Imagine being told that in order to be seen and heard, as an upcoming female artiste in the Soca music industry, physical exposure is necessary. Somewhat daunted by this, New York based artiste, Rreecey says she finds herself caught between being passionately driven and angered.
A new single, ‘Stink and Dutty,’ done collaboratively with her friend and fellow artiste, Eggy Dan, Rreecey says she’s been open to marketing and promoting her music, using all available tools, however she makes it clear, she is not in the business of selling her body, arguing that women should not be made to suffer for their integrity.
The sexualization of women in the music industry is not new, nor is it exclusive to Soca music. Other female artistes, among them, Alison Hinds, have spoken out on the hyper-sexualization of the music industry, but to no avail. Despite this challenge now faced, Rreecey says she will press on, promising to continue her momentum with hopes that she can prove herself worthy of airplay and event bookings in the Carnival season ahead.
‘Stink and Dutty’ was written by Jason ‘Shaft’ Bishop, one of the Caribbean region’s most requested songwriters. The duo say they’ve found tremendous support in Shaft’s camp, highlighting that with Jason, they’ve been given great music, and even better advice. “Jason is really good at what he does and he guides you really well. He’s a good one,” said Eggy Dan.
Having recently survived a major car accident, Eggy, whose real name is Marvin Lewis, is on the road to recovery. “I’m not back to my usual self just yet but I am doing physical therapy.” He was lucky to survive a car accident on Mother’s Day this year, suffering a severe back injury. “It’s been very hard. I haven’t been working, but with the release of the new single, we made the sacrifice needed recently, visiting Tobago for a promotional run, ahead of Tobago’s carnival,” he said. That experience however, altered his view on the business somewhat, lamenting that people in the industry are very good at making false promises. “There is a lack of proper accountability in the Soca music business, with no redress available to upcoming artistes. People behind the scenes are taking on certain roles and giving assurances, but they’re doing it for money, not for the love of the artform,” said Rreecey.
New Music with Millbeatz
Their trip to T&T last month was not wasted. The duo recorded new music at Millbeatz Music and are excited for the unveiling of these projects. “We’re looking toward the end of the year and we’re excited to share these new songs with Soca lovers,” said Rreecey. They plan on releases two groovy soca track individually, in the next few months. The New York based entertainer explained that she has taken on the task of personally becoming acquainted with leaders in the industry, including event promoters, in a bid to manage risk, after unfortunate experiences in the recent past.
Friends and fans of the artistes have been very observant of their growth. “It’s always great to get the feedback of the people who’ve seen our development over time. Sometimes it’s difficult to maneuver as new artistes, and it doesn’t help when seasoned artistes refuse to share their knowledge and offer advice,” said the young female artiste. Eggy however recalled fellow entertainer, Preedy’s words of support to him. “Preedy told us it won’t be easy but he said we should just keep pushing.”
For both these entertainers, there is a strong will and desire to create long- lasting music. “I want my music to live on. I don’t want to create disposable music. That doesn’t make sense,” said Eggy. Rreecey says despite the challenges that present itself for new artistes choosing Soca music as their outlet, she remains steadfast in her approach. “It’s really tough in New York now, with a lot of promoters becoming artistes and even hiring themselves. This could hurt the culture because if legitimate artistes who take this craft seriously, are continuously overlooked, what can we expect in 10 years?”
No matter the challenge, the New York based team of Rreecey and Eggy Dan is pushing through. Visuals and additional marketing, a major part of their promotional thrust in the months ahead, the artistes are working dedicatedly to bring good music, enjoyable vibes and long-lasting quality to the Soca scene.
“Preedy told us it won’t be easy but he said we should just keep pushing.”
A Caribbean tour that started in Trinidad on Saturday and has continued in Grenada, this afternoon, has intrigued GenZ and GenAlphan fans across the Caribbean and internationally, all thanks to digital influencer, IShowSpeed, whose real name is Darren Jason Watkins Jr.
The 21-year-old Cincinnati, Ohio native who has racked up over 53 million YouTube subscribers touched down in Trinidad on Saturday, much to the excitement of local gaming and streaming fanatics, many of whom are teens and pre-teens.
Accompanied by several Trinidad and Tobago influencers and chaperoned by Machel Montano’s manager, Che Kothari, the vibrant young streamer was shown various parts of Port- of- Spain, Trinidad, and introduced to aspects of the culture often experienced by visitors to T&T, particularly at Carnival time.
From Saheena, to Roti, Bake and Shark and Doubles, IShowSpeed tried several Trinbagonian dishes and even some of the snacks manufactured locally. He was exposed to Carnival culture and traditional carnival characters and further to that, Trinidad and Tobago artistes like Lady Lava, Nessa Preppy and Jimmy October shared in the thrill of his visit. Many young, eager Trinbaonians, inclusive of parents who are familiar with the young influencer, engaged happily with Watkins Jr. throughout Saturday’s trip, all as he streamed the fun, live. Running through the streets as he moved through places like Tragarete Road and Charlotte Street in downtown Port-of-Spain, he was visibly excited to experience the country known especially for the Greatest Caribbean Carnival, the world over.
The trip, though quick, was streamed to some 7 millions online viewers and while some found it difficult to relate to the new wave of digital marketing and influencer branding potential for the small, twin island, others have since been marveling at the fact that this 21-year-old has managed to gift Trinidad and Tobago more publicity in mere hours, than that which Caribbean celebrities have been able to attain, over years in cultural ambassadorship.
Now, he turns his energy to Grenada. He was welcomed to the island by Grenadian cultural ambassador, Mr. Killa on Sunday, and Grenada’s signature Jab is expected to be on full display as the opportunity to reach millions around the world, now presents itself. The tour will continue to other Caribbean tourist destinations, inclusive of Antigua and Barbuda, St. Lucia, Bahamas, St Vincent and the Grenadines, St. Kitts and Nevis, Sint Maarten, Dominica, The Dominican Republic and Jamaica.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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