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Archived: If Kanye West Did It , Nothing’s Standing in the Way of Trinidad’s Jabari Bowman.

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Remember when one of Rap and Hip Hop’s finest, Kanye West shut it down- laid down a full track about Jesus Christ and gave radio and club DJs the guilt trip that essentially forced their hand? That track was called ‘Jesus Walks” and it was released in 2004. Powerful to say the least, there’s no doubt that if that song comes on anywhere today, your’e guaranteed to hear people singing along.

Well, nowadays they may label Kanye as mentally unstable among other things, but delivering an all-out gospel-rap single and getting it played in the club and on urban radio, is something he’ll always be credited for. A little like West, a young record producer in Trinidad and Tobago’s on his way to doing major things musically, when it comes to the gospel genre. He’s just 24-years-old.

Jabari Bowman’s got a thing for music and in a chat with Ebuzztt recently, he explained that it started at a really young age. The former St. Mary’s College student, told us he grew up in the Pentecostal church, however, spirituality wasn’t something that was forced onto him by his parents. “My parents weren’t very strict when it came to going to church. That was really left up to us. I had the support of my sister and we made the decision, on our own, to be a part of church,” he said.

Jabari says his parents’ Christian foundation saw him and his sister being taught strong, positive values. “They raised us the best way they knew, as Christians, but it wasn’t very strict- just really good values and it never felt forced,” he said. Like any regular child exposed to the rollercoaster that is life, Jabari says he was privy to everything, including all that comes along with the secular world. “My dad introduced me to everything- Rastafarian music, Hip Hop, Soca – so I wasn’t sheltered. My parents just gave us the information and with the values instilled in us, we chose our paths.”

Stuck in a pandemic in the prime of his life, Jabari admitted, “the world at present is a lot to deal with.” He however said he reminds himself that his spirit is stronger than any physical force.

Eleven years ago, the young, gifted creative visualised his business, calling his production house, JSB Productions and envisioning a music label of the same name. “My identity isn’t entirely about gospel music, although gospel is my preferred genre to work with, but my main focus is positive music- anything that is driven by positive thoughts and can influence positive behaviour,” he affirmed. He says he would do any of the popular genres of music, but he will only be aligned with music that is positive. “The way I do my business, I don’t put my production out into the market widely or in the hands of any label and let them choose which artistes they want on the beat. I always have a personal conversation with the artistes who are interested – and most times I have someone in mind that I’d like to work with,” he explained.

Clearly, for Jabari- music is more than just a paycheque. He’s invested in the effect his music could have on those who eventually consume it. “When I started making beats- it was just making music, but eventually I got to the point where I wanted my music – anything that had my name on it- I wanted it to touch a person’s soul and speak to them in a positive manner,” he said.

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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