It’s not a spanking, new concept as some contemporary bands may try to sell. In fact, it’s as traditional as carnival concepts are. The need to revitalize an age-old carnival experience, refreshing the thrill of the road on Carnival Monday in particular, sits at the core of an experienced team’s efforts as they prepare to deliver yet another year of true Trinbagonian Carnival revelry in 2024.
Stepping confidently into the oncoming season, Brass 2 The World- one of Trinidad and Tobago’s respected brass bands, is unleashing, yet again, its carnival mas project, Blow Mano Blow. Since its introduction in 2017, interest in the band’s offering for Carnival Monday revelry and fun, has remained high. Riding the wave of its 2023 ‘Band of the Day’ win at the Queen’s Park Savannah on day one of the two-day parade of the bands, ‘Blow Mano Blow’ will reveal its 2024 presentation at a band launch on October 21st.
Already, plans are underway, as patrons attending the launch of ” McCarthy Party,’ at Estate 101 in Maraval, will be excited to know that there will be live band accompaniment to the T-shirt mas presentation. Together with live performances by well known and loved entertainers like Austin ‘SuperBlue’ Lyons, Viking Ding Dong, Bitts, Snakey, Sanell Dempster and others, the event promises to be a distinguishable band launch experience.
The theme of next year’s presentation, ‘McCarthy Party’ shines light on the musical prowess of Tobago’s very own, King Wellington – an artiste who was born into music and has contributed immensely to the calypso artform. Wellington’s, ‘McCarthy Party’ was the last song played by Mano Marcellin’s Brass Orchestra. Sadly, Marcellin passed away in 2017, but the euphoria of his brass band engagement lives on as Blow Mano Blow pays homage to this great musician and band leader, annually.
Marcellin’s son, Burt Marcellin spearheads the organization of this dynamic and culturally rich symbol of Trinidad and Tobago’s carnival experience. For him, and those who’ve committed to the cause, it’s more than business. “This is important for not just the act of keeping Mano Marcellin’s name and legacy alive, but also, the legacies of so many creative geniuses who’ve played a pivotal role in the history of our carnival,” said Charlene Clarke, marketing liaison for the band.
The experience, while still in its embryonic stage, provides an alternative to the typical near- nude carnival showcase that plasters the streets of the capital, annually. “There should be something for everyone in our carnival. The live brass on the road is a part of our tradition that should have never faded away. The live music, complete with stringed and horned instruments is necessary as we present our uniqueness, to the globe, albeit, amid a smorgasbord of carnival copies, around the hemisphere,” said one member of the outfit.
On October 21st, the sound of brass and now, steelpan, compliments a strong alliance with the Woodbrook Playboys Steel Orchestra, will emanate behind the walls of Estate 101 from 8pm to 2am. “We can guarantee a truly exciting fusion of contemporary ideas and traditional mainstays- all of which define the beauty that is Trinidad and Tobago,” said Clarke.
Spice Mas, like every other carnival, is seasonal, but for Carriacou, Grenada artiste, Skinny Banton, music isn’t. He has unleashed seven songs in 2026, and like clockwork he’s locked in and ready to deliver his energy, good vibes and storytelling strengths to audiences celebrating another memorable Spice Mas experience this year.
For Skinny Banton, whose real name is Shirlan George, Grenada’s Jab culture is fuel to his fire. In the past, songs like ‘Soak It Good’ and ‘Wrong Again,’ brought him tremendous acclaim across the region and internationally. This season, The Jambalasse project is anticipated to be one of the artiste’s most powerful contributions, signaling his intentionality to promote his country’s authentic culture, wherever he goes. “With this project we’re trying to keep the history, while celebrating the present by revamping a song that was done by Moss International 35 years ago,” he said. That song was called ‘Jambalasse Rule,’ released in 1991. “We revamped the riddim because it was one of the first songs considered to be an original Jab Jab song from Grenada, at that time,” he explained.
Proud of his personal efforts to keep the awareness on Grenada’s cultural traditions, Skinny Banton advocates for the continued celebration of these traditions and understands his role as an artiste. “No matter what we face as artistes in this space, we stay true to our mission. I have several songs that the people will enjoy in Spice Mas and beyond. One of my personal favourites is ‘Pain,’ a song I would like to share with my fans in Trinidad and Tobago when Carnival 2027 comes around,” he said.
