Ebuzz News
Julius and Marge Follow Purpose, Delivering ‘Free State of Mind.’
Marge Blackman, the daughter of Soca music inventor, Ras Shorty I, has written “the song of the decade.” These were her words to Rodney Julius, a US based artist she’s collaborated with on a track that’s described as a song of service to country, and perhaps the world.
“Free State of Mind,” is a refreshing spin on the traditional sound of Calypso. Uplifting and thoughtful, this piece of art is considered by its creators as a gift to country and the world. “When I spoke with Marge Blackman about the project, she said, “Julius do you mind if we produce the track?” Blackman’s 18-year-old son, Moziah produced the song, delivering on the authentic sound Julius had hoped for.
The project began just after Blackman’s trip to India, where she had performed for thousands alongside Machel Montano at Yogi, Sadhguru’s Maha Shivratri celebrations. She had been fasting, however upon completion of her fast, she commenced work on ‘Free State of Mind.’
“When she sent me the acoustic version, I was brought to tears,” admitted Julius. A Sealots, Trinidad native, Julius loves the authentic Tringabonian culture and because of this, he maintains focus on delivering music with purpose. “I remember looking at The Mighty Duke and the other calypsonians as a youth, and admiring the way they dressed. They always thought of the younger people who were looking up to them,” he said, adding that he feels Calypso music and all that comes along with the genre, needs to be revived. “This is Jamoo calypso with a hint of Soca. This is a contribution to culture and wherever it takes me, I’ll be there. Wherever God needs me to be, I’m there,” he said.
“Free State of Mind” is a project of passion, brought together by mindful human beings who are dedicated to the betterment of mankind and each other. “I have to say thank you to Peter Wildfire Noel who did my vocal production. He did a great job. I have to give him honorable mention,” said Julius. He also gives tremendous credit to Krystle Bascombe, one of Trinidad and Tobago’s acclaimed drummers, for doing live drums on the track.
The song was written by Marge Blackman and produced by Jamoo 13th Sound. The track’s executive producers are Hubert ‘Ziah’ Lila, Rich London and Rodney Julius himself. “We haven’t done this song for the sake of competition or fanfare. We understand that by calypso our stories are told. With that in mind, we offer our gifts and talents in service to Trinidad and Tobago, the Caribbean and the wider world,” said the singer.
Trinidad and Tobago’s Greatest Show on Earth, the main focus for many at this time, the artistes on this single are understanding of the timing. Julius explained that he had considered a hiatus from the business of music, however one day even as those thoughts filled his mind, God directed him to continue. “What I will say to everyone doing music, and especially to the young artistes is, keep digging deeper and remember, there’s always someone looking on at you,” he shared.
“Free State of Mind” is available on all streaming platforms, and music lovers are encouraged to follow the artistes as they continue their mission of empowerment.
Stay updated on their efforts via Instagram @margeblackmantt and @juliustheartiste.
CHECK OUT THE SONG:
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Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
