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Stephen Marcelle Is More Than Just ‘The Other Guy.’ ‘Trini Sweet’ Sees Him Push Forward.

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The mission is clear, and the moves are deliberate. On Sunday, alongside his bandmates in Dil-E-Nadan, Stephen Marcelle graced the stage at Soka in Moka to commemorate the 25th anniversary of the iconic event. His latest track, ‘Trini Sweet,’ made its debut at the all-inclusive fete, adding another layer to the artist’s rising star. But for Stephen, this is just the beginning. As Carnival 2025 looms large on the horizon, he’s preparing for the breakthrough that will transform him into the artist he’s always dreamed of becoming.

“I’ve been with Dil-E-Nadan for over ten years now, and the experience has been incredible. The opportunities I’ve received have been invaluable, but my ultimate goal is to make Stephen Marcelle a household name,” he shares with unwavering determination.

Marcelle is a Phd student, artiste and

Balancing multiple roles as a healthcare professional, PhD student, and artist, Stephen is dedicating himself to building a robust music catalogue while sharpening his marketing game. “I’ve put out songs over the years, but as an artist, you need to properly market yourself and your work. It’s been challenging with my schedule, but now I’m making it a priority,” he admits. With junior management responsibilities at the North West Regional Health Authority, a busy touring schedule with Dil-E-Nadan, and his academic commitments, Stephen has become a master of time management. “I’m ready for the challenge,” he asserts.

This November, he took his talent overseas, performing with Dil-E-Nadan in Amsterdam. It was yet another chance to showcase his versatility as a Trinidad and Tobago-born artist on an international stage. “I’ve been performing a Dutch song – I’ve done it in Suriname, and I did it in Amsterdam. The crowds are always amazed that I can perform in their language,” he reveals. Stephen is eager to continue expanding his global reach, embracing new markets and cultures beyond the Caribbean.

His new single, ‘Trini Sweet,’ penned by the legendary Jason ‘Shaft’ Bishop and produced by Lunatix Productions, is a love letter to the essence of Trinidad and Tobago. “The song captures the unique sweetness of our country – from the food and freedom to the warmth of our people and culture. When foreigners visit, they can’t help but agree: Trinidad and Tobago is paradise,” he says, proudly.

Marcelle says T&T is still sweet, even as the country combats crime.

Of course, Stephen doesn’t shy away from the challenges his homeland faces. “Yes, crime is an issue, and the blame game will continue. But we all have a part to play in the solution. Despite that, T&T is still a beautiful place, and there’s no place like home.”

This Carnival season, Stephen is stepping into the spotlight with fierce determination. “I’m entering competitions this year, and my focus is on strengthening my personal brand. Not only does that benefit me, but it also benefits the Dil-E-Nadan brand. I want to be known for more than just ‘the other guy.’ I know what I need to do, and I’m doing it,” he says.

A true cultural ambassador, Stephen’s love for Trinidad and Tobago’s music scene is undeniable. He was crowned Emancipation Calypso Monarch in 2012 and Young King Calypso Monarch in 2013, and has been a consistent semi-finalist at Skinner Park for seven years. “I’ve also been writing calypso for children’s competitions, and that’s something I’m committed to expanding on,” he shares. These days, Stephen uses his time wisely, writing new material during his flights as he travels for work and performances. “I don’t sleep on the plane; I write, study, or work. There’s always something to do.”

Stephen Marcelle is more than just a bandmate or a healthcare professional. He is an artist with a story to tell and a sound that deserves to be heard. As he continues to carve his path in the industry, he’s confident that one day, Trinbagonians and Soca lovers across the Caribbean will no longer refer to him as “the other guy” but as Stephen Marcelle, a name that will echo through the halls of soca history.

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Dominica, Martinique Connect in the Name of Bouyon, Just in Time For World Creole Festival This Weekend.

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Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer.  In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.

Building Connections In the Name of Music.

For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.

Maurane Voyer x Reo

Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.

The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song. 

Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.

Taking A Look at What Unifies.

“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.

The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.

Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could.  Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.

“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.

The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.

The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.

With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.

The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.

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Tobago’s Trendsetter Goofy, A Different Kind of Cultural Ambassador. Show Some Respect.

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As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.

Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.

In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.

Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.

Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”

Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.

Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.

This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?

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