Humps, bumps and meandering bends are a norm along the way in any artist’s journey to success. For Chaguanas, Trinidad native, Kevin Allan, music and entertainment has taken on varied perspectives over the years and now as he continues to pivot from his former alias, Vetta, and the vibe that accompanied that sobriquet, he’s masterfully channeling his gift to serve good purpose in his life, and the lives of others.
Popularly known in Trinidad and Tobago as the guy who delivered the track, “Rollin’ in A Foreign Used,” – a Hip Hop fusion of rhythmic verses and catchy lyrics, Allan has been a part of the Caribbean’s music industry since 2000. Now, years later, transformed by what he explains as an awakening, following a hiatus from the music scene, and the exploration of other equally rewarding areas of entertainment, Allan returns with a brand new Power Soca track that pays tribute to none other than Ken Marlon Charles- KMC.
Explaining that his relationship with the ‘Carnival Story,’ singer dates back 20 years, after he’d flagged down the Soca hit maker’s car in a random move, Allan says he has never one day regretted it. “I was in Central and I saw him passing in his car. I flagged him down and he stopped. I saw my opportunity to tell him who I was and what my ambitions were, and I took it,” he said, explaining that quite unexpectedly, KMC took his telephone number. “I said to him, “you are KMC. You not going to call me,” he recalled with a laugh. The next day, KMC proved Allan wrong and since that time, Allan’s respect for Charles has only grown.
Allan believes KMC deserves immense credit for his contribution to the Soca industry. The idea to honor him in song came during the pandemic when, among a small circle of friends, Allan began playing KMC’s music. “My friends were all saying how great it felt to hear those songs and how long they hadn’t heard them,” he said. “The idea then came to me. In that moment I said, ‘somebody should pay tribute to KMC.”
It took a bit of introspection and deep consideration by Allan before he began penning the track. “I went to Ken and asked him what he thought about my idea. He was flattered I think, but he asked me to do it properly,” explained the artist. Sometime later, having teamed up with Romol ‘Request’ Rajnath to produce the single, Allan went back to KMC to get his approval on the completed song. “As long as he liked it, I didn’t care about anything else,” said Allan, revealing that KMC did in fact like the single.
Now, even with no idea as to whether Trinidad and Tobago will in fact celebrate the festival that is carnival in any way this year, Allan says the purpose of this high energy expression and vibe, is tributary and as such, carnival or not, the track has its place and role. “I don’t think we should wait until a person has passed away and is no longer with us, to honor them and thank them for what they’ve contributed. KMC is one of the very few artistes in Trinidad and Tobago who has helped young, up and coming artistes in the business and that in itself, is something to thank him for. Not many others do that,” said Allan.
Known for his ability to get the message out clearly, having in the past, masterfully documented and aired the disservice meted out to T&T’s artistes outside of the Soca genre, there is no question that this song will reach people near and far. Allan’s documentary series, ‘After The Mas’, developed back in 2017, proved his passionate and relentless spirit when it comes to getting his point across.
“Nobody’s really doing Power Soca that much anymore. Artistes are singing a lot of groovy songs. I wanted to take it back – give KMC his flowers so this tribute to Ken is high energy, big vibes, and pure fire, for a man who gave us anthems we’ll have for a lifetime and more.”
Kes the Band has officially concluded its highly acclaimed Roots, Rock, Soca Tour, marking another groundbreaking moment in the band’s remarkable journey. The international tour captivated audiences across the United Kingdom, Europe and North America – making history as the first Soca act to sell-out stadium shows in the United States and to sell out the RBC Amphitheater in Toronto, Canada with 16,000 fans.
The tour featured sold-out shows in major music cities such as London, Vancouver, Los Angeles, New York, and its final stop in Toronto – with thousands of fans gathering night after night to experience the signature sound, musicianship, and infectious energy that have made KestheBand one of the Caribbean’s most influential live acts.
The ‘Roots, Rock, Soca’ Tour became a celebration of culture, connection, and community. Each performance in the concert series showcased the band’s ability to transcend borders and generations, bringing together audiences from diverse backgrounds through music rooted in Caribbean identity. With energetic performances spanning storied venues such as Forest Hills Stadium in New York and The Bellwether in California, Kes the Band continues to cement its place in history as an enduring, generational force that bridges rhythms, unites audiences, and elevates the heartbeat of Caribbean culture in communities across global borders.
