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Big Tribute Paid to KMC. “He’s Done More for Young Artistes Than Any Other Artist.”

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Humps, bumps and meandering bends are a norm along the way in any artist’s journey to success. For Chaguanas, Trinidad native, Kevin Allan, music and entertainment has taken on varied perspectives over the years and now as he continues to pivot from his former alias, Vetta, and the vibe that accompanied that sobriquet, he’s masterfully channeling his gift to serve good purpose in his life, and the lives of others.

Popularly known in Trinidad and Tobago as the guy who delivered the track, “Rollin’ in A Foreign Used,” – a Hip Hop fusion of rhythmic verses and catchy lyrics, Allan has been a part of the Caribbean’s music industry since 2000. Now, years later, transformed by what he explains as an awakening, following a hiatus from the music scene, and the exploration of other equally rewarding areas of entertainment, Allan returns with a brand new Power Soca track that pays tribute to none other than Ken Marlon Charles- KMC.

Explaining that his relationship with the ‘Carnival Story,’ singer dates back 20 years, after he’d flagged down the Soca hit maker’s car in a random move, Allan says he has never one day regretted it. “I was in Central and I saw him passing in his car. I flagged him down and he stopped. I saw my opportunity to tell him who I was and what my ambitions were, and I took it,” he said, explaining that quite unexpectedly, KMC took his telephone number. “I said to him, “you are KMC. You not going to call me,” he recalled with a laugh. The next day, KMC proved Allan wrong and since that time, Allan’s respect for Charles has only grown.

Allan believes KMC deserves immense credit for his contribution to the Soca industry. The idea to honor him in song came during the pandemic when, among a small circle of friends, Allan began playing KMC’s music. “My friends were all saying how great it felt to hear those songs and how long they hadn’t heard them,” he said. “The idea then came to me. In that moment I said, ‘somebody should pay tribute to KMC.”

It took a bit of introspection and deep consideration by Allan before he began penning the track. “I went to Ken and asked him what he thought about my idea. He was flattered I think, but he asked me to do it properly,” explained the artist. Sometime later, having teamed up with Romol ‘Request’ Rajnath to produce the single, Allan went back to KMC to get his approval on the completed song. “As long as he liked it, I didn’t care about anything else,” said Allan, revealing that KMC did in fact like the single.  

Now, even with no idea as to whether Trinidad and Tobago will in fact celebrate the festival that is carnival in any way this year, Allan says the purpose of this high energy expression and vibe, is tributary and as such, carnival or not, the track has its place and role. “I don’t think we should wait until a person has passed away and is no longer with us, to honor them and thank them for what they’ve contributed. KMC is one of the very few artistes in Trinidad and Tobago who has helped young, up and coming artistes in the business and that in itself, is something to thank him for. Not many others do that,” said Allan.

Known for his ability to get the message out clearly, having in the past, masterfully documented and aired the disservice meted out to T&T’s artistes outside of the Soca genre, there is no question that this song will reach people near and far. Allan’s documentary series, ‘After The Mas’, developed back in 2017, proved his passionate and relentless spirit when it comes to getting his point across.

“Nobody’s really doing Power Soca that much anymore. Artistes are singing a lot of groovy songs. I wanted to take it back – give KMC his flowers so this tribute to Ken is high energy, big vibes, and pure fire, for a man who gave us anthems we’ll have for a lifetime and more.”

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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