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Rane gets ‘Dutty.’ US Based Artist Moves to Penetrate Soca Market.

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Some artistes must work hard to perfect it, while others possess the package and merely take their place among the greats. For US based, Trinidad and Tobago born artist, Rane Blackman, artistry comes naturally and skill has been honed consistently.

Now on active duty with the US Navy, the Maloney raised entertainer is more driven than she’s ever been and as 2022 stands on the horizon, Rane releases ‘Dutty’, a soca track that she believes will be the career launcher she’s been anticipating.
Rane’s been a favorable artiste on the international Soca circuit for some time. In 2014, the young, talented singer made a decision to hold back on her first Soca release, choosing instead to complete her Bachelor’s Degree before proceeding. Later, she ensured that her voice was heard, delivering on her promise to herself to enter the ring and stand erect alongside her favourite female entertainers, among them, Nadia Batson, Destra Garcia and Fay Ann Lyons.

In what is typically a male dominated industry, this brave New Yorker stepped boldly into the limelight, delivering like she’d been in the game for many years. In 2020, her single, ‘Bam Bam’ on the Explore Riddim brought a vibe, and last year, even as the pandemic halted true feting expression globally, Rane demonstrated determination, unleashing a single called, ‘My Behavior’ and backing it up with a video in March.


Now, like clockwork, and with that same determination to succeed in the business, Rane brings ‘Dutty’, a song with pure fire that’s guaranteed to be a favourite among the ladies. “This song was written by Keelan ‘Azaryah’

Callender, produced by District 6 Recording Studios and recorded by Peter ‘Wildfire’ Noel,” explained Kyle Lee Sing of Jamdong Management – the team that manages Blackman. “Dutty is a fiery track that will have every waistline moving. That’s a guarantee,” he said.


Kyle explained that both he and Rane first heard the song when Azaryah brought it to them. “We immediately liked it and decided to record the track at Wildfire and Flo’s studio in Queens.” The rest is history, as the saying goes, and now with the track completed and distributed digitally to all major streaming platforms, Rane is excited for everyone to get a true taste of her energy.

As hardworking as she is talented and beautiful, Rane says she understands the importance of presence and consistency. She knows her efforts will not be in vain and with a mindset to win, this Maloney girl is bent on making her every dream come true.

Follow her on Instagram @muzic_rane to stay up to date on her every move.

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Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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