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Archived: Trinidad Killa Says, “I Stand On Principle.” Proceeds With Political Stance.

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There comes a time when a man must stand up for what he believes is right. So says Kern Joseph, the man best known by his entertainment sobriquet, Trinidad Killa. In the past few days, he has patiently been awaiting a response to his request for understanding and compassion from the hierarchy within the People’s National Movement. “No one has reached out to me, despite my best efforts to prove that what they have done to me, is illegal and ethically wrong,” said the artist. 

Last week Thursday, Trinidad Killa revealed that his intellectual and creative rights had been infringed upon by the PNM party and its representative in the Point Fortin area. He held in his possession, videos that he said proved that his music was being blared atop campaign trucks by PNM party campaigners ahead of next week’s general election in the country. He lamented that he had been verbally abused by a senior member of the party, having attempted to cordially discuss the potential for an amicable solution to the matter of his demo being played without his consent. In earnest, the ‘Dy Zess’ singer explained that he had prepared demos for both major political parties and had been in the process of arranging to professionally execute business arrangements when it was revealed to him that his song was being used without his consent. “I can’t just sit back and allow this to happen without standing up for myself and for all the other people like me who are taken advantage of by people who think that their status gives them the right to push others aside,” he said, adding, “that is my music ; that is my intellectual property and I have a right to at least be given that acknowledgement. Up to this time, no one from the People’s National Movement has apologized to me for using my work without my consent. Even if they didn’t want to purchase the music for their campaign, they should have never used the music on the trucks,” he said. 

Now, the artiste says he will continue with his legal challenge, maintaining that any leadership that can easily set aside and ignore such strong pleas for justice in a situation as simple as this one, is unworthy of his vote. “I created another song. This one is not the one that I initially sent to the opposing party for purchase consideration, but because I have been demonized and made to sound like I am nothing, by members of the ruling party, I felt the need to stand my ground. No man should ever be embarrassed the way that I have been, for what is mine. I have the perfect response,” he said. 

The artiste released a new single available on YouTube and on all social media platforms. He says he has not been paid by any political party but stands on principle now, and always will. 

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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