Soca artistes remain resolute in their effort to feed the masses who live for the genre, with the vibe that Soca brings annually. While for some, the music remains a seasonal thought, to countless others, soca music, as infectious as it is, cannot be a once per year thing. For one of Soca’s bosses, a power soca release was a no brainer for 2022.
On Boxing Day, Shurwayne Winchester released a track called, “Look Trouble Again.” He gave it the acronym, ‘LTA’ and proceeded to push it hard across all major radio stations in Trinidad and Tobago and even across the Caribbean. Shurwayne said his only goal had been to “help the people.”
Trinidad and Tobago, the home of the carnival festival the world anticipates annually, has been, like many other territories, under serious restrictions amid the Covid-19 pandemic. These restrictions have all but totally crippled the entertainment industry and even with Carnival 2022’s true status still up in the air, Shurwayne’s telling soca and carnival lovers that the rebellion cannot be stifled.
“This track was set for release on three separate occasions and each time, it was held back,” he explained, saying that the song is a rebellious statement that expresses, in its truest way, the essence of Trinidad and Tobago’s people. The multiple title holder says the song had been sitting there since T&T’s initial lockdown, waiting for the perfect time for release. Together with US Virgin Islands based music producer, Kevre ‘Maestro’ Hendricks, the idea for the single, he explained, was bred from a desire to help the people who’d been stuck in a rut, yearning to de-stress, amid a pandemic the likes of which, no one, the world over had ever experienced.
“Music has always been a tool to help people de-stress. Human beings were not meant to be stuck indoors and inactive as much as we’ve been during this time. Looking on as the world came to a grinding stop, I felt that we had to be ready for that moment the opportunity presented itself, to give people that tool that could ultimately help them when they needed it most,” said Shurwayne.
Now, a song that Shurwayne says, took him into the soul of veteran entertainer, Leroy Calliste- the Black Stalin, has been unleashed. “The spirit of his delivery flows throughout this particular release. There’s a freedom in who we are as a people and like Stalin did time and time again with his music, I saw the assignment here, and I know the people will feel it when they hear it.” What’s amazing is that much like the music delivered by the Black Stalin- a true icon that Shurwayne says he celebrates and is grateful for, this new song is built from the ground up with live instruments. “The brass, the horn line scream freedom. When you listen to it, you actually feel like, ‘oh yes! The gates are now open!’” he said.
Trinidad and Tobago’s borders now open and beach lovers granted limited access following a lifted State of Emergency, Shurwayne is optimistic. He however maintains that even as an entertainer, he must be a responsible citizen. ‘Look Trouble Again’ is respectfully rebellious, since the track’s lyrics do not defy present day measures aimed at keeping the population safe.
‘Look Trouble Again’ is available on all popular streaming platforms, including Apple Music, for purchase and download.
It’s about to be a memorable night for the nostalgic as the once hottest nightspot in West Trinidad, reopens its doors, welcoming the King of Steam, Yung Bredda for ‘SoDa.’
Akhenaton “Yung Bredda” Lewis headlines the event launch which synergies soca and dancehall music and culture. Once dubbed Club Coconuts and later, Fuzion, the event takes place tonight at the famous Trinidad and Tobago venue which is home to the Cascadia Hotel in St. Ann’s. “This is the only place to see Yung Bredda perform all his Steamy hits and get familiar with all his new releases before the Christmas and Carnival takes over,” said organisers in a media statement. “We’re looking forward to seeing all the fans of Steam link up with all the Soca lovers the Dancehall crews, so we can all represent for Caribbean music and culture to close off 2026.”
The SoDa Movement is building a database and will showcase a synergy of Soca and Dancehall music and culture via a series of events, collaborations and music recordings designed in distinctly unique and symbiotic formats. SoDa aims to showcase and highlight the harmony, versatility, similarities and diversity between Soca and Dancehall.
Event Coordinator, Jerome Antoine is a noted, dynamic and enterprising music producer, a Tribe Music Truck Manager and former radio DJ at RED 96.7 FM. He explained that SoDa is NOT another genre, but a social and cultural movement. “The SoDa movement is designed to create, explore and amplify synergies within the Soca and Dancehall industries,” Antoine explained. He said that for more than four decades, the public has listened to and created, enjoyed, made memories with, and celebrated their achievements with tons of Dancehall and Soca music as the soundtrack. “We have even created our own sub-genres like Trinibad and Steam and the artistes and citizens of the Caribbean continue to explore and enjoy both genres and cultures all the time” He noted the effect of the pandemic. “A few years ago and coming out of the pandemic, we saw a void in the entertainment scene and felt the need to blend the two worlds and apply a more engaging and edu-taining approach to presenting their similarities and strengths. Now, we feel like the time is right to celebrate these two genres and cultures, as we prepare for The Greatest Show on Earth in a few months and celebrate the Christmas season and the end of a highly eventful 2025 year.”
