Shivonne Church- Isaacs (Lil’ Bitts) has been in the soca industry for 20 years.
After two decades in the business, Lil’ Bitts—aka Shivonne Churche-Isaacs—has made a vow she plans to keep: never again will she sit out Carnival. The multi-talented artiste, known for her infectious energy and stage presence, has had a front-row seat to Trinidad and Tobago’s iconic festival season for years, but it wasn’t always smooth sailing. She still remembers the shock she felt when she made the decision to skip the parades on Carnival Monday and Tuesday one season, only to end up physically sick. “I got sick—like, literally,” she admits. “I’ll never ignore Carnival’s call again.”
This year, Bitts is more than ready to hit the streets with Yuma for an unforgettable Carnival 2025. The excitement is palpable as she gears up for what’s sure to be a thrilling season, both on and off the road.
Rising to the Occasion with “Brighter Days”
Lil’ Bitts is happy to add something different to her repertoire, with ‘Brighter Days.’
With five songs under her belt and a growing social media presence, Lil’ Bitts is enjoying a well-deserved moment in the spotlight. Her Instagram and other platforms have become hubs of interaction with fans, opening doors to new collaborations and promotional opportunities. “Social media is the ultimate artiste toolkit,” she says, urging fellow performers to embrace the digital world to connect with their audiences.
One of her most highly anticipated projects is the track “Brighter Days,” which she says has been in the works for three years. Produced by Gaffa Productions, the song has become a personal passion project. “This one is really special,” she shares. “The world needs positivity right now, and I feel like this song is necessary.” She credits the magic of modern technology for making it all come together, working with talented producers like Stemz, District 6 Studios, and Benje Music in hybrid mode from different locations in the region. She’s also collaborated with M1 on a single called “Wetter” for the 2025 season. “We’ve been talking about working together for years, and I’m so happy it’s finally happened,” she says. “M1’s a unique talent; there aren’t a lot of artistes like him.”
A Dream Come True: Chutney and Multi-Cultural Magic
Teaming up with Reshma Ramlal, Bitts has been reminded of the beauty that exists in T&T.
As if things weren’t busy enough, Lil’ Bitts has recently ventured into the world of chutney music. She got a call from the Pungalunks Factory to contribute vocals for a track with Reshma Ramlal, the Warrior Princess herself. The track, “Poowah Nah Ready,” is a dream come true for Bitts, who has always had an affinity for East Indian culture. “When I was a kid, I loved dressing in Indian clothes and watching Bollywood movies. I knew I wanted to do a Chutney song one day, but it had to feel natural. And this—this feels right,” she said. Bitts reflects on how much she’s learned and appreciated about Trinidad and Tobago’s multicultural beauty through this experience. “The energy on set, the unity—it was amazing. We’re one people, and that’s something I never want to forget.” The collaboration has already earned a place in the spotlight, with Ramlal making it into the semi-finals of the Chutney Soca Monarch competition.
The Caribbean Music Awards, set to take place on Thursday, August 28th, has announced its 150 nominees. Leading the nominations are Jamaican artistes, Masicka and Shenseea, who have been nominated for 7 awards each, while T&T’ Patrice Roberts and Kes have been nominated in six categories. Vybz Kartel, Nailah Blackman, Chronic Law, and Kranium each earned five nominations.
Problem Child at the 2024 Caribbean Music Awards.
The event which will take place in Brooklyn, New York, and is being hosted for the third time this year, is presented by Caribbean Elite Group. Forty categories will see Caribbean artistes vie for awards in a ceremony that is tipped to be the most electrifying yet. Voting began on April 9th via www.caribmusicawards.com and will close off on May 31st.
This year, seven new categories have been added reflecting Caribbean artistry’s ongoing evolution and global influence. New additions include Reggae – Collaboration of the Year and Reggae Song of the Year. Also making their debut are Female – International DJ of the Year,Caribbean Fusion Song of the Year, Caribbean R&B Artist of the Year, Zess-Steam Artist of the Year, and Gospel Song of the Year. Artistes nominated in this new category are Lady Lava, Father Philis, Nelly Cottoy, Sackie, Trinidad Killa and Yung Bredda.
“From unforgettable performances to cultural milestones, the Caribbean Music Awards honors the best of the best—from Soca, Dancehall, and Reggae to Kompa, Chutney, Gospel, and more. This celebration is not just an awards show—it’s a movement that pays tribute to the vibrant heartbeat of the Caribbean,” say organisers.
On Friday night in Brooklyn, New York, an extraordinary tell-tale of Caribbean influence showed boldly on the outskirts and inside the downtown Brooklyn, Barclays Centre. Jamaican dancehall king, Vybz Kartel, having survived incarceration and illness over the past 13 years, had returned to the spotlight and would be appearing on stage at Barclays – something thousands, unable to travel to the artiste’s Freedom Street return concert last December, in Jamaica, had been anticipating for months.
Adidja Palmer, famously known for his Gaza-touting refrains and suggestive lewd lyrical traps, thoroughly enjoyed by the opposite sex, had been freed of a murder conviction on account of the intervention of the London Privy Council in 2024. Upon his release from behind bars, he called on the youth to stay on the side of the law and refrain from ‘badness.’ In January, Palmer was granted his US visa. He now resides in Florida, something he confirmed last Friday, during an interview with hosts of the Breakfast Club, Charlemagne, DJ Envy and Jess Hilarious.
Vybz Kartel on stage at Barclay’s Centre.
This past weekend, Vybz Kartel returned to his glory, single-handedly luring a massive crowd on both Friday and Saturday nights to the Barclays Centre. “Back to back, never done before – sold out, so let’s talk about this,” said female Dancehall superstar, Spice in a social media video. She too had made an impact on both nights, reveling in the spirit of camaraderie and culture.
Last year, the same venue had been sold out with double shows delivered by Reggae and Dancehall icon, Buju Banton. Like Vybz Kartel, he too had been imprisoned for many years and upon his re-entry into the United States after approximately 6 years of freedom, Buju’s desirability was unmatched. This past Friday, in what no one expected, Buju Banton would appear in support of Kartel at Barclays Centre. “This is Buju Banton doing it for the culture; supporting Vybz Kartel here in Brooklyn tonight. Let’s get it right,” he said in an online video post.
Buju and Vybz Kartel had not met in person in 16 years, according to reports.
Many years before, in the early years of his emergence, Vybz Kartel had been infamously reprimanded by Buju on stage, something that many fans of Kartel had not forgotten. Fast forward more than a decade later and this simple show of support has been declared a winning move for Jamaica’s culture and the country’s brand. “Don; meh mentor,” hollered Kartel upon greeting the “Circumstances” singer. An embrace and a humble admission by Buju would lead to Kartel’s admission that Buju Banton has always been the artiste he’s looked up to. “One Buju Banton; my favourite DJ ever of all time. Him inspire me,” said Palmer.
Vybz Kartel has immensely impacted Caribbean brand awareness in present day, much like Bob Marley did over 30 years ago. Buju Banton, similarly increased caribbean brand value over the past 25 years, creating historic moments globally on stages around the world, and even winning a Grammy award for his album, ‘Before the Dawn.’ Most recently, Vybz Kartel released a new single honoring God. On stage on Friday night in Brooklyn, the artiste broke down in tears while performing the track. Fans who attended the show have since called that particular part of the event, the most impactful.
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