Despite the government of Trinidad and Tobago’s assurance on Wednesday that carnival-like activities will be allowed in safe-zone and concert type stagings in 2022, the Trinidad and Tobago Promoters Association has renewed its call for the government to reopen the events and entertainment sector quickly and safely.
In a statement issued, the private body which is non-government funded, says while it is aware of that the country and world is in a pandemic, and resulting limitations are understood, government needs to ensure that the “noise and dissonance that surrounds this complex issue is removed.”
Making it clear that Carnival in Trinidad and Tobago is not on, the Promoters Association highlighted that events take place year-round and employment is generated by event producers year-round. President of the Association, Jerome ‘Rome’ Precilla said, ” events are not just fetes. They are also sporting events, corporate events, ceremonial events, conferences, political events, meetings and so on. The event sector stimulates the economy. Revenue streams reach stakeholders year-round, event production is a vital part of the economy. We need to re-open the sector quickly and safely.”
Stating that while government’s proposed, ‘Taste of Carnival’ offering for 2022 is an important intervention for the state’s Public Relations machine, Precilla said the move has absolutely no impact on the industry. The statement further reads, “As a nation we have missed the opportunity to activate ‘Carnival’ for 2022. The TTPA is not aligned with an agenda that only supports state funded events, at state owned venues a few short weeks before the traditional Ash Wednesday end of carnival date, with no sense of what happens thereafter. The TTPA is a private sector body using personal funds to generate employment and do business, we do not receive any state funding what so ever. We do not have the luxury of tax payer funds to prop us up. We have to be profitable to survive.”
CHANGE NEEDED
The statement goes on to highlight the association’s hope for change.
“We support and acknowledge the need for the state to continue investing in the traditional aspects of carnival/culture to ensure that we do not lose our heritage. We reiterate our complete support for this aspect of the role that the state plays in the cultural life blood of our country. But it is clear to all that the current model for state intervention needs to change. It is simply not working for the whole product. We reiterate our call for new systems and bodies that are fit for purpose and can assimilate the needs of the sector in 2022 and beyond.”
The TTPA says it is asking the Government of Trinidad and Tobago to state if Carnival 2023 is on. “We need to start planning now for a successful festival season next year and beyond,” the statement ended.
After two decades in the business, Lil’ Bitts—aka Shivonne Churche-Isaacs—has made a vow she plans to keep: never again will she sit out Carnival. The multi-talented artiste, known for her infectious energy and stage presence, has had a front-row seat to Trinidad and Tobago’s iconic festival season for years, but it wasn’t always smooth sailing. She still remembers the shock she felt when she made the decision to skip the parades on Carnival Monday and Tuesday one season, only to end up physically sick. “I got sick—like, literally,” she admits. “I’ll never ignore Carnival’s call again.”
This year, Bitts is more than ready to hit the streets with Yuma for an unforgettable Carnival 2025. The excitement is palpable as she gears up for what’s sure to be a thrilling season, both on and off the road.
Rising to the Occasion with “Brighter Days”
With five songs under her belt and a growing social media presence, Lil’ Bitts is enjoying a well-deserved moment in the spotlight. Her Instagram and other platforms have become hubs of interaction with fans, opening doors to new collaborations and promotional opportunities. “Social media is the ultimate artiste toolkit,” she says, urging fellow performers to embrace the digital world to connect with their audiences.
One of her most highly anticipated projects is the track “Brighter Days,” which she says has been in the works for three years. Produced by Gaffa Productions, the song has become a personal passion project. “This one is really special,” she shares. “The world needs positivity right now, and I feel like this song is necessary.” She credits the magic of modern technology for making it all come together, working with talented producers like Stemz, District 6 Studios, and Benje Music in hybrid mode from different locations in the region. She’s also collaborated with M1 on a single called “Wetter” for the 2025 season. “We’ve been talking about working together for years, and I’m so happy it’s finally happened,” she says. “M1’s a unique talent; there aren’t a lot of artistes like him.”
A Dream Come True: Chutney and Multi-Cultural Magic
As if things weren’t busy enough, Lil’ Bitts has recently ventured into the world of chutney music. She got a call from the Pungalunks Factory to contribute vocals for a track with Reshma Ramlal, the Warrior Princess herself. The track, “Poowah Nah Ready,” is a dream come true for Bitts, who has always had an affinity for East Indian culture. “When I was a kid, I loved dressing in Indian clothes and watching Bollywood movies. I knew I wanted to do a Chutney song one day, but it had to feel natural. And this—this feels right,” she said. Bitts reflects on how much she’s learned and appreciated about Trinidad and Tobago’s multicultural beauty through this experience. “The energy on set, the unity—it was amazing. We’re one people, and that’s something I never want to forget.” The collaboration has already earned a place in the spotlight, with Ramlal making it into the semi-finals of the Chutney Soca Monarch competition.
Trinidad and Tobago is set to stage a revamped International Soca Monarch competition in what is now dubbed The Ultimate Soca Champion competition. The event’s final will be staged on Thursday, February 20th, with the semi final round set for Sunday, February 9th. The announcement was made earlier today by organisers, at a media conference held at Queen’s Hall, Port of Spain.
The organisers said the competition will not be split into Groovy/Power categories, however they said there will be special prizes for Best Groovy Soca, Best Power Soca and People’s Champion, based on public votes.
The event will feature the Ultimate Soca Champion reality TV show which organizers say is aimed at giving viewers an intimate look into the competition. “We believe this will help our culture to reach international audiences when packaged properly,” the team said.
In-Person Auditions will take place on Saturday, January 25th, 2025 at 9:00 AM at the Fernando Academy of the Performing Arts (SAPA). Regional/ International Artistes who are not in Trinidad and Tobago, are required to submit video auditions from January 20th at 8:00am to January 26th at 11:59pm.
“We aim to make this a production that captivates audiences worldwide,” said Rome. “The Ultimate Soca Champion Competition will not only elevate soca to international standards but also inspire the next generation of artistes.”
For registration, submission guidelines, and updates, visit ultimatesocachampion.com from Monday January 20th, or email ultimatesocachampion@gmail.com.
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