SoDa will feature a special performance by Yung Bredda, as well as several guest acts representing Soca and Dancehall. DJs Travis World and Salty, DJ Prodigy and the official SoDa DJ, Lord Hype will provide the soundtrack leading up to and in-between the live action.
Welcome Drinks will be provided by Rudeboy, with Hennessy flowing in the VIP Section, but there will be a fully-stocked bar and HybridTT cocktails available for purchase as well. Social media ravens can prepare for live video interviews on site by Overtime Media, ET&T, Scorch TV, EbuzzTT and MYOB.Enttt.
The cheat code to succeeding at everything you touch as a creative, is passion – pure, lingering passion. That’s one Trinbagonian creative’s final analysis of the inroads he’s personally made over the years. Now, jumping from behind the engineering of sounds we know and love from Soca artistes across the length and breadth of the region, to expressing his very own internal truths, Stephon Gabriel is once again following passion.
Stephon has produced for many artists and has released a project of his own.
Gabriel Creative Studios in Couva, is the playground created by this sound engineer. He left his position at Microsoft years ago, to follow his passion, he says, this after returning to T&T, having studied music at USC. “I’ve been in the music industry for over 15 years. From the age of 14, I knew music lived in me. I was the guy at school everyone would come to, to record love songs for their girlfriends,” he recalled with a chuckle. He says those formative years influenced what he would later become. “I got a guitar for my 14th birthday and it was set from there. Since that time, I’ve been heavily involved in both music and film. I’ve worked on a few featured films, including work done as part of the crew on ‘Home and Again’ here in Trinidad,” he said, adding that on the music side of things, he’s worked in some capacity with most of the big names in Soca.
Jumping head-first now into territory he has strongly assisted with, but has never been in the spotlight for, Gabriel releases a new single called, ‘Soft Touch.’ “This song came about because I wanted to express myself. It started with one of my producers I work with – Jumaane, who sent me a couple tracks and I put aside a particular one and then on one random night I listened to it and got to writing. That was three months ago,” he recalled. Now, the track finally completed, after great collaboration with like-minded musicians, Gabriel says he’s eager for the world to hear it.
A mixture of exploration and passion, Gabriel’s latest creative effort adds to his ongoing dedication to effectively positioning Caribbean artistes for international opportunities. “I have a publishing arm of my company called ‘Just In Time Music,’ which aims to bridge the gap between Caribbean creatives and Hollywood and the world,” Gabriel explained, adding, “I have agents out there who work with me to get our music placed into movies and television shows.”
The music producer said he began creating independent songs strictly for film and because it was so well received, he was able to secure several deals, in a relatively short space of time. “I went on to extend the service to creatives here in Trinidad and Tobago but part of the challenge has been educating others on publishing and other aspects of that side of the business,” he admitted.
Optimistic and dedicated, Stephon Gabriel has proceeded to do what he can, to teach others about the ins and outs of the global music industry. He set up a TikTok account, educating fellow Caribbean creatives with tips and other valuable information pertinent to royalties, masters, publishing and the like. “StephanGabrial868 is the channel and as I continue with that effort, I’ll say one of my goals is to one day be able to go to my distributor and choose “Soca” as the genre for the music I deliver,” he said.
Armed with his skills as a music and film professional, Stephon Gabriel’s pushing every envelope – passionately following his heart even into artistry, understanding that anything is possible in today’s world. “I’ve worked on hundreds, maybe thousands of songs for people. My voice is in a lot of songs as well. As a creative you love to do what you love and there are limitations on what you can do on someone else’s song,” he said, noting that doing this new single of his own, offered him the opportunity to do it his way.
“Earlier this year I did what I call a re-imagine of Kees’ ‘Cocoa Tea’ and I went left with it, changing the instruments and posting it online in January. It was surprising to see that it was so well received; I got a lot of engagement online,” he recalled.
Passionate and ready for whatever may come, Stephon has gone all out on the release of ‘Soft Touch.’ “It’s being released with a video and I just want to say the song isn’t a release for ‘carnival’ per say. It’s a song for global appreciation. It’s a groove that can be enjoyed all year long.”
‘Soft Touch’ was written by Gabriel with production collaboratively done by Jumaane, Jaydot, Amiel Duncan and Gabriel himself. The song was mastered by Andre Stewart.
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A CLASS
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