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Rane gets ‘Dutty.’ US Based Artist Moves to Penetrate Soca Market.

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Some artistes must work hard to perfect it, while others possess the package and merely take their place among the greats. For US based, Trinidad and Tobago born artist, Rane Blackman, artistry comes naturally and skill has been honed consistently.

Now on active duty with the US Navy, the Maloney raised entertainer is more driven than she’s ever been and as 2022 stands on the horizon, Rane releases ‘Dutty’, a soca track that she believes will be the career launcher she’s been anticipating.
Rane’s been a favorable artiste on the international Soca circuit for some time. In 2014, the young, talented singer made a decision to hold back on her first Soca release, choosing instead to complete her Bachelor’s Degree before proceeding. Later, she ensured that her voice was heard, delivering on her promise to herself to enter the ring and stand erect alongside her favourite female entertainers, among them, Nadia Batson, Destra Garcia and Fay Ann Lyons.

In what is typically a male dominated industry, this brave New Yorker stepped boldly into the limelight, delivering like she’d been in the game for many years. In 2020, her single, ‘Bam Bam’ on the Explore Riddim brought a vibe, and last year, even as the pandemic halted true feting expression globally, Rane demonstrated determination, unleashing a single called, ‘My Behavior’ and backing it up with a video in March.


Now, like clockwork, and with that same determination to succeed in the business, Rane brings ‘Dutty’, a song with pure fire that’s guaranteed to be a favourite among the ladies. “This song was written by Keelan ‘Azaryah’

Callender, produced by District 6 Recording Studios and recorded by Peter ‘Wildfire’ Noel,” explained Kyle Lee Sing of Jamdong Management – the team that manages Blackman. “Dutty is a fiery track that will have every waistline moving. That’s a guarantee,” he said.


Kyle explained that both he and Rane first heard the song when Azaryah brought it to them. “We immediately liked it and decided to record the track at Wildfire and Flo’s studio in Queens.” The rest is history, as the saying goes, and now with the track completed and distributed digitally to all major streaming platforms, Rane is excited for everyone to get a true taste of her energy.

As hardworking as she is talented and beautiful, Rane says she understands the importance of presence and consistency. She knows her efforts will not be in vain and with a mindset to win, this Maloney girl is bent on making her every dream come true.

Follow her on Instagram @muzic_rane to stay up to date on her every move.

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Patrice Roberts Pulls 10K Plus Crowd At Flava Village in Port-of-Spain.

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The national Carnival Commission says more than 10,000 patrons came out to Flava Village at the Queen’s Park Savannah on Thursday night to see female Soca artiste, Patrice Roberts.

An event dubbed, ‘Always Us,’ held as a free showcase for Carnival lovers, delivered a number of truly entertaining soca stars, among them, Shal Marshall, Shurwayne Winchester, Nadia Batson, Farmer Nappy and Mical Teja. The NCC, in a media statement said, “an estimated 8,000 people filled the popular Carnival venue, with an additional 2,000patrons enjoying the show from viewing screens along The Drag, creating an electric Carnival atmosphere despite heavy rainfall earlier in the day.”

With her usual high energy performances, Patrice held the attention of fans throughout the night.The concert was described by the artiste as a heartfelt “thank you” to her fans and
supporters. NCC’s Chief Executive Officer, Keiba Jacob-Mottley, said the organisation welcomed the opportunity to partner with Roberts. “We commend Patrice for her decision to give back in this meaningful way and applaud her commitment to ensuring that high-quality local entertainment remains accessible to everyone during the Carnival season, Mottley said, adding, “Our collaboration reinforces the NCC’s focus on creating memorable Carnival experiences that celebrate our artistes while removing financial barriers for the public,” she added.

The NCC CEO noted that the Flava Food Village, one of two signature Carnival villages at the
Savannah, alongside the John Cupid Carnival Village, is offered as a vibrant, inclusive space
where patrons can enjoy food, culture, and nightly performances free of charge. She added
that other NCC events, such as “Welcome to the Gayelle” represent the continuing work at
delivering a successful Carnival 2026.

David Baptiste, President of the Carnival Entrepreneurs Association, described the night as a milestone for vendors at the Savannah. “Last night was truly beautiful and something I have never seen before – an event of this magnitude in terms of crowd size, and people supporting the vendors. Many vendors sold out last night. We need more of this, and I am looking forward to the next event. Events like these boost business for our vendors at the Savannah and make them truly feel like they are a part of the Carnival festival,” Baptiste said.


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Squeezy Rankin’s Pivot. Artiste Goes Hard into Calypso to Change Mindsets.

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From dancehall music with rough lyrical content to social commentary that aims at changing mindsets, East Trinidad native, Squeezy Rankin says he has found his true calling in Calypso music. The entertainer is on the road to the preliminary round of the Calypso Monarch Competition later this month, with a single called ‘Rat Race’ – this, one year after ‘Justice’ influenced younger audiences to take a stronger look at the Calypso genre, something that he hopes he can continue to do as his journey in music continues.

Squeezy Rankin has been an artiste on the ground for many years. He has pivoted from dancehall into Calypso music.

In a recent radio interview, the reigning Young King, whose real name is Anthony La Fleur, said prior to 2025, he had not done music professionally in 13 years. Jumping back into the spotlight, he said, was a bit intimidating, but the exposure last year has prepared him for 2026 and the artiste is expected to confidently claim his space in the Calypso Monarch competition this year.

As real as it gets, Squeezy Rankin- a man on the ground, has always fought for his place in the music industry locally. Now, as Calypso music embraces him even more, he says he believes he’s found his place. “I plan on releasing two songs during the year because I want to change the narrative that Calypso music is old people music,” he said, adding that his hope is that urban radio stations see the value in sharing topics of social commentary, such as ‘Justice’ and ‘Rat Race’- songs deep in meaning and valuable beyond measure, in the greater scheme of things.

Determined to change mindsets one song at a time, Squeezy Rankin says his strong suit is certainly social commentary and he will not, at any time, delve into political commentary. “I was advised by someone who is deep in politics to stay out of it and I literally listened. You know sometimes we hear people, but we aren’t listening. I thought about what he said, and it made sense. I literally listened, even though they say I don’t listen,” he said with a laugh.

‘Rat Race’ was written by Squeezy and Angelo Pantin with production by Q-Ban Production.

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