For every Soca artiste, the reason behind the passion, their drive and persistence, is different. Rachel Purcell- the artiste known simply as Rae, is the sweetheart of Soca. She says she’s motivated by not just her love for music, but her dedication to family and growth. Several songs already released heading into the heat of Carnival 2025 in Trinidad and Tobago, the young, beautiful superstar on the rise, is maintaining her focus, grateful for every blessing she’s experienced along her journey.
In 2019, Rae experienced something almost mysterious. She had gotten a chance at a breakthrough in T&T’s Soca music industry after struggling to find her path in music. “I’ve always loved to sing. I learnt to read music during my earlier years when I played the violin and after that, I attended the Frank Sinatra School of The Arts in the US,” she said. Traveling during her earlier years between T&T and New York and now, between Maryland and T&T, Rae says her earlier years were filled with moments of uncertainty and bouts of fear.
Rae even attempted to be a part of American Idol in the past.
“I had made the conscious decision to focus on music in High School and I had been mostly involved in the classical side of music, but it didn’t feel like it was enough for me,” she admitted. Even being aligned with a young group of singers in her earlier years, and recording at Murder Inc. studios in New York, Rae felt something was missing. “The feeling just wasn’t there and I decided to put a pause on it for a while at one point,” she said, explaining that she took time out of music professionally, but would perform with friends at Karoake clubs and even made an attempt to enter American Idol. “I signed up and on the day of the audition, in the cold, I lined up. Eventually though, fear kicked in and I changed my mind.”
A chance opportunity presented when she received a phone call from a relative, changed Rae’s trajectory. “My cousin called and told me he had connections with a songwriter who worked with Kees.” His name was Darryl Gervais, a well-known songwriter and producer who would eventually become Rae’s manager. Despite having never recorded Soca music, Rae’s conviction to make this opportunity count, led to her persuading Gervais to write two songs for her, for the 2020 carnival season. Added to that, with the help of another producer and singer in the business, Rae made a breakthrough even she did not see coming. “Darryl had contacted Motto on my behalf, telling him about me and asking him to consider me to be on a riddim for the season. Motto had asked to hear my music but I had none. It was unbelievable; Motto took that chance on me, adding me to the Toatin Riddim alongside artistes like Nadia Batson, Lyrikal, Nessa Preppy, Shal Marshall and himself. That was where it all started for me. That’s when I got my break.”
Now, five years later, having dealt with the pandemic’s tumultuous passage, Rae is standing strong, empowered as a female Soca artiste in the business. “During the pandemic when many of us were confused about the direction we should go in, I did not give up. I did a lot of virtual performances and maintained my presence,” she said, crediting the challenging global situation with her sudden rise.
Her latest release is called, ‘Throw Waist.’ It comes on the heels of other releases for the season, inclusive of ‘Wining Degree’ and ‘Come Over’ – a collaboration with Azaryah. The new single offers powerful visuals that deliver a different sound from the singer who many often consider to be strictly groovy. “Everybody calls me the Sweetheart of Soca, but I feel like that puts me in a category where people think I can only do ‘sweet’ songs. I don’t want to get boxed in; I’m versatile, and I am capable of multiple variations when it comes to Soca music,” she asserted.
Rae understands it’s not enough to just release music.
In the week ahead, Rae touches down in T&T, ready to hit the ground and push the music she’s armed with for Carnival 2025. In 2024 she became the second runner up when she entered the Antigua Soca Monarch and for the artiste, it was a major success. “I felt like I had won because I was an artiste nobody had known- with a song nobody had heard much of. That meant a lot to me,” she recalled.
Now aiming to deliver with stronger vocals in the season ahead, Rae says she is dedicated to connecting with the people through strong visuals online and authentic engagement. “It’s not enough to just release the music anymore. People want to connect, and visuals help with that. Bringing the content and the personality with the music, is the way forward,” she explained, adding that this year, her aim is also to show off more of her personality.
‘Throw Waist’ was written by Darryl Gervais and produced by Papo. The song delivers a militancy that’s sometimes necessary in the carnival season. “This song is about the ladies and the energy is all about dominating, empowering and strengthening the women all season long,” said Rae.
All set to parade with Paparazzi on Carnival Monday and Tuesday, the passionate, vibrant entertainer is maintaining a tunnel vision, focusing on her ascent in the business, and setting high standards for herself – something she knows will never be a mistake.
At a time when the Soca landscape is constantly evolving and newer artistes are often focused on creating music for the party, soca artiste Terron is taking a different approach with his song, “Know A Place,” a heartfelt tribute to the beauty, culture and spirit of Trinidad and Tobago.