Strengthening Others
Other tracks released by Skinny include, ‘When Yuh Eating,’ ‘Right Up,’ ‘Black Fuh Juvay,’ ‘Can’t Stop Us,’ ‘Carnival Traffic’ featuring Jamaican artiste, I Octane, ‘My Behaviour,’ featuring Tonic X and ‘Water Line Burst,’ collaboratively done with Nicki Akull. “The collaborations done with Tonic X and Nicki Akull mean a lot to me. They are upcoming artistes who I share good vibes with. When I was younger and had hopes of connecting and collaborating with bigger artistes, it was not easy,” he recalled, adding that it often felt daunting. He says because he understands the feeling, he is happy to be able to help these up-and-coming entertainers. “This was just my way of giving them strength and encouragement. I feel like nobody takes you seriously when you don’t have a foot in the door – they refuse to embrace you because you are not known. I want them to keep pushing after this,” he added.
Dedicated and refocused, Skinny Banton is pushing full speed ahead. “I’m doing music videos for most of the songs. I already have a video for ‘Black Fuh Juvay,’ which has been uploaded to YouTube and all other streaming platforms, and the video for ‘My Behaviour’ with Tonic X is also out,” he said. Grateful to Jamaican artiste, IOctane for the strength given to him on their collaboration on the single, ‘Carnival Traffic,’ Skinny said this particular song is one that he loves, and he hopes the people will, as well.
For the past three years, the artiste had been approached by upcoming entertainer, Nicki Akull for the single they eventually brought forward this year. “Waterline Buss – Nicki Akull’s persistence and determination really brought this song into existence,” he said, happy to have eventually come around to making it happen. Even with such a vast number of singles released, Skinny Banton says he is ready to work with artistes across the Diaspora. “I’m still creating, still working and I’m looking forward to establishing more ground in the Soca community and around the world.”
Social Media, Music and Trends.
Certainly attuned to the necessary promotional adjustments that many artistes have been forced to adopt, Skinny Banton says he hopes that despite the rise in social media content distribution, true talent and good music is not sacrificed. “I feel like content creation online should not take away from artistes creating and delivering great music, because without the content, the music should still stand on its own, and with the content, the people still need the music,” he shared. “I also feel like a lot of trends are created from making yourself an online spectacle and not the music being able to sustain itself, so you may get attention for what you post as content, but the music you’re posting the content for sometimes does not have enough substance to sustain itself for longevity,” he rationalized.
Thoughtful, conscious and truly talented, Skinny Banton is a necessary part of the Caribbean’s creative landscape. His storytelling ability, coupled with his appreciation for the art and vocal capacity, makes him an artiste everyone should tap in to. “I want to encourage the young artistes to stay focused and keep pushing and never be discouraged by the many things that’s said on social media. They must work hard to establish their business to suit them, because every artiste will do things differently, when it comes to the business; Never be discouraged by the naysayers,” he advised. He thanked his fans for their love and support over the years. “People who’ve been supporting from day one and continue to support, as well as the new supporters I’ve gotten along the way – thank you. To the DJs and radio personalities, I appreciate you. One hand doesn’t clap. Thank you for keeping my songs on rotation and I hope you all continue to support me.”
Trinidad and Tobago gospel dancehall artiste JrDynamite is opening up about some of life’s toughest emotional battles on his latest single, Fake Energy.
Produced by Adrian “Always Kreative” Emily, the track blends smooth dancehall rhythms with JrDynamite’s signature sing-jay style to deliver a message that is both deeply personal and widely relatable. Through honest storytelling, the artiste explores feelings of disappointment, isolation, and self-doubt while encouraging listeners to remain grounded in faith.
At its core, Fake Energy examines the challenges of identifying genuine support in a world often filled with superficial connections. The song reflects on loyalty, appreciation, and the search for authentic relationships, all while asking difficult questions about who truly stands by us during life’s most challenging moments.
While the message is universal, the track also shines a light on the emotional struggles many men face as they carry responsibilities while feeling unseen or underappreciated. JrDynamite uses the song to create space for reflection, vulnerability, and healing without losing the uplifting spirit that defines his music.
Anchored by faith and resilience, Fake Energy reminds listeners that even when human relationships disappoint, strength and purpose can still be found through God’s unwavering love.
With its soulful melodies, introspective lyrics, and polished production, Fake Energy continues JrDynamite’s mission of creating music that not only entertains but also inspires listeners to protect their peace, recognize their worth, and keep moving forward.
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