experience mas in a way that brings music, theatre, culture and Carnival together on one stage.

One night. Five sections. Live music. Theatre. Soca. Mas. Culture.

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