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Iwer George Did No Wrong- Contract States Promoters To Provide Permits, Says Anson George.

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Claims from co-promoters of a Mother’s Day event in Brooklyn New York, this past May that soca artiste Iwer George failed to appear, despite receiving a 50% downpayment, are today being disputed by George’s management. Anson George, Iwer’s manager today told ETCETERABUZZ that the allegations are simply, not true.

In our chat with George, it was revealed that Iwer’s appearance at the event was being done as more or less a favour to their friend, Edwin from VP records. The gig, dubbed a “dying show” by Anson George was being done for less than the normal figure usually presented to promoters, for the act. “We don’t even know who the promoters are, we were merely doing a favour for Edwin who asked us to do the show because the show was dying. We were trying to help out the situation,” said Anson.

Iwer George

Iwer ‘The Boss’ George

Explaining that it was the sole responsibility of the show’s promotional outfit to attain work permits for the artiste and his team, something that is indicated in their contract, Anson told us that the work permits were not ready on time and as such, they were unable to attend. He also disclosed that contractually, all down payments made to Iwer George are non-refundable. “We did change the flight dates for the tickets but this was only because Iwer had another event to perform at, here in Trinidad. We re-scheduled to a date that would still allow us enough time to get to New York in time for the show.”

Anson George told ETCETERABUZZ exclusively that they have since told the promoters they are willing to do another show for them on a future date, even agreeing to fly there at their own cost, however, judging by yesterday’s issuance of a press release on the issue by co-promoters, ‘Everybody’s Caribbean magazine’, we can safely assume that they will not be accepting this option.

Anson said he is disappointed that the situation has come to this and in light of threats of a lawsuit he says they have a contract that clearly states deposits are non refundable and work permits are to be organised by show promoters. He said often time artistes bear the pain of not being paid by promoters and it is never made a public scandal, explaining that this has in fact happened before. Asked of Iwer’s reaction to the situation, Anson told us Iwer is busy dealing with a situation that arose a couple weekends ago on his boat- the Coral Vision. “Right now, Iwer isn’t in the right frame of mind to deal with this particular issue. He’s busy with the boat,” said Anson.

Iwer George will perform across the Caribbean in the weeks ahead.

Now, here’s a look at the media release issued by Everybody’s Caribbean

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IS SOCA ARTIST IWER GEORGE A THIEF?

Hi Readers & Concert Fans,

Greetings!

There is reason why we did not thank everyone earlier who attended our Mother’s Day Concert at Brooklyn College, Brooklyn, NY especially fans who came from as far as MA, CT, MD and Washington, DC.

We thank you wholeheartedly for coming to the concert. We apologize for the delay acknowledgement. Here is the explanation.

We were trying to find out the reason why Iwer George did not appear at the concert after we paid him almost 50% deposit fee, sent him the two roundtrip airline tickets from Trinidad & Tobago to NY and reserved two hotel rooms he requested in his contract and then forward you, the fan, his excuse.

Iwer George, Anson George, his manager and Larry Williams, his agent, gave us George’s travelling dates before the airline tickets were purchased. Iwer George and Anson George were booked to arrive in NY on May 9, 2013; then their agent Williams said they changed the airline tickets to May 10 and then to May 11.

Almost a month later, we have not heard from Iwer George who cashed the two checks and Anson George who created the contract on behalf of Neil Iwer George. A few days after the concert, we heard from their agent, Larry Williams, who signed the contract on Iwer Neil George and Anson George behalf stating that he was unable to contact Iwer George.

We gave them enough time to contact us. By not contacting us, we conclude that Iwer Neil George, manager Anson George and agent Larry Williams conspired to defraud us by entering into a contract, deliberately taking and cashing our checks, have us pay for two airline tickets knowing that the artist did not intend to appear.

Both checks were payable to Neil George and Neil George, better known as Iwer George, cashed them.

We had no other recourse but to take legal actions against Neil Iwer George, Anson George and Larry Williams; amongst the penalties we are requesting of the court is an injunction barring Neil Iwer George from performing in the U.S. and the USVI.

We hoped to settle the matter privately so that one artist’s thievery will not be a reflection of honest and decent calypso and soca artists. Unfortunately, Neil Iwer George, Anson George and Larry Williams have ignored us.

It’s about time one takes legal actions against corrupt calypso and soca performers and their agents who rob promoters and the public.

We do not plan to issue any more public statements.

We apologize for not presenting Iwer George as advertised and hope fans will attend next year’s concert when we will make every attempt NOT to hire dishonest, unprofessional, scrupulous and unethical performers such as Iwer George.

Sincerely,

The co-promoters

 

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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