There’s a new face to entertainment that’s rearing its head in the Caribbean. Slowly but surely, the fusion of global sounds we’ve all been familiarized with, along with traditional Caribbean sounds, are effortlessly going mainstream. Orlando Octave, a seasoned artiste in the entertainment industry in Trinidad and Tobago, along with up-and-coming sensation, Phia, have tapped into that energy, synergizing to create a song that has every bit of potential to go global.
Phia has been waiting for her turn. She’s delivered music in the past, feeding off of the entertainers and musicians she’s met along the way. A huge fan of the Afrobeat vibe, the young artiste believes it’s a gateway through which she can persevere onto a global stage. Having met Octave at Pengco Studio in Trinidad, the 22-year-old took the opportunity to spark dialogue on the potential for collaboration. “Orlando is such an awesome, positive, generous person. I really have to thank him for his dedication to this project and his wisdom along the way,” she said. The pair have unleashed, “My Side,” – a romantic Dancehall and Afrobeat infused single that speaks of love and relationship. “It’s a love song; A love song that emphasizes how much you want the one you love to stay at your side,” explained the young entertainer.
Over the past year, Phia has been focusing on the music she’s compiling for the release of an album. “I’ve really been writing a lot, playing around with different sounds and genres- basically trying to express my truest self through my music,” she said, revealing that as a young artiste, her goal is to inspire people with her music, sharing with the world just who she is as an individual and a passionate artiste.
“My Side” was released at the end of September and has been distributed to all major music streaming platforms for sale and download. “Following this release, another track called, ‘Foolish’ will be shared with the world,” she said, noting that her aim is to release music consistently as she hones her craft and creates her own dynamic space in the music industry.
As a young creative, Phia has shown immense dedication. The support of family, friends and music partners in her life, has helped her stay the course. She however shared that she feels more must be done in the Caribbean, to foster and nurture creative development among the region’s youth. “The creative industries can be a major help in our Caribbean economies. There’s always so much focus on the traditional aspects of education when in truth and in fact, so many Caribbean youths are dying for the chance to be seen and heard through their art,” said Phia. Careful with her words, the budding entertainer said she is hopeful that leaders would pay closer attention to the passionate cries of young people who desire direction and true support to see their dreams come true.
Excited about the direction of music globally, as more and more artistes experiment with genres, often fusing them, Phia is riding the wave. “It’s amazing to see how music genres from different cultural backgrounds can come together and make an awesome track. I’m really glad that Afrobeat and Hip Hop and other genres are fusing. It’s an awesome thing to see two or more genres blended and eventually bringing smiles to people from all walks of life, around the world.”
‘My Side’ was collaboratively written by both Orlando and Phia with production of the track done by Randal Alexander of PengCo Music.
To learn more about Phia, follow her on Instagram @phiazworld.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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