The Black Collar Creative Foundation was launched in Trinidad and Tobago on Friday 20th, October with a display of immense talent in recognition of a gifted soul, Janine Charles-Farray. A force in the Arts and media, Farray sadly, passed away in October, 2022. The foundation is aimed at preserving her legacy. In her opening speech, Founding Director, Ms. Marva de Freitas Charles’ (Janine’s mother) gave a chronology of her daughter’s work and dedication to the Cultural and Creative Industries.
The elder Charles recalled that her daughter had been was very active in the choir from as early as primary school and in Bishops Anstey High School under the leadership of Mrs. Bacchus-Ifill. She said singing was her passion and it was nurtured by the late Dr. Pat Bishop who mentored and trained Janine in The Lydians choir.
She was a part of the inaugural Board of The Lydians and later resigned as board member. Following which, she was assigned the position of Communications Officer. Subsequently, she was relieved of this duty by the new Board and Management in 2020. She would eventually form Black Collar Creative Ltd., Ms. de Freitas Charles shared. She was instrumental in scripting the night’s feature musical, Une Petite Nuit (A little night) with Chandelier Productions.
Janine won many awards at the TT Music Festival and sat on several Boards and Committees, the latest being the National Carnival Museum and the Caribbean School of Dancing.
As a Panorama aficionado and lover of calypso, she would review the performances, blog and share her thoughts on social media. She was an avid mas player who loved J’ouvert with 3canal. Charles revealed that they would cross the stage by the Queen’s Park savannah and on the way back, pass in front of Bishops where Janine would lead them in singing the school song, “Who would tru valour see, let him come hither”. There is no better way to describe the brilliance and sheer dynamism of this daughter of the soil, Janine Charles-Farray. She was a ‘cultural powerhouse’ as described by many who knew her, and she advocated for this sector we loved so – she was fearless. One of her many accomplishments was coordinating efforts for cultural and creative organisations during the pandemic, which led to the procurement of hampers donated by Massy Stores to distribute to creative practitioners in need.
Patron of the Foundation, Rhoma Spencer recounts her first encounter with Janine who at the time was being bullied and teased at school for being a big girl, when her mother brought her by her house to talk to her, since she herself was a ‘big’ woman in the arts about body positivity and how to thrive in her skin. Years later, Janine would interview her for the Guardian newspaper, and she reminded her of who she was. She shares that what she saw then was a ‘confident black woman, comfortable in her skin’ and she paused and wondered for a moment if she had a hand in that.
The launch also included the band, One Vision One Voice (OVOV) who entertained the audience with an eclectic mix of music from reggae to pop, showcasing their versatility. The night’s highlight was Chandelier Productions’ theatrical musical, Une Petite Nuit, which told a love story that was both witty and comedic. Led by Musical Director, Michael Hudlin, the theatrical featured singers/actors Adafih Padmore, Joelle Archer, Shennice Williams, Tahfari Leslie, Carl Anthony Hines, Isaiah Alexander, Gabrielle Alleyne and Kristian Adams. Mr. Stephen de Gannes, CEO of the Chamber of Industry and Commerce expressed his absolute enjoyment of the launch, sharing that he was particularly impressed with so many young performers, with special mention of OVOV keyboardist, Candace Moore, all the performances and the high standard of the production and musical accompaniment.
The foundation has since been registered and will soon accept angel contributions and donations towards supporting creative start-ups with seed funding.
The Board of Directors are Enrico de Freitas, Garnet Allen and Marva de Freitas Charles. Interested persons can email the Black Collar Creative Foundation at bccreativefoundation@gmail.com. For press or further information, contact, Rachael N. Collymore of Power Media Hub Ltd. at engage@powermediahub.com or (868) 323-0416.
Spice Mas, like every other carnival, is seasonal, but for Carriacou, Grenada artiste, Skinny Banton, music isn’t. He has unleashed seven songs in 2026, and like clockwork he’s locked in and ready to deliver his energy, good vibes and storytelling strengths to audiences celebrating another memorable Spice Mas experience this year.
For Skinny Banton, whose real name is Shirlan George, Grenada’s Jab culture is fuel to his fire. In the past, songs like ‘Soak It Good’ and ‘Wrong Again,’ brought him tremendous acclaim across the region and internationally. This season, The Jambalasse project is anticipated to be one of the artiste’s most powerful contributions, signaling his intentionality to promote his country’s authentic culture, wherever he goes. “With this project we’re trying to keep the history, while celebrating the present by revamping a song that was done by Moss International 35 years ago,” he said. That song was called ‘Jambalasse Rule,’ released in 1991. “We revamped the riddim because it was one of the first songs considered to be an original Jab Jab song from Grenada, at that time,” he explained.
Proud of his personal efforts to keep the awareness on Grenada’s cultural traditions, Skinny Banton advocates for the continued celebration of these traditions and understands his role as an artiste. “No matter what we face as artistes in this space, we stay true to our mission. I have several songs that the people will enjoy in Spice Mas and beyond. One of my personal favourites is ‘Pain,’ a song I would like to share with my fans in Trinidad and Tobago when Carnival 2027 comes around,” he said.
Strengthening Others
Other tracks released by Skinny include, ‘When Yuh Eating,’ ‘Right Up,’ ‘Black Fuh Juvay,’ ‘Can’t Stop Us,’ ‘Carnival Traffic’ featuring Jamaican artiste, I Octane, ‘My Behaviour,’ featuring Tonic X and ‘Water Line Burst,’ collaboratively done with Nicki Akull. “The collaborations done with Tonic X and Nicki Akull mean a lot to me. They are upcoming artistes who I share good vibes with. When I was younger and had hopes of connecting and collaborating with bigger artistes, it was not easy,” he recalled, adding that it often felt daunting. He says because he understands the feeling, he is happy to be able to help these up-and-coming entertainers. “This was just my way of giving them strength and encouragement. I feel like nobody takes you seriously when you don’t have a foot in the door – they refuse to embrace you because you are not known. I want them to keep pushing after this,” he added.
Dedicated and refocused, Skinny Banton is pushing full speed ahead. “I’m doing music videos for most of the songs. I already have a video for ‘Black Fuh Juvay,’ which has been uploaded to YouTube and all other streaming platforms, and the video for ‘My Behaviour’ with Tonic X is also out,” he said. Grateful to Jamaican artiste, IOctane for the strength given to him on their collaboration on the single, ‘Carnival Traffic,’ Skinny said this particular song is one that he loves, and he hopes the people will, as well.
For the past three years, the artiste had been approached by upcoming entertainer, Nicki Akull for the single they eventually brought forward this year. “Waterline Buss – Nicki Akull’s persistence and determination really brought this song into existence,” he said, happy to have eventually come around to making it happen. Even with such a vast number of singles released, Skinny Banton says he is ready to work with artistes across the Diaspora. “I’m still creating, still working and I’m looking forward to establishing more ground in the Soca community and around the world.”
Social Media, Music and Trends.
Certainly attuned to the necessary promotional adjustments that many artistes have been forced to adopt, Skinny Banton says he hopes that despite the rise in social media content distribution, true talent and good music is not sacrificed. “I feel like content creation online should not take away from artistes creating and delivering great music, because without the content, the music should still stand on its own, and with the content, the people still need the music,” he shared. “I also feel like a lot of trends are created from making yourself an online spectacle and not the music being able to sustain itself, so you may get attention for what you post as content, but the music you’re posting the content for sometimes does not have enough substance to sustain itself for longevity,” he rationalized.
Thoughtful, conscious and truly talented, Skinny Banton is a necessary part of the Caribbean’s creative landscape. His storytelling ability, coupled with his appreciation for