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Look Trouble Again. Shurwayne Signals The Rebellion.

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Soca artistes remain resolute in their effort to feed the masses who live for the genre, with the vibe that Soca brings annually. While for some, the music remains a seasonal thought, to countless others, soca music, as infectious as it is, cannot be a once per year thing. For one of Soca’s bosses, a power soca release was a no brainer for 2022.

On Boxing Day, Shurwayne Winchester released a track called, “Look Trouble Again.” He gave it the acronym, ‘LTA’ and proceeded to push it hard across all major radio stations in Trinidad and Tobago and even across the Caribbean. Shurwayne said his only goal had been to “help the people.”

Trinidad and Tobago, the home of the carnival festival the world anticipates annually, has been, like many other territories, under serious restrictions amid the Covid-19 pandemic. These restrictions have all but totally crippled the entertainment industry and even with Carnival 2022’s true status still up in the air, Shurwayne’s telling soca and carnival lovers that the rebellion cannot be stifled.

“This track was set for release on three separate occasions and each time, it was held back,” he explained, saying that the song is a rebellious statement that expresses, in its truest way, the essence of Trinidad and Tobago’s people. The multiple title holder says the song had been sitting there since T&T’s initial lockdown, waiting for the perfect time for release. Together with US Virgin Islands based music producer, Kevre ‘Maestro’ Hendricks, the idea for the single, he explained, was bred from a desire to help the people who’d been stuck in a rut, yearning to de-stress, amid a pandemic the likes of which, no one, the world over had ever experienced.

“Music has always been a tool to help people de-stress. Human beings were not meant to be stuck indoors and inactive as much as we’ve been during this time. Looking on as the world came to a grinding stop, I felt that we had to be ready for that moment the opportunity presented itself, to give people that tool that could ultimately help them when they needed it most,” said Shurwayne.

Now, a song that Shurwayne says, took him into the soul of veteran entertainer, Leroy Calliste- the Black Stalin, has been unleashed. “The spirit of his delivery flows throughout this particular release. There’s a freedom in who we are as a people and like Stalin did time and time again with his music, I saw the assignment here, and I know the people will feel it when they hear it.” What’s amazing is that much like the music delivered by the Black Stalin- a true icon that Shurwayne says he celebrates and is grateful for, this new song is built from the ground up with live instruments. “The brass, the horn line scream freedom. When you listen to it, you actually feel like, ‘oh yes! The gates are now open!’” he said.

Trinidad and Tobago’s borders now open and beach lovers granted limited access following a lifted State of Emergency, Shurwayne is optimistic. He however maintains that even as an entertainer, he must be a responsible citizen. ‘Look Trouble Again’ is respectfully rebellious, since the track’s lyrics do not defy present day measures aimed at keeping the population safe.

‘Look Trouble Again’ is available on all popular streaming platforms, including Apple Music, for purchase and download.

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Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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