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T&T Producer Keshav Steps Out With Vocals. Delivers Debut Album, ‘Remains.’

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Trinidad & Tobago-based music producer, singer/songwriter and multi-instrumentalist KESHAV has delivered his debut album, Remains (Heavy Drumz), along with the music video for the LP’s moody title track. 

After years of success producing soca and electronic music  — both on his own and as one-half of renowned UK/Caribbean production and performance duo Jus NowKESHAV establishes himself as a dynamic artist in his own right with the singular and intensely personal Remains.

Stepping out front as a vocalist on the 12-track set, he brings listeners along with him on an emotional musical journey spanning future R&B, rock, pop, synth wave, house music and drum and bass (DNB). The project follows his recent Attraction EP, which dropped in March via Heavy Drumz.

“I wrote 45 songs right before and during the pandemic in a period where I experienced the full circle of a relationship from beginning to end and beyond,” KESHAV recently explained. “I usually work closely with collaborators but I found it imperative that I produce, play, write, mix and master the entire project. Experiencing some inexplicable challenges during the process, I even paralysed one of my vocal chords, which left me unable to speak properly, let alone sing, for 3 months. It eventually came back and I finished the album. It started with reactionary observations on love, but ended up culminating in an inevitably inward journey.” 

KESHAV is best known for his work within the realm of soca music, primarily with Jus Now, his long-running partnership with UK-based Sam Chadburn aka Sam Interface. Along with productions for Major Lazer, Bunji Garlin, Busy Signal, DJ Fresh, Stylo G, Machel Montano, Kes and Beenie Man, Jus Now has scored sync placements with Fast & Furious, Nike, Apple and Angostura Rum, and performed live at major festivals including Glastonbury, Tomorrowland,  WOMAD and Boomtown. 

Throughout his career, KESHAV’s focus has always been on representing the unique and authentic sounds of the Caribbean, and specifically Trinidad & Tobago, on the world stage.

While the weighty, melodic tracks on Remains may feel a world away from the hard-charging, drum-centric soca rhythms he’s known for, KESHAV still found ways to imbue the project with island spirit. Khafra Rudder, son of Trinidad music icon David Rudder, directed the “Remains” video, which was shot at Manzanilla Beach and Icacos Point, two of Trinidad’s most stunning and remote locations. The result is a video that juxtaposes classically tropical imagery with darker, more subdued tones as palm-lined beach vistas give way to crashing waves, overcast grey skies and the great unknown.

WATCH THE “REMAINS” VIDEO HERE

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Caribbean Buzz

Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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Buju Banton’s Remarks Spark Now-Viral Response, from Wayne Wonder’s Team.

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On the heels of the release of new material, Buju Banton recently rode through Brooklyn with comedian, Queensflip on a dollar cab. The candid discourse has however landed the veteran reggae and dancehall artiste in a viral war of words it would appear, as someone speaking on behalf of fellow entertainer, Wayne Wonder is now challenging Buju’s utterances.

In a post shared on social media on Monday, Buju Banton is lambasted on behalf of Wayne Wonder, with the spokesperson alleging that Buju was responsible for the removal of Wayne Wonder’s name on credits for his 1992 hit single, ‘Murderer.’

Buju’s utterances was owed to questions asked by QueensFlip on the matter of his relationship with Wayne Wonder.

In response, a representative, now understood to be the wife of Wayne Wonder, countered Buju’s sentiments, harshly criticizing Buju’s character and alluding to dishonesty and unfair treatment meted out to her husband.

Buju recently released a new song called X Rated.

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Grenada's Blaka Dan on the road with YUMA in Trinidad and Tobago.

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