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Stephen Marcelle Is More Than Just ‘The Other Guy.’ ‘Trini Sweet’ Sees Him Push Forward.

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The mission is clear, and the moves are deliberate. On Sunday, alongside his bandmates in Dil-E-Nadan, Stephen Marcelle graced the stage at Soka in Moka to commemorate the 25th anniversary of the iconic event. His latest track, ‘Trini Sweet,’ made its debut at the all-inclusive fete, adding another layer to the artist’s rising star. But for Stephen, this is just the beginning. As Carnival 2025 looms large on the horizon, he’s preparing for the breakthrough that will transform him into the artist he’s always dreamed of becoming.

“I’ve been with Dil-E-Nadan for over ten years now, and the experience has been incredible. The opportunities I’ve received have been invaluable, but my ultimate goal is to make Stephen Marcelle a household name,” he shares with unwavering determination.

Marcelle is a Phd student, artiste and

Balancing multiple roles as a healthcare professional, PhD student, and artist, Stephen is dedicating himself to building a robust music catalogue while sharpening his marketing game. “I’ve put out songs over the years, but as an artist, you need to properly market yourself and your work. It’s been challenging with my schedule, but now I’m making it a priority,” he admits. With junior management responsibilities at the North West Regional Health Authority, a busy touring schedule with Dil-E-Nadan, and his academic commitments, Stephen has become a master of time management. “I’m ready for the challenge,” he asserts.

This November, he took his talent overseas, performing with Dil-E-Nadan in Amsterdam. It was yet another chance to showcase his versatility as a Trinidad and Tobago-born artist on an international stage. “I’ve been performing a Dutch song – I’ve done it in Suriname, and I did it in Amsterdam. The crowds are always amazed that I can perform in their language,” he reveals. Stephen is eager to continue expanding his global reach, embracing new markets and cultures beyond the Caribbean.

His new single, ‘Trini Sweet,’ penned by the legendary Jason ‘Shaft’ Bishop and produced by Lunatix Productions, is a love letter to the essence of Trinidad and Tobago. “The song captures the unique sweetness of our country – from the food and freedom to the warmth of our people and culture. When foreigners visit, they can’t help but agree: Trinidad and Tobago is paradise,” he says, proudly.

Marcelle says T&T is still sweet, even as the country combats crime.

Of course, Stephen doesn’t shy away from the challenges his homeland faces. “Yes, crime is an issue, and the blame game will continue. But we all have a part to play in the solution. Despite that, T&T is still a beautiful place, and there’s no place like home.”

This Carnival season, Stephen is stepping into the spotlight with fierce determination. “I’m entering competitions this year, and my focus is on strengthening my personal brand. Not only does that benefit me, but it also benefits the Dil-E-Nadan brand. I want to be known for more than just ‘the other guy.’ I know what I need to do, and I’m doing it,” he says.

A true cultural ambassador, Stephen’s love for Trinidad and Tobago’s music scene is undeniable. He was crowned Emancipation Calypso Monarch in 2012 and Young King Calypso Monarch in 2013, and has been a consistent semi-finalist at Skinner Park for seven years. “I’ve also been writing calypso for children’s competitions, and that’s something I’m committed to expanding on,” he shares. These days, Stephen uses his time wisely, writing new material during his flights as he travels for work and performances. “I don’t sleep on the plane; I write, study, or work. There’s always something to do.”

Stephen Marcelle is more than just a bandmate or a healthcare professional. He is an artist with a story to tell and a sound that deserves to be heard. As he continues to carve his path in the industry, he’s confident that one day, Trinbagonians and Soca lovers across the Caribbean will no longer refer to him as “the other guy” but as Stephen Marcelle, a name that will echo through the halls of soca history.

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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