The Caribbean’s being acknowledged internationally by one of the most influential names on the international entertainment scene- Nicki Minaj. On Thursday, Minaj who was born in Trinidad and Tobago, released a remixed version of Jamaican dancehall artist, Skeng’s ‘Likkle Miss.’ The track now features Destra Garcia, Patrice Roberts, Spice, Pamputtae, Lisa Mercedez, Dovey Magnum, London Hill and Lady Leshur.
Nicki Minaj with Skeng.
The remix is now being dubbed the ‘Fine Nine Remix’ and it still includes original vocals from the Jamaican artist, Skeng. “I’ve always been a lover of dancehall music. I grew up on dancehall music so I know I’m back in my good place as a human and as an artist when I begin to fall in love again with the things I originally fell in love with before I became a rapper,” said Nicki during an Instagram live highlight on Wednesday.
During her chit chat with fans, Nicki spoke of the inspiration she’s gotten over the years from Soca queen, Destra Garcia, telling of her absolute love for Garcia’s collaborative hit ‘It’s Carnival,’ with soca king, Machel Montano. “A lot of the artistes to me, they don’t get their just due and they’ve paved the way in inspiring some of your favorite artistes,” she said.
Patrice Roberts, in a social media post following the release of the new single, said, “The only words that are coming to mind at present are: Gratitude and Happiness.Thank you QUEEN @nickiminaj for seeing my talent and finding it fitting to include me on this project with you and 7 other amazing queens. Representation is important not only as women but it is important for our island Trinidad and Tobago and Soca music.Thank you for this amazing opportunity and I cannot wait to see it unfold. Much love to all the women involved in this project.”
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
On the heels of the release of new material, Buju Banton recently rode through Brooklyn with comedian, Queensflip on a dollar cab. The candid discourse has however landed the veteran reggae and dancehall artiste in a viral war of words it would appear, as someone speaking on behalf of fellow entertainer, Wayne Wonder is now challenging Buju’s utterances.
In a post shared on social media on Monday, Buju Banton is lambasted on behalf of Wayne Wonder, with the spokesperson alleging that Buju was responsible for the removal of Wayne Wonder’s name on credits for his 1992 hit single, ‘Murderer.’
Buju’s utterances was owed to questions asked by QueensFlip on the matter of his relationship with Wayne Wonder.
In response, a representative, now understood to be the wife of Wayne Wonder, countered Buju’s sentiments, harshly criticizing Buju’s character and alluding to dishonesty and unfair treatment meted out to her husband.
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