Despite the government of Trinidad and Tobago’s assurance on Wednesday that carnival-like activities will be allowed in safe-zone and concert type stagings in 2022, the Trinidad and Tobago Promoters Association has renewed its call for the government to reopen the events and entertainment sector quickly and safely.
In a statement issued, the private body which is non-government funded, says while it is aware of that the country and world is in a pandemic, and resulting limitations are understood, government needs to ensure that the “noise and dissonance that surrounds this complex issue is removed.”
Making it clear that Carnival in Trinidad and Tobago is not on, the Promoters Association highlighted that events take place year-round and employment is generated by event producers year-round. President of the Association, Jerome ‘Rome’ Precilla said, ” events are not just fetes. They are also sporting events, corporate events, ceremonial events, conferences, political events, meetings and so on. The event sector stimulates the economy. Revenue streams reach stakeholders year-round, event production is a vital part of the economy. We need to re-open the sector quickly and safely.”
Stating that while government’s proposed, ‘Taste of Carnival’ offering for 2022 is an important intervention for the state’s Public Relations machine, Precilla said the move has absolutely no impact on the industry. The statement further reads, “As a nation we have missed the opportunity to activate ‘Carnival’ for 2022. The TTPA is not aligned with an agenda that only supports state funded events, at state owned venues a few short weeks before the traditional Ash Wednesday end of carnival date, with no sense of what happens thereafter. The TTPA is a private sector body using personal funds to generate employment and do business, we do not receive any state funding what so ever. We do not have the luxury of tax payer funds to prop us up. We have to be profitable to survive.”
CHANGE NEEDED
The statement goes on to highlight the association’s hope for change.
“We support and acknowledge the need for the state to continue investing in the traditional aspects of carnival/culture to ensure that we do not lose our heritage. We reiterate our complete support for this aspect of the role that the state plays in the cultural life blood of our country. But it is clear to all that the current model for state intervention needs to change. It is simply not working for the whole product. We reiterate our call for new systems and bodies that are fit for purpose and can assimilate the needs of the sector in 2022 and beyond.”
The TTPA says it is asking the Government of Trinidad and Tobago to state if Carnival 2023 is on. “We need to start planning now for a successful festival season next year and beyond,” the statement ended.
The time has come for good vibes to counteract all negative energy and together with his manager/producer, US based, Trinidadian artiste, Mr. Lee it doing what he feels he can, to inject that positivity.“I know the streets. I can tell you about the streets. Badness and the roughness is what they know. If they got the chance to get to know something else, they would do something else,” said the entertainer.
His music is refreshing. Afrobeats, coupled with Soul and RnB bring to life, a song on The Only 1 Riddim, that he calls, “Take Care.” For Mr. Lee, an artiste with many years of experience on the entertainment circuit overseas, and in the Caribbean, he is mindful of what he sings. “This type of music is necessary at all times to spread love and joy. I wish there could have been more beautiful messages all the time because it’s really important to spread love,” he said with hope.
Joining artistes like Preedy and Christo on the riddim, Mr. Lee is proud of the project. “This project means a whole lot to me. I have two girls and my wife and I have to express my love to them every single day of my life. I have my mom, my sisters, and I have to show them all the love I have within me. All the artistes on this riddim have done the same – we all expressed what we want to express to our loved ones. Most are real stories that can be relatable to others in society,” he explained.
On the topic of love and the importance of understanding what love is, Mr. Lee said for human beings to share love, they must first feel love. “If your father is not showing you love, how will you know love. Most of our youths have no parents around them. They are being influenced by a harsh representation of love, which really, is not love.” At the same time, he called on the elders within societies around the world, to try to strike a balance with the youth, especially in present time. “When I was growing up, the older heads never wanted to release a lot to the youths; they never wanted to give the youths a chance. People in positions of power must give the youths a chance to prove themselves. They have great ideas, but they need mentorship and guidance,” he said.
“Take Care,” written by Joseph ‘Pronto’ Figueroa, is a quality single with a passionate plea for more honest, kind, loving relational experiences. Unlike much of today’s lyrics, Mr. Lee keeps it classy, maintaining a thoughtful approach to music, with lyrics that penetrate. “The raw thoughts – we never heard that as youths. Some things should be kept personal,” he opined. An advocate for goodness, Mr. Lee is calling on men around the world to show their companions more love, in the right way. “Everybody wants to fight and kill. They don’t want to talk about things properly. We need to talk to our spouses more. We need to learn how to communicate better and spend more time with our loved ones.”
Happy to have enjoyed a successful run in Carnival 2026, in Trinidad and Tobago, Mr. Lee is working on new music even as he promotes this brand-new track. “I’m working on new Soca to release for the Summer. I’m working, and I’m happy with the progress I’ve been able to make so far. It’s a process,” he said of being in the music business.
The state-to-state carnival wave set to begin in the US soon, Mr. Lee says this year he is looking forward to heading to Miami for Carnival there and will be back home in T&T, come Carnival 2027. In the meantime, the T&T native and dedicated family man is spreading love through good music that he knows is absolutely necessary at this time.
Caribbean entertainment doesn’t sleep. Proof of that comes in the release of brand new music, this time courtesy the superstar duo of Full Blown – brothers, Kevon and Kory Hart. Their new track, “No Stress” has been released complete with a new music video and it’s a big look for the duo.
No Stress is a vibrant, feel-good anthem that continues the duo’s evolution from soca favourites into one of the Caribbean’s most versatile and globally resonant musical acts.
Known for their strong songwriting skills, undeniable chemistry and sonic fearlessness, brothers Kevon and Kory have steadily built a reputation for creating music that transcends borders, generations and genres. Over the years, Full Blown has become synonymous with high-energy Caribbean songwriting, penning and producing hits that have dominated Carnival seasons, regional charts and party playlists across the diaspora.
Now, with No Stress, the duo taps into dancehall nostalgia while pushing Caribbean fusion music into fresh territory. The track reimagines the iconic Shabba Ranks classic Ting A Ling, blending vintage dancehall energy with Full Blown’s contemporary Caribbean flavour.
The release follows the brothers’ success with the track, The Greatest Bend Over (Take It Easy) alongside Yung Bredda, a crossover hit that amassed more than 40 million streams worldwide and was described by Billboard Magazine as “culture-quaking.”
“People know us for soca hits and high-energy music, but this record really reflects who we are creatively,” said Kevon. “We grew up influenced by so many sounds across the Caribbean. We are a happy, joyful, fun-loving people. We just want good vibes. No stress.”
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