The mission is clear, and the moves are deliberate. On Sunday, alongside his bandmates in Dil-E-Nadan, Stephen Marcelle graced the stage at Soka in Moka to commemorate the 25th anniversary of the iconic event. His latest track, ‘Trini Sweet,’ made its debut at the all-inclusive fete, adding another layer to the artist’s rising star. But for Stephen, this is just the beginning. As Carnival 2025 looms large on the horizon, he’s preparing for the breakthrough that will transform him into the artist he’s always dreamed of becoming.
“I’ve been with Dil-E-Nadan for over ten years now, and the experience has been incredible. The opportunities I’ve received have been invaluable, but my ultimate goal is to make Stephen Marcelle a household name,” he shares with unwavering determination.
Marcelle is a Phd student, artiste and
Balancing multiple roles as a healthcare professional, PhD student, and artist, Stephen is dedicating himself to building a robust music catalogue while sharpening his marketing game. “I’ve put out songs over the years, but as an artist, you need to properly market yourself and your work. It’s been challenging with my schedule, but now I’m making it a priority,” he admits. With junior management responsibilities at the North West Regional Health Authority, a busy touring schedule with Dil-E-Nadan, and his academic commitments, Stephen has become a master of time management. “I’m ready for the challenge,” he asserts.
This November, he took his talent overseas, performing with Dil-E-Nadan in Amsterdam. It was yet another chance to showcase his versatility as a Trinidad and Tobago-born artist on an international stage. “I’ve been performing a Dutch song – I’ve done it in Suriname, and I did it in Amsterdam. The crowds are always amazed that I can perform in their language,” he reveals. Stephen is eager to continue expanding his global reach, embracing new markets and cultures beyond the Caribbean.
His new single, ‘Trini Sweet,’ penned by the legendary Jason ‘Shaft’ Bishop and produced by Lunatix Productions, is a love letter to the essence of Trinidad and Tobago. “The song captures the unique sweetness of our country – from the food and freedom to the warmth of our people and culture. When foreigners visit, they can’t help but agree: Trinidad and Tobago is paradise,” he says, proudly.
Marcelle says T&T is still sweet, even as the country combats crime.
Of course, Stephen doesn’t shy away from the challenges his homeland faces. “Yes, crime is an issue, and the blame game will continue. But we all have a part to play in the solution. Despite that, T&T is still a beautiful place, and there’s no place like home.”
This Carnival season, Stephen is stepping into the spotlight with fierce determination. “I’m entering competitions this year, and my focus is on strengthening my personal brand. Not only does that benefit me, but it also benefits the Dil-E-Nadan brand. I want to be known for more than just ‘the other guy.’ I know what I need to do, and I’m doing it,” he says.
A true cultural ambassador, Stephen’s love for Trinidad and Tobago’s music scene is undeniable. He was crowned Emancipation Calypso Monarch in 2012 and Young King Calypso Monarch in 2013, and has been a consistent semi-finalist at Skinner Park for seven years. “I’ve also been writing calypso for children’s competitions, and that’s something I’m committed to expanding on,” he shares. These days, Stephen uses his time wisely, writing new material during his flights as he travels for work and performances. “I don’t sleep on the plane; I write, study, or work. There’s always something to do.”
Stephen Marcelle is more than just a bandmate or a healthcare professional. He is an artist with a story to tell and a sound that deserves to be heard. As he continues to carve his path in the industry, he’s confident that one day, Trinbagonians and Soca lovers across the Caribbean will no longer refer to him as “the other guy” but as Stephen Marcelle, a name that will echo through the halls of soca history.
The national Carnival Commission says more than 10,000 patrons came out to Flava Village at the Queen’s Park Savannah on Thursday night to see female Soca artiste, Patrice Roberts.
An event dubbed, ‘Always Us,’ held as a free showcase for Carnival lovers, delivered a number of truly entertaining soca stars, among them, Shal Marshall, Shurwayne Winchester, Nadia Batson, Farmer Nappy and Mical Teja. The NCC, in a media statement said, “an estimated 8,000 people filled the popular Carnival venue, with an additional 2,000patrons enjoying the show from viewing screens along The Drag, creating an electric Carnival atmosphere despite heavy rainfall earlier in the day.”
With her usual high energy performances, Patrice held the attention of fans throughout the night.The concert was described by the artiste as a heartfelt “thank you” to her fans and supporters. NCC’s Chief Executive Officer, Keiba Jacob-Mottley, said the organisation welcomed the opportunity to partner with Roberts. “We commend Patrice for her decision to give back in this meaningful way and applaud her commitment to ensuring that high-quality local entertainment remains accessible to everyone during the Carnival season, Mottley said, adding, “Our collaboration reinforces the NCC’s focus on creating memorable Carnival experiences that celebrate our artistes while removing financial barriers for the public,” she added.
The NCC CEO noted that the Flava Food Village, one of two signature Carnival villages at the Savannah, alongside the John Cupid Carnival Village, is offered as a vibrant, inclusive space where patrons can enjoy food, culture, and nightly performances free of charge. She added that other NCC events, such as “Welcome to the Gayelle” represent the continuing work at delivering a successful Carnival 2026.
David Baptiste, President of the Carnival Entrepreneurs Association, described the night as a milestone for vendors at the Savannah. “Last night was truly beautiful and something I have never seen before – an event of this magnitude in terms of crowd size, and people supporting the vendors. Many vendors sold out last night. We need more of this, and I am looking forward to the next event. Events like these boost business for our vendors at the Savannah and make them truly feel like they are a part of the Carnival festival,” Baptiste said.
From dancehall music with rough lyrical content to social commentary that aims at changing mindsets, East Trinidad native, Squeezy Rankin says he has found his true calling in Calypso music. The entertainer is on the road to the preliminary round of the Calypso Monarch Competition later this month, with a single called ‘Rat Race’ – this, one year after ‘Justice’ influenced younger audiences to take a stronger look at the Calypso genre, something that he hopes he can continue to do as his journey in music continues.
Squeezy Rankin has been an artiste on the ground for many years. He has pivoted from dancehall into Calypso music.
In a recent radio interview, the reigning Young King, whose real name is Anthony La Fleur, said prior to 2025, he had not done music professionally in 13 years. Jumping back into the spotlight, he said, was a bit intimidating, but the exposure last year has prepared him for 2026 and the artiste is expected to confidently claim his space in the Calypso Monarch competition this year.
As real as it gets, Squeezy Rankin- a man on the ground, has always fought for his place in the music industry locally. Now, as Calypso music embraces him even more, he says he believes he’s found his place. “I plan on releasing two songs during the year because I want to change the narrative that Calypso music is old people music,” he said, adding that his hope is that urban radio stations see the value in sharing topics of social commentary, such as ‘Justice’ and ‘Rat Race’- songs deep in meaning and valuable beyond measure, in the greater scheme of things.
Determined to change mindsets one song at a time, Squeezy Rankin says his strong suit is certainly social commentary and he will not, at any time, delve into political commentary. “I was advised by someone who is deep in politics to stay out of it and I literally listened. You know sometimes we hear people, but we aren’t listening. I thought about what he said, and it made sense. I literally listened, even though they say I don’t listen,” he said with a laugh.
‘Rat Race’ was written by Squeezy and Angelo Pantin with production by Q-Ban Production.
error: This content is protected. if you wish to use this content in anyway please contact us.
A CLASS
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.