In the prime of his life, Jabari may seem a bit different from others his age. His focus on delivering what’s positive, clean and free of divisiveness, places him on the opposite end of the spectrum when compared to others, his age demographic in the Caribbean and even internationally. It’s not something that bothers him though. He’s cool with his choice and says he hopes that what he’s doing offers others his age, a clear understanding that there is definitely another option.
THE ZESS MOVEMENT
In Trinidad, the rise of the Zess movement saw music stars emerge, among them, K Lion – an artiste out of Belmont who passed away in 2020, at the age of 23, having suffered a heart attack in Miami. Jabari knew him well. They went to school together. “I will always give him respect for his talent. He was always really talented. We all had that dream of making a career out of music – not just to make money, but to do what we loved. The majority of those TriniBad artistes are very talented, but it seems to me that what they are portraying to the younger generation is that there is no other way.“
His sentiment has been considered time and time again in social discussions near and far, not only about Trinidad and Tobago’s music, but music carrying negative symbolism and imagery, globally. “The artistes have control. The DJs have to play something on-air and what they are playing is provided by these artistes. If there are more artistes out there who decide to change the script, DJs will follow, because the artistes have an audience, and music is more important than just what plays on the radio, and what plays in a party. Music also speaks to people’s lives because there are people out there who take music literally and it can be dangerous. These artistes can flip the script and actually help people,” Jabari rationalised.
A firm believer that the gifts granted to us all, should be used to do good, Jabari said, “these people have a gift where they can reach others with their gift. They have melodic capabilities that people who listen to their music catch on to their songs so easily; if they could just change their lyrics to sing a little more positive music, and basically try to preach to the youths that it doesn’t have to be all bad, there could be change.” He went on to say that in his head, if every single one of those popular artistes of the movement made a cumulative and conscious decision to push only positive songs, the DJs would ultimately have no other choice than to play those positive songs. The argument has however been that when positive music is released, the airplay is often non-existent. “The reason those artistes became so popular is because they have their own market – a market they created with the people around them. They went directly to the people before the music was even playing on the radio stations. Their people made it possible,” said Jabari. He added, “my whole thing is, it’s not impossible to feed the people positive lyrics. To me, it’s a matter of if you want to do it or not.”
The stage is being prepared for what is ultimately the most anticipated staging of the Caribbean Music Awards on September 19th, 2026. For the very first time since its inception three years ago, the event moves from New York, to Trinidad and Tobago where superstars from across the Caribbean region and internationally, will gather. It’s a meaningful moment for many people, but one person in particular, feels immensely excited and proud to be at the centre of it all.
Aisha Manrique is the voice of the Caribbean Music Awards. Her tone, expression, sound and articulation, which has narrated the entire show for the past three years, aligns seamlessly with brand Caribbean along with the overall delivery of this powerful celebration of Caribbean creativity and beauty. “I am extremely excited that the Caribbean Music Awards is being held at home in Trinidad and Tobago this year,” said the South, Trinidad native.
Aisha Manrique
Three years ago, Aisha landed the opportunity of a lifetime to become the Voice of God for the Caribbean Music Awards. The former Marketing Officer was essentially screened after a series of meetings and panel interviews, The Caribbean Music Awards would eventually agree to welcoming Trinidad born, Aisha Manrique into the organization. Added to that, the team, after doing their research on Manrique, offered her the opportunity to be the Head Writer for the production. Now in its fourth year, Aisha is the person who writes and narrates the entire production for show night, inclusive of nomination packages, host and presenter scripts and all else. “It’s a lot of work but I am tremendously grateful to be doing what I love,” she expressed.
The 2026 staging of the CMA’S in T&T is a welcomed experience for Aisha. “Having my team with me to be able to prepare in terms of making this moment at home, memorable, is something I’m looking forward to. Every year despite efforts to glam up and be a part of the show with makeup and everything else, I would announce behind the scenes in sneakers and jeans because of the rush as a result of the rigorous production schedule in addition to the intense traffic amid the excitement of Labour Day weekend.”
Manrique says this year she’s looking forward to wearing a gown and getting some photos taken while doing the work that she has dedicatedly done for the past three years, behind the scenes. “I can at least be a part of the glamorous side of things this year,” she laughed.
From San Fernando to the world, Aisha’s journey has been one filled with lessons and testimonies. An entrepreneur now, having answered her life’s calling a few years ago, Aisha says her mother’s insistence on key things, has shaped her path. “As a young child I would envision myself standing in front of thousands and thousands of people and using my voice. My first audience was made up of my uncles and grandmother. I remember my mother waking me up at 5am every morning to work on pronunciation, breathing and posture. Of course, as a child I wasn’t happy about that but now, I appreciate it so much.”
