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Vincy Soca Champ, Problem Child Just Gave New Artistes The Best Advice.

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He’s a hit maker in every sense of the term. Problem Child has conquered the industry in a very intentional way. His rise to being a top-tier Caribbean entertainer didn’t happen overnight but he’s maintained a sort of understated appeal in the business that’s comparable to no one else. This year, when the curtains fell on Vincy Mas, Problem was once again the champion of the Road – securing not just the Road March title but also the competition’s second place.

Problem Child has won the Road March for a second year in a row.

Two songs, ‘Fraid Horn’ and ‘Pong Pong’ delivered an ease and relatability that all of SVG and those visiting for Vincy Mas, embraced and enjoyed. “Winning the Road March title is definitely a blessing. It’s definitely based on a lot of hard work,” he told Ebuzztt in the aftermath of the win, announced on Wednesday. “A lot of ground work and thinking, sometimes over-thinking, strategizing, went into it, especially after winning last year,” he explained. “First and second place… I think that came about because I saw people commenting that Problem Child was competing with himself for Vincy Mas, but that’s generally really my theory on how life should go,” said the entertainer.

For Problem Child, success is personal, and growth over time is influenced by how he challenges himself at each opportunity. “I don’t look at what anyone else is really doing and try to do better than them. I just try to do better than I did yesterday – try to make the tomorrow me, better than the today me and the today me better than the yesterday me, whether it’s music or life in general.”

KICK THE EGO AND LEARN TO LEARN.

The artiste says we must learn, to learn.

A music industry that’s now a Caribbean-wide space, fueled by a significant number of global carnivals, Problem understands oh to well, the trials faced by artistes on the rise. Many have lamented the lack of opportunity, as new voices, to be given a chance in the space. “All the new artistes entering the soca space, or the music space – I think one of the most important things, if not the most important thing I can advise is, always be willing to learn,” he said. Highlighting the importance of observing and absorbing, Problem, whose real name is Shertz James, said new artistes must be willing to listen to and take advice from the right people. “Even in taking advice, you have to know who to take advice from because some people won’t always have advice that’s coming from a great place.”

Deeper thought given to the question, Problem urged up and comers to learn how to learn. “Wanting to learn is one thing but you have to understand that ego sometimes gets in the way of learning because you might not always want to listen to somebody because you feel you may know but you have to understand that no one is going to know everything so you have to start learning how to decipher – ok maybe I should listen to this guy because x,y,z reason,” he rationalized.

For creatives like the Vincy Bad Boy, time and experience have taught tremendous lessons. “Learning is such a great thing – the willingness to learn. It’s a challenge because you have to also understand that you can learn from anybody – not just someone with a degree in something, but figuring out who, what, when, how is the hardest part of learning, even when you’re willing to learn,” he said.

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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