Ebuzz News
New Kid on the Block, Sackie The Artist Reacts to Cancellation of Soca Monarch.
A major blow to the culture of Trinidad and Tobago. That’s the sentiment shared by many across social media, on the heels of Thursday’s revelation that Soca Monarch has been cancelled.
The show, while admittedly starved of the massive crowd support over the past few years, has been a monument in the minds of Carnival chasers around the world, as well as faithful supporters of the art form, at home in Trinidad and Tobago. Many artistes have expressed gratitude for the opportunity that the ISM has offered over the years, especially as a platform for new artistes. In a social media post, young, up and coming artiste, Sackie said, “So what small man suppose to do when all was motivating him was Soca Monarch.”
Organisers of the event said they were unable to execute the show this year, due to inadequate governmental support. One media outlet revealed that government had been asked for a $10 million injection, into the event, which they declined.
There are mixed reactions on social media, about the events cancellation. For some, it is a welcome move. Media personality, Rhoda Bharath, on her platform wrote, “I feel if people here understood the level of grift that ISM was on the public purse they wouldn’t say all the silly things they saying. I for one hope a state sponsored soca competition NEVER returns.Let the private sector handle one instead. Calypsonians shouldnt be reliant on a state competition either.Tents and yards.”
Check out our Ebuzztt.com Instagram post, asking whether the cancellation of the event was expected, to get even more views on the matter.
Ebuzz News
‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.
Caribbean Buzz
Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