KestheBand’s Frontman, Kees Dieffenthaller, serenades the sold-out audience at the RBC Amphitheater in Toronto, Canada to conclude the ‘Roots, Rock, Soca’ Tour.Photo; Jono Hirst
Led by charismatic frontman Kees Dieffenthaller, the band’s world-class lineup includes Dean Jameson drums, Jon Dieffenthaller on guitar, Riad Boochoon on bass, Mario Callender and Geiron Mangon keyboards, and Robert ‘Robbie Styles’ Persaud on DJ and Ableton. Together, they delivered dynamic performances that combined exceptional musicianship with the unmistakable spirit that has become synonymous with KestheBand.
Adding to the excitement throughout the tour were a number of memorable surprise guest appearances from some of soca’s most celebrated artists, including Coutain, Lady Lava, Barbados Soca legend Edwin Yearwood, Iwer George, London’s Haile of WSTRN, Haitian singer J Perry, and Ravi B. Their appearances created unforgettable moments for fans while highlighting the camaraderie and creative excellence that continue to define Caribbean music.
The overwhelming response to the tour underscores Kes the Band’s continued evolution from a beloved Caribbean band to a truly global cultural ambassador. Across every city, audiences embraced the music, creating an atmosphere that reflected the growing international appreciation for soca and Caribbean artistry.
Soca is joy: these fans could barely contain their excitement at the closing show of KestheBand’s ‘Roots, Rock, Soca’ Tour stop in Toronto, Canada. Photo: Jono Hirst.
As the curtain closes on the Roots, Rock, Soca Tour, Kes the Band is already focused on the next chapter. The band will soon return to the studio to begin work on new music for an upcoming album, continuing its tradition of pushing creative boundaries while staying true to the sound that has resonated with fans around the world.
The momentum also continues for Kes the Band on stage over Labor Day Weekend as the iconic group takes the stage at the DC Jazz Festival (DCJF), one of the United States’ premier music festivals, taking place September 2–6, 2026. Following the band’s debut on NPR Tiny Desk in the capital of the United States earlier this year, the band continues to expand its reach and introduce Caribbean music to new audiences on some of the world’s most respected stages.
With decades of groundbreaking music, unforgettable live performances, and an unwavering commitment to cultural excellence, Kes the Band continues to redefine what’s possible for Caribbean artists on the global stage. The success of the Roots, Rock, Soca Tour is both a celebration of an extraordinary series of performances and a defining chapter in the band’s enduring legacy, setting the stage for an exciting new era of music and global performances.
Two of the Caribbean’s most legendary hitmakers have joined forces for what is shaping up to be one of the Caribbean’s biggest records of the year.
Dancehall superstar Charly Black, whose global smash “Gyal You A Party Animal” has amassed more than one billion streams worldwide, joins forces with St. Vincent Soca hit maker, Kevin Lyttle, whose timeless international hit “Turn Me On” has generated hundreds of millions of streams. That single remains one of the most recognizable Caribbean songs ever recorded.
The single, “Island Ting,” unites the music of Jamaica and St. Vincent & The Grenadines, celebrating the beauty, confidence, and irresistible energy of island women. More than just a song, “Island Ting” is a celebration of the Caribbean, its vibrant diaspora, and everyone around the world who embraces the region’s unmatched culture, music, and love of celebration.
Blending irresistible Dancehall and Soca influences with an unmistakable tropical vibe, the record is poised to become the soundtrack of the summer, says a media release issued.
Produced by well known international producer, Walshy Fire, with the instrumental crafted by acclaimed producer Jason Julian, “Island Ting” is already making waves across the streaming landscape. The single has secured significant editorial playlist support from Apple Music and Spotify, with Spotify further backing the release through premium placement on its coveted Mobile Home Banner – one of the platform’s most prominent promotional spaces for new music.
Industry insiders are already tipping “Island Ting” as one of the Caribbean’s defining songs of the summer, with momentum expected to carry through Notting Hill Carnival, into Trinidad Carnival 2027, and beyond. From beach parties and festivals to clubs, radio, and playlists around the world, the record has all the ingredients of a timeless Caribbean anthem.
“Island Ting” is available now on all major streaming and digital platforms.
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