Her mother has since passed away, however Aisha Manrique is inspiring many these days, having been taught the principles of life, focus and dedication, by the woman who was her tower of strength throughout her life.
A Communications and Confidence Strategist, Public Speaking Coach, Copywriter, International Voiceover Talent and Live Announcer, Vocal Health Instructor, Master Storyteller, Aisha Manrique is moving onward with a distinct level of pride in how she serves. Her company, Voicey Versa Productions Ltd. is a Caribbean-based production and training company transforming how individuals and organizations use their voice, communication and stories to make an impact. She trains and coaches professionals, entrepreneurs, creatives, public figures, and performers to express and create compelling messages that resonate, convert, and inspire, equipping them with the skills to speak with confidence, clarity and authority. Her mother would be proud.
Caribbean artistes and other creatives have been strengthened by the CMAs over the past 3 years.
“My plan for my business is to better position the company as a safe space for persons to use their voices. If there’s someone who just wants to preach a sermon with a message, or if a person wants to post a video on social media and they need more confidence to engage broader audiences, Voicey Versa will be that safe space to learn,” she said, adding, “There are many people walking around with struggles internally and they are being silenced because of self-sabotage, imposter syndrome and negative thinking. I know what that feels like,” she noted.
Crediting several experiences throughout her life for her present success, Aisha says there is immense power in pushing past fear. At 15-years-old she attended the Rotary Leadership Awards Conference, where Secondary schools from across the Caribbean were represented by students. It was during that experience that her fear would be counteracted, having stood up when others did not, having been called upon to respond by one of the event’s sponsors, Percy Parker Williams. “He gave me a challenge to come up with a concept for an ad- a men’s cologne. He said he would give me 15 minutes. I said I just needed 1 minute and the whole auditorium erupted,” she recalls. “I created an ad and delivered in a seductive, female voice right there on the spot. The crowd cheered me on and Mr. Parker said I had something special. He awarded me a scholarship to pursue broadcasting and I’ve never looked back,” said Aisha.
There are many testimonies of her journey’s alignment to her gift and natural calling, but for Aisha Manrique, her life’s work is enshrined in God’s grace, having continued to use her gift to the service of others in her life. On September 19th, as Caribbean artistes and other creatives enjoy the fruit of their hard work and creativity in Port-of-Spain, her voice will tell the world at large, just how special they are.
For yet another year, cricket and entertainment are collaborating with intention. Superstar cricketer, Dwayne Bravo’s love and passion for both cricket and creativity bring live entertainment to matches across the Caribbean at this year’s Caribbean Premiere League (CPL) Tournament and it’s all thanks to Bravo’s Collabr app.
The idea behind Collabr began with a challenge that exists across the Caribbean: extraordinary creative talent is everywhere, but there has never been a formal structure to identify it, connect it or create a clear pathway from talent to opportunity. For the international cricket icon, recording artist and entrepreneur, that challenge became increasingly apparent through his work developing emerging artistes at 47 Productions.
47 Ronzy (front left) was discovered via the COLLABR app.
The talent was there. What was missing was the infrastructure.
Bravo and his team asked key questions: How do you find the right singer, songwriter, producer, dancer, filmmaker or other creative talent particularly when that person may be outside the traditional industry circles? How does a talented young artist in Trinidad, Guyana, St. Lucia, Jamaica or elsewhere in the Caribbean become visible to someone who can provide the next opportunity? And once discovered, how can those creators connect, collaborate, develop their work and ultimately build sustainable careers?
Recognising the need for something bigger than a studio or traditional talent search, Bravo reached out to entrepreneur Joshua Strone to expand the idea. That conversation became the foundation for Collabr – a technology platform designed to make creative talent discoverable and give creators the tools, connections and opportunities they need to move forward.
While its roots are distinctly Caribbean, the problem Collabr addresses is universal. Around the world, millions of talented creators remain disconnected from the people, resources and opportunities that could help them advance. At the same time, the modern creative process has become increasingly fragmented. Creators use one platform to network, another to communicate, another to edit, another to generate content with AI, and still others to distribute and monetize their work. Collabr brings that journey together.
Today, Collabr is evolving into an all-in-one creative ecosystem where artists, musicians, dancers, filmmakers, photographers, designers, producers, content creators and other creative professionals can create, connect, collaborate, get discovered and earn, all within one platform.
It’s a platform born from a Caribbean challenge, but built around a global belief: Talent can exist anywhere. Opportunity should be able to find it.
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