There comes a time when a man must stand up for what he believes is right. So says Kern Joseph, the man best known by his entertainment sobriquet, Trinidad Killa. In the past few days, he has patiently been awaiting a response to his request for understanding and compassion from the hierarchy within the People’s National Movement. “No one has reached out to me, despite my best efforts to prove that what they have done to me, is illegal and ethically wrong,” said the artist.
Last week Thursday, Trinidad Killa revealed that his intellectual and creative rights had been infringed upon by the PNM party and its representative in the Point Fortin area. He held in his possession, videos that he said proved that his music was being blared atop campaign trucks by PNM party campaigners ahead of next week’s general election in the country. He lamented that he had been verbally abused by a senior member of the party, having attempted to cordially discuss the potential for an amicable solution to the matter of his demo being played without his consent. In earnest, the ‘Dy Zess’ singer explained that he had prepared demos for both major political parties and had been in the process of arranging to professionally execute business arrangements when it was revealed to him that his song was being used without his consent. “I can’t just sit back and allow this to happen without standing up for myself and for all the other people like me who are taken advantage of by people who think that their status gives them the right to push others aside,” he said, adding, “that is my music ; that is my intellectual property and I have a right to at least be given that acknowledgement. Up to this time, no one from the People’s National Movement has apologized to me for using my work without my consent. Even if they didn’t want to purchase the music for their campaign, they should have never used the music on the trucks,” he said.
Now, the artiste says he will continue with his legal challenge, maintaining that any leadership that can easily set aside and ignore such strong pleas for justice in a situation as simple as this one, is unworthy of his vote. “I created another song. This one is not the one that I initially sent to the opposing party for purchase consideration, but because I have been demonized and made to sound like I am nothing, by members of the ruling party, I felt the need to stand my ground. No man should ever be embarrassed the way that I have been, for what is mine. I have the perfect response,” he said.
The artiste released a new single available on YouTube and on all social media platforms. He says he has not been paid by any political party but stands on principle now, and always will.
Urban Christian artiste JrDynamite is making a bold declaration of faith with the release of his latest single, “Big and Bold”, a powerful anthem encouraging believers to stand confidently for Christ in an increasingly challenging world.
Recorded on the legendary Hill & Gully Riddim, produced by renowned Jamaican producer Stephen “Di Genius” McGregor, the track fuses infectious Caribbean rhythms with a fearless message of conviction, purpose, and unwavering faith.
“Big and Bold” challenges listeners to reject fear, compromise, and silence, while embracing their God-given identity and calling. Through energetic delivery, commanding lyrics, and a memorable hook, JrDynamite reminds believers that faith was never meant to be hidden.
“This song is about being unashamed of who you are in Christ,” says JrDynamite. “In a world where people are constantly pressured to fit in, I wanted to create a song that encourages believers to stand out, stand firm, and represent Jesus with confidence.”
The release arrives at a time when many Christians are navigating cultural pressures and societal expectations. “Big and Bold” serves as both a rallying cry and a source of encouragement, reminding listeners that bold faith can inspire transformation in others.
Known for blending authentic Caribbean sounds with impactful gospel messages, JrDynamite continues to carve out a unique space within the gospel and dancehall landscape. His growing catalogue has consistently showcased his lyrical versatility, energetic performances, and commitment to spreading the Gospel through music.
With the backing of the iconic Hill & Gully Riddim and a message that resonates far beyond the dancefloor, “Big and Bold” is poised to become another standout addition to JrDynamite’s growing catalogue of faith-driven anthems.
With less than a month to go before Kanvas Koncert: Unplugged returns to Sound Forge, Trinidad and Tobago rising sensation, Coutain is giving audiences their first taste of what’s to come with the release of his latest single, Suga Dumplin.
Created alongside producer and longtime collaborator Michael “Tano” Montano, the track explores vulnerability, love and surrender, while offering a glimpse into the evolving sound behind Coutain’s most intimate live experience to date.
Denzil Coutain, professionally known as Coutain.
Coming out of the 2026 Carnival season, Coutain found himself wrestling with writer’s block. After stepping away to reset and recharge, he eventually reconnected with Montano. It was during those early sessions that the foundations of Suga Dumplin began to take shape — a record that explores vulnerability, love and what it takes to make a “badman” fall in love.
Over the years, the two artists have developed a collaborative process rooted in trust, honesty and respect. “We have a natural chemistry,” said Coutain. “When we are creating, we know when a song just isn’t there yet. We leave ego at the door, accept constructive criticism and keep refining until it feels right. We know that if we don’t like it, the people won’t like it either.”
Taking Calypso Forward
Producer Michael “Tano” Montano sees Suga Dumplin as part of a broader effort to carry the spirit of Calypso into a new era, drawing on the music they grew up listening to while making it resonate with younger audiences. “I feel like I’ve been hearing those songs my whole life,” said Montano. “We know what those songs can do and what they’ve done. The task now is making them relatable to younger people in a tasteful way.”
Coutain agrees. “The sound that is being produced now is only an evolution of what has already been heard,” he explained. “This sound is modern yet holds the soul of the old. This sound is new. This sound is what will make people not only fall in love, but dance again.”
That same artistic philosophy will shape Kanvas Koncert: Unplugged, which returns to Sound Forge on Sunday June 28 from 4:00 p.m. Now in its fourth staging following three consecutive sold-out editions, Kanvas has built a reputation for bringing people closer to the music through live performance, storytelling and connection. This year’s show will also feature a lineup of local and regional artists, with additional acts set to be revealed in the lead-up to the event.
Stripped -Back.
Speaking on the inspiration behind the Unplugged theme, Coutain said he has become increasingly drawn to stripped-back performances and reconnecting with the music in a deeper way.“I feel like we don’t always take the time to appreciate the finer details that really make up life. Sometimes less is more and sometimes subtlety speaks volumes,” he said. “This show is about growth, not just within me and my team, but hopefully within the Kommunity as well. After leaving Sound Forge, you should feel like you’ve just attended a family function, connected through music, energy and love.”
Tickets for Kanvas are available via Island E-Tickets.com and at select outlets nationwide, including King Strip Restaurant and New Image Barber Shop (East); 5AM Coffee Shop and The Lost Tribe (West); DFlare Fashions and Lazy Lizard Lounge (Central); Lash’d by Lys and Immersive Tech (South); and Oogy Wawa (Tobago).
error: This content is protected. if you wish to use this content in anyway please contact us.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.