For Terron, the song is more than a musical release. It is a personal expression of gratitude and connection to a country that has remained close to his heart, despite spending much of his life abroad. Having migrated to the United States of America as a child, Terron grew up far from his birthplace. The distance, however, never diminished his appreciation for Trinidad and Tobago. Instead, his visits back home became treasured experiences filled with moments he looked forward to and still holds dear. Those visits offered opportunities to reconnect with the people, places and cultural experiences that made Trinidad and Tobago feel special to him. That enduring connection is at the heart of “Know A Place.”
While many emerging artistes focus on creating music that dominates parties and create viral moments, Terron is embracing a subject that is less commonly explored by artistes at the beginning of their careers: music that celebrates national identity and contributes to the broader conversation about nation building. His deliberate choice reflects his appreciation for the country and his desire to celebrate what makes it unique.
Through music, Terron hopes to remind listeners that the value of Trinidad and Tobago extends beyond its world-renowned Carnival celebrations. It is also found in the country’s natural beauty, cultural richness and people. “Know A Place” invites listeners to reflect on what Trinidad and Tobago means to them, whether they live in the twin-island republic or carry memories of home from thousands of miles away. For those in the diaspora, the song offers an opportunity to reconnect with familiar feelings and experiences and for those at home, it serves as a reminder to appreciate the beauty and character of the place they call their own.
Terron’s approach also speaks to the wider role of music in shaping how a country sees itself and how the rest of the world experiences it. “Soca music has always been a powerful vehicle for expressing Caribbean identity,” shares Terron. It is his hope that this song will reinforce why T&T should be appreciated and cherished.
Shot over the course of four days, the project, which was released on October 9, features sights from Paramin, DDI, Chaguaramas, San Fernando, Tobago, and Port of Spain. “Know A Place” is a reminder that sometimes the most meaningful way to celebrate a country is to tell its story.
For 16-year-old rising star,Jalessa Lazarus, this month has been bitter sweet. The teenager is set to release her new single, ‘Freedom,’ but even as she delivers musically, she is reminded of her grandmother who passed away in May this year, after being diagnosed with Breast Cancer. “She would always tell me I can do all things through Christ who strengthens me,” said the youngster as she reminisced on the encouragement, she often received from her family matriarch.
Jalessa Lazarus is a talented, young entertainer in the Soca space, and even as her present focus is on the 2027 CXC examinations, her love for music abounds, and so she is still releasing the Teddy Rhymes penned, ‘Freedom,’ with hope of maintaining her standing in the music space in 2027. “This song is all about expressing yourself – encouraging enjoyment and appreciation for the culture of Trinidad and Tobago. I want people to really get to know what we here in T&T are all about – all that we have and all that we can share with the world,” said the artiste.
The song was produced by Millbeatz Music – a familiar space for the entertainer, as she is also being taught to play the piano and guitar under the Millbeatz Entertainment umbrella – under the tutelage of Kevin Millien. “I’m trying my very best to do both music and school. CXC is serious. I have a time-table that helps me with balancing both my studies and music,” she explained. Jalessa is very aware of the importance of a good education. She has a good head on her shoulders, along with parents who keep her grounded, and guide her every step of the way. “I’m doing Maths, English Language, IT, Social Studies, Principles of Business and Office Administration,” she said, assuring that she will release more music upon the completion of her exams. “I want to be an inspiration to other young entertainers coming behind me. I also want to travel – take my music around the world,” she expressed, adding that she has dreams of stepping into the RnB arena one day – her inspiration being Adele.
A proud student of the artform, under the tutelage of artistes like Preedy, Nailah Blackman, Patrice Roberts and Voice, Jalessa says she loves Soca music and thinks colourful language has no place in the genre. It’s a topic that is fast becoming a cause for concern according to some, this as more artistes experiment with the inclusion of expletives in their music. “I do not support colourful language in Soca. It’s unnecessary and I don’t think it should be used in our music – music that we are sharing with the world,” said the youngster. “I think Soca is a different type of music, from anything else. Music is generally a vibe. It’s therapy for people – our music is all about dancing, freeing up, dressing up in costumes and being happy; it’s happy music,” she added.
Her groovy soca single, ‘Freedom,’ a true expression of her personality and what she wants the world to know about the land of her birth, Jalessa Lazarus continues to reach for the stars, all while drawing awareness to serious issues. “I want to take the time to extend hope and prayers to anyone who’s dealing with any type of cancer this month and everyday onward. God is always with you,” she said.
Rooted in her culture and diligently focused on her future, Lazarus plans on releasing an EP and says even though she will sit out competitions in 2027, she will return after the completion of her CXC exams. Her mother, Phylesha meanwhile expressed immense pride in her daughter’s commitment and took a moment to thank Teddy Rhymes for his support and encouragement. “I don’t think she will be going back into junior competitions but we are looking beyond exams and I want to especially thank Teddy for believing in Jalessa and encouraging her.”
For more on Jalessa Lazarus, follow her on her on Instagram @jalessa_lazarus.
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