While the food and drinks ran like water on Sunday, it was the heat of Soca temptress, Patrice Roberts that stole the show at Soka in Moka, when all was said and done. One moment, stolen with the Prince of Port-of-Spain, Brian Charles Lara, captured the essence of the event, which starts the most thrilling experience on the Caribbean calendar.
For 25 years, Soka in Moka has maintained its standing as the most anticipated all inclusive fete to start the season of revelry in Trinidad and Tobago. Its anniversary saw fetters arrive in dazzling fashion, some adorned with sequenced silver and others with gold. For one of Soca’s leading ladies however, the energy of the music and her movement to it, was enough to bedazzle the entire fete.
Patrice Roberts and the A Team Band followed Dil-E-Nadan with Raymond Ramnarine and Stephen Marcelle on Sunday. The crossover band, known for its non stop engagement of the audience and chutney-induced renditions, served up the right entree as evening turned to nightfall and after-dark fetters strolled in. They would be right on time for the show many had waited an entire year to experience once again.
PATRICE HITS A SIX
Even as chilling weather conditions may have kept many Caribbean people living abroad, indoors, safe and warm, no cold front could stop the heat that Patrice Roberts would bring to the stage at Soka in Moka 25. Strutting onto the stage with confidence and power, the woman who has overcome immeasurable challenges over the past year, spoke to her fans openly, sharing that after enduring what she had, nothing could stop her now. Hits rained throughout her set, but it would be a brief but memorable show featuring Brian Lara, that would send the crowd wild and take the internet by storm.
Inviting the cricket legend to the stage, Patsy proceeded to test his winning skills and, the legendary cricketer, not one to shy away, stood firmly in contest, ready to show her just what he could do. The pair gyrated on stage to Roberts’ 2025 single, ‘Kitty Cat,’ provocatively yet hilariously getting the crowd enthused, in the end providing great entertainment for fans and friends. “Ah doh think he ready but he alright,” said Patrice, and like a good sport, Brian Lara found the humor in the energy on stage, leaving after a quick hug and show of appreciation by the artiste, for all that he had done for country.
THE MOOD AT MOKA
Lyrikal was also at Soka in Moka, delivering a great performance.
The event, always an opportunity for new music to be tested and, classics reintroduced, was a balanced vibe with those who’d come to enjoy the food and drinks while chatting with friends, making the best of the event. Closer to the stage, the soca lovers stood looking on, undoubtedly listening to see what would be their favored hits for the season.
A number of artistes showed up, creating the perfect vibe to increase the expectations of fetters. Shal Marshall, Lyrikal, Grenada’s Blaka, Dominica’s Trilla G, Swappi, the Full Blown Entertainment brothers, College Boy Jesse, Zan, Nishard M and Kerlz, Viking Ding Dong, Soca hitmaker and Road March King, Mical Teja and Olatunji Yerawood, all offered their contributions past and present, making for a pretty good start to a season that will be long, but without a doubt, fun filled.
With less than a month to go before Kanvas Koncert: Unplugged returns to Sound Forge, Trinidad and Tobago rising sensation, Coutain is giving audiences their first taste of what’s to come with the release of his latest single, Suga Dumplin.
Created alongside producer and longtime collaborator Michael “Tano” Montano, the track explores vulnerability, love and surrender, while offering a glimpse into the evolving sound behind Coutain’s most intimate live experience to date.
Denzil Coutain, professionally known as Coutain.
Coming out of the 2026 Carnival season, Coutain found himself wrestling with writer’s block. After stepping away to reset and recharge, he eventually reconnected with Montano. It was during those early sessions that the foundations of Suga Dumplin began to take shape — a record that explores vulnerability, love and what it takes to make a “badman” fall in love.
Over the years, the two artists have developed a collaborative process rooted in trust, honesty and respect. “We have a natural chemistry,” said Coutain. “When we are creating, we know when a song just isn’t there yet. We leave ego at the door, accept constructive criticism and keep refining until it feels right. We know that if we don’t like it, the people won’t like it either.”
Taking Calypso Forward
Producer Michael “Tano” Montano sees Suga Dumplin as part of a broader effort to carry the spirit of Calypso into a new era, drawing on the music they grew up listening to while making it resonate with younger audiences. “I feel like I’ve been hearing those songs my whole life,” said Montano. “We know what those songs can do and what they’ve done. The task now is making them relatable to younger people in a tasteful way.”
