Bunji Garlin has been honored by the borough of Arima in Trinidad for his “outstanding contribution to the upliftment of the borough on the occasion of its 128th anniversary.” Yesterday, several social media posts by both the ‘Differentology’ singer and his wife, Fay-Ann Lyons Alvarez, signaled that something special was happening.
Bunji received the honor yesterday in the presence of his parents.
Dressed as dapper as ever in a greyish colored suit, complimented by a salmon hued shirt and multicolored tie, the entertainer accepted the prestigious key to the Royal Chartered Borough of Arima, presented by Mayor George Hadeed.
EBUZZTT.COM spoke with the Deputy Mayor and Councillor for Arima Central, Lisa Morris-Julien who explained that Bunji was chosen because of his commitment and patriotism to the Borough. The artiste who grew up in Wallerfield, attended the Arima North Secondary School. Mrs. Morris -Julien said students of the school really look up to Garlin, many of them hoping to be much like him in the years ahead.
“It’s a huge honor. The last group to receive the keys were the indigenous people of Arima. It’s largely symbolic but Ian also got the crest, which is something only given to Mayor and council.”
She said Bunji was also honored with a civic award.
Set to jet off with the Asylum Vikings to St. Lucia this weekend, Bunji Garlin will likely be smiling from ear to ear all weekend long. His wife, in a social media post yesterday, shared her emotions, saying that she was very proud of her hubby. Today, Deputy Mayor Morris-Julien said Garlin often gives back to his hometown, recalling that this year he hosted a carnival children’s show in the borough free of charge to all in attendance. “He paid for everything out of pocket and he didn’t skim on the entertainment and the value,” she said.
Bunji received a personally engraved key to the Borough and a ceremonial pin. The borough of Arima celebrates its 128th anniversary this year.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
On the heels of the release of new material, Buju Banton recently rode through Brooklyn with comedian, Queensflip on a dollar cab. The candid discourse has however landed the veteran reggae and dancehall artiste in a viral war of words it would appear, as someone speaking on behalf of fellow entertainer, Wayne Wonder is now challenging Buju’s utterances.
In a post shared on social media on Monday, Buju Banton is lambasted on behalf of Wayne Wonder, with the spokesperson alleging that Buju was responsible for the removal of Wayne Wonder’s name on credits for his 1992 hit single, ‘Murderer.’
Buju’s utterances was owed to questions asked by QueensFlip on the matter of his relationship with Wayne Wonder.
In response, a representative, now understood to be the wife of Wayne Wonder, countered Buju’s sentiments, harshly criticizing Buju’s character and alluding to dishonesty and unfair treatment meted out to her husband.
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