Caribbean Buzz
Jamaican Dancehall Kings, Buju Banton and Vybz Kartel Put Culture and Country First.
On Friday night in Brooklyn, New York, an extraordinary tell-tale of Caribbean influence showed boldly on the outskirts and inside the downtown Brooklyn, Barclays Centre. Jamaican dancehall king, Vybz Kartel, having survived incarceration and illness over the past 13 years, had returned to the spotlight and would be appearing on stage at Barclays – something thousands, unable to travel to the artiste’s Freedom Street return concert last December, in Jamaica, had been anticipating for months.
Adidja Palmer, famously known for his Gaza-touting refrains and suggestive lewd lyrical traps, thoroughly enjoyed by the opposite sex, had been freed of a murder conviction on account of the intervention of the London Privy Council in 2024. Upon his release from behind bars, he called on the youth to stay on the side of the law and refrain from ‘badness.’ In January, Palmer was granted his US visa. He now resides in Florida, something he confirmed last Friday, during an interview with hosts of the Breakfast Club, Charlemagne, DJ Envy and Jess Hilarious.
This past weekend, Vybz Kartel returned to his glory, single-handedly luring a massive crowd on both Friday and Saturday nights to the Barclays Centre. “Back to back, never done before – sold out, so let’s talk about this,” said female Dancehall superstar, Spice in a social media video. She too had made an impact on both nights, reveling in the spirit of camaraderie and culture.
Last year, the same venue had been sold out with double shows delivered by Reggae and Dancehall icon, Buju Banton. Like Vybz Kartel, he too had been imprisoned for many years and upon his re-entry into the United States after approximately 6 years of freedom, Buju’s desirability was unmatched. This past Friday, in what no one expected, Buju Banton would appear in support of Kartel at Barclays Centre. “This is Buju Banton doing it for the culture; supporting Vybz Kartel here in Brooklyn tonight. Let’s get it right,” he said in an online video post.
Many years before, in the early years of his emergence, Vybz Kartel had been infamously reprimanded by Buju on stage, something that many fans of Kartel had not forgotten. Fast forward more than a decade later and this simple show of support has been declared a winning move for Jamaica’s culture and the country’s brand. “Don; meh mentor,” hollered Kartel upon greeting the “Circumstances” singer. An embrace and a humble admission by Buju would lead to Kartel’s admission that Buju Banton has always been the artiste he’s looked up to. “One Buju Banton; my favourite DJ ever of all time. Him inspire me,” said Palmer.
Vybz Kartel has immensely impacted Caribbean brand awareness in present day, much like Bob Marley did over 30 years ago. Buju Banton, similarly increased caribbean brand value over the past 25 years, creating historic moments globally on stages around the world, and even winning a Grammy award for his album, ‘Before the Dawn.’
Most recently, Vybz Kartel released a new single honoring God. On stage on Friday night in Brooklyn, the artiste broke down in tears while performing the track. Fans who attended the show have since called that particular part of the event, the most impactful.
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Caribbean Buzz
Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
Caribbean Buzz
Belize’s Shyne, Talks Culture and Governance at Island Music Conference. Challenges Caribbean Leaders.
Belizean political leader and notable Hip Hop figure , The Honourable, Dr. Moses “Shyne” Barrow has identified Jamaica as a regional blueprint for how culture and governance can work together to build sustainable industry.
Delivering a keynote address entitled, ‘From Stage to State’ at the Island Music Conference (IMC) in Kingston, Jamaica last week, Barrow urged Caribbean governments to move beyond symbolic support of the arts and toward structured public–private partnerships.
“These conferences are so very important,” he told delegates, describing information exchange as critical in an evolving global music economy. Responding to a question from Overtime Media about cultural influence as an economic engine, Barrow pointed to Jamaica’s global footprint. “The work of great musicians such as Bob Marley and Shabba Ranks, as well as the development of Reggae and Dancehall music, has done more for the Jamaican tourism product than anything else,” he said.
PHOTO: Overtime Media.
According to Barrow, Jamaica exemplifies how successive political administrations, despite partisan rivalry, maintained consistent implementation policies that enabled private-sector investment in the music industry. “They were fighting each other, but giving the same implementation,” he noted, crediting that alignment for helping Jamaican music achieve unmatched global recognition.“There is no one in the world who does not know about Jamaica — its music, its food and its culture,” he noted.
Barrow framed his own political evolution as rooted in Hip Hop’s entrepreneurial DNA. Calling his transition from performer to legislator “quintessential Hip-Hop,” he cited moguls who expanded beyond music into business and influence, arguing that creative thinkers belong in positions of power. “We belong in parliament. We belong in the cabinet. We belong in the Prime Minister’s office and in the President’s office,” he said. He also addressed emerging challenges facing the creative sector, particularly artificial intelligence and intellectual property protection.“We need to protect our rights. We need to protect our work and that can only be legislated,” Barrow warned. “If we don’t get involved in the legislative process, we’re going to wake up one day and find that our rights are gone.”
Calling the human mind “the greatest thing on planet Earth,” he cautioned against over-reliance on technology, stressing that creatives must remain central to innovation. Reflecting candidly on his past, including a decade of incarceration following a 1999 nightclub shooting, Barrow described his return to Belize as a shift toward service. “By then, my dreams had already come true,” he said. “But when I looked around my country, I saw people still struggling. So I chose a life of service.”
Barrow also revealed plans to return to the stage with a world tour marking the 25th anniversary of his debut album, while reaffirming his commitment to public service. Closing his address, he challenged Caribbean leaders to diversify the profiles of those shaping legislation.“The Caribbean’s creative class has already shaped global culture,” he said. “Now we must shape policy.”
– NIGEL TELESFORD / Overtime Media.
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