In one month, the island of Tobago will be in carnival mode. It’s third annual Carnival staging is an anticipated calendar event to carnival chasers, worldwide. Promotional powerhouse, Kairi People, hosts of mainstay events like Runaway, Different, AWP, N’ouvert, JBI and Breakfast Is, are in full support of the Tobago carnival product, and once again, the team is heading back to the island, ready to deliver something that’s top tier – something Tobago deserves.
Set to host its third edition of ‘Runaway’ Tobago, on October 16th, event organizer, Richard Gordon says this is one of the premiere events that can ultimately be used as a marker for the people who live overseas. “They can come in to Tobago from that day or the day before. This is the event that will energize the atmosphere leading into the Carnival.”
PHOTO: Ken Sambury
As usual, Runaway’s theme remains consistent, the event being hosted midweek on what is a normal working day. “It’s not a holiday. Patrons always make it their business to be at Runaway from midday, leaving work early or doing whatever is necessary to be there,” said Gordon.
The effort to deliver Kairi People’s ‘Runaway’ in Tobago is very intentional. “I have hired Tobago’s DJs, our MC is from Tobago and we included two upcoming artistes from Tobago last year. The aim is to showcase the talent that lies in Tobago, as well,” said Gordon.
The Kairi People brand has over the years, stood hard and fast to the mantra, ‘value for money.’ Their outfit spares no cost in delivering the perfect array of Caribbean cuisine and tantalizing cocktails. Runaway Tobago will offer the ambience of Pigeon Point’s scenic oceanfront view, added to which, Gordon says those coming to the event can feel free to enjoy a splash if they so desire. “The dress code for the event is usually elegantly casual. It’s really not beachwear, but of course, if you so desire, you can enjoy the beach, grab your drink and go back into the water,” said Gordon.
This event in particular, has offered patrons coming over from Trinidad, the option of return airfare included in their ticket packages. “The response has been very good. The last flight is already totally booked to return to Trinidad. People are opting to fly over and spend the night in Tobago after the event. Some are making it a long weekend too,” he shared. Patrons coming over from Trinidad will also have storage unit access, should they choose to walk with additional clothing.
Farmer Nappy will be back in 2024. PHOTO: Ken Sambury
Runaway has always been an anticipated event in T&T. From its humble beginnings as an event built and shared among friends, to years later, an annual staple- first in Trinidad and now, a sure part of the Tobago Carnival landscape, Richard Gordon is pleased. “This event isn’t officially aligned with the Tobago Tourism Agency, but I’m doing my part to add to the Tobago tourism product,” he assured.
PHOTO: Ken Sambury
Colourful and vibrant clothing and décor the order, Runaway will see performances by De All Starz Band, which includes, Viking Ding Dong and College Boy Jesse. Added to the lineup is, Waddicks who has been enjoying a very busy post carnival 2024 year, and the incomparable, Farmer Nappy. “We continue to engage entertainers ahead of the event, and we guarantee that for an affordable $600 all inclusive, patrons will have the time of their lives on sister isle, Tobago,” said the organizer.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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