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This Band Is Bringing Brass on the Road Again in 2024. That Is Vibes!

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It’s not a spanking, new concept as some contemporary bands may try to sell. In fact, it’s as traditional as carnival concepts are. The need to revitalize an age-old carnival experience, refreshing the thrill of the road on Carnival Monday in particular, sits at the core of an experienced team’s efforts as they prepare to deliver yet another year of true Trinbagonian Carnival revelry in 2024.  

Stepping confidently into the oncoming season, Brass 2 The World- one of Trinidad and Tobago’s respected brass bands, is unleashing, yet again, its carnival mas project, Blow Mano Blow. Since its introduction in 2017, interest in the band’s offering for Carnival Monday revelry and fun, has remained high. Riding the wave of its 2023 ‘Band of the Day’ win at the Queen’s Park Savannah on day one of the two-day parade of the bands, ‘Blow Mano Blow’ will reveal its 2024 presentation at a band launch on October 21st

Already, plans are underway, as patrons attending the launch of ” McCarthy Party,’ at Estate 101 in Maraval, will be excited to know that there will be live band accompaniment to the T-shirt mas presentation. Together with live performances by well known and loved entertainers like Austin ‘SuperBlue’ Lyons, Viking Ding Dong, Bitts, Snakey, Sanell Dempster and others, the event promises to be a distinguishable band launch experience. 

The theme of next year’s presentation, ‘McCarthy Party’ shines light on the musical prowess of Tobago’s very own, King Wellington – an artiste who was born into music and has contributed immensely to the calypso artform. Wellington’s, ‘McCarthy Party’ was the last song played by Mano Marcellin’s Brass Orchestra. Sadly, Marcellin passed away in 2017, but the euphoria of his brass band engagement lives on as Blow Mano Blow pays homage to this great musician and band leader, annually. 

Marcellin’s son, Burt Marcellin spearheads the organization of this dynamic and culturally rich symbol of Trinidad and Tobago’s carnival experience. For him, and those who’ve committed to the cause, it’s more than business. “This is important for not just the act of keeping Mano Marcellin’s name and legacy alive, but also, the legacies of so many creative geniuses who’ve played a pivotal role in the history of our carnival,” said Charlene Clarke, marketing liaison for the band.

The experience, while still in its embryonic stage, provides an alternative to the typical near- nude carnival showcase that plasters the streets of the capital, annually. “There should be something for everyone in our carnival. The live brass on the road is a part of our tradition that should have never faded away. The live music, complete with stringed and horned instruments is necessary as we present our uniqueness, to the globe, albeit, amid a smorgasbord of carnival copies, around the hemisphere,” said one member of the outfit. 

On October 21st, the sound of brass and now, steelpan, compliments a strong alliance with the Woodbrook Playboys Steel Orchestra, will emanate behind the walls of Estate 101 from 8pm to 2am. “We can guarantee a truly exciting fusion of contemporary ideas and traditional mainstays- all of which define the beauty that is Trinidad and Tobago,” said Clarke. 

For details on the band launch, CLICK HERE.

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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