Coutain agrees. “The sound that is being produced now is only an evolution of what has already been heard,” he explained. “This sound is modern yet holds the soul of the old. This sound is new. This sound is what will make people not only fall in love, but dance again.”
That same artistic philosophy will shape Kanvas Koncert: Unplugged, which returns to Sound Forge on Sunday June 28 from 4:00 p.m. Now in its fourth staging following three consecutive sold-out editions, Kanvas has built a reputation for bringing people closer to the music through live performance, storytelling and connection. This year’s show will also feature a lineup of local and regional artists, with additional acts set to be revealed in the lead-up to the event.
Stripped -Back.
Speaking on the inspiration behind the Unplugged theme, Coutain said he has become increasingly drawn to stripped-back performances and reconnecting with the music in a deeper way.“I feel like we don’t always take the time to appreciate the finer details that really make up life. Sometimes less is more and sometimes subtlety speaks volumes,” he said. “This show is about growth, not just within me and my team, but hopefully within the Kommunity as well. After leaving Sound Forge, you should feel like you’ve just attended a family function, connected through music, energy and love.”
Tickets for Kanvas are available via Island E-Tickets.com and at select outlets nationwide, including King Strip Restaurant and New Image Barber Shop (East); 5AM Coffee Shop and The Lost Tribe (West); DFlare Fashions and Lazy Lizard Lounge (Central); Lash’d by Lys and Immersive Tech (South); and Oogy Wawa (Tobago).
The time has come for good vibes to counteract all negative energy and together with his manager/producer, US based, Trinidadian artiste, Mr. Lee it doing what he feels he can, to inject that positivity.“I know the streets. I can tell you about the streets. Badness and the roughness is what they know. If they got the chance to get to know something else, they would do something else,” said the entertainer.
His music is refreshing. Afrobeats, coupled with Soul and RnB bring to life, a song on The Only 1 Riddim, that he calls, “Take Care.” For Mr. Lee, an artiste with many years of experience on the entertainment circuit overseas, and in the Caribbean, he is mindful of what he sings. “This type of music is necessary at all times to spread love and joy. I wish there could have been more beautiful messages all the time because it’s really important to spread love,” he said with hope.
Joining artistes like Preedy and Christo on the riddim, Mr. Lee is proud of the project. “This project means a whole lot to me. I have two girls and my wife and I have to express my love to them every single day of my life. I have my mom, my sisters, and I have to show them all the love I have within me. All the artistes on this riddim have done the same – we all expressed what we want to express to our loved ones. Most are real stories that can be relatable to others in society,” he explained.
On the topic of love and the importance of understanding what love is, Mr. Lee said for human beings to share love, they must first feel love. “If your father is not showing you love, how will you know love. Most of our youths have no parents around them. They are being influenced by a harsh representation of love, which really, is not love.” At the same time, he called on the elders within societies around the world, to try to strike a balance with the youth, especially in present time. “When I was growing up, the older heads never wanted to release a lot to the youths; they never wanted to give the youths a chance. People in positions of power must give the youths a chance to prove themselves. They have great ideas, but they need mentorship and guidance,” he said.
“Take Care,” written by Joseph ‘Pronto’ Figueroa, is a quality single with a passionate plea for more honest, kind, loving relational experiences. Unlike much of today’s lyrics, Mr. Lee keeps it classy, maintaining a thoughtful approach to music, with lyrics that penetrate. “The raw thoughts – we never heard that as youths. Some things should be kept personal,” he opined. An advocate for goodness, Mr. Lee is calling on men around the world to show their companions more love, in the right way. “Everybody wants to fight and kill. They don’t want to talk about things properly. We need to talk to our spouses more. We need to learn how to communicate better and spend more time with our loved ones.”
Happy to have enjoyed a successful run in Carnival 2026, in Trinidad and Tobago, Mr. Lee is working on new music even as he promotes this brand-new track. “I’m working on new Soca to release for the Summer. I’m working, and I’m happy with the progress I’ve been able to make so far. It’s a process,” he said of being in the music business.
The state-to-state carnival wave set to begin in the US soon, Mr. Lee says this year he is looking forward to heading to Miami for Carnival there and will be back home in T&T, come Carnival 2027. In the meantime, the T&T native and dedicated family man is spreading love through good music that he knows is absolutely necessary at this time.
error: This content is protected. if you wish to use this content in anyway please contact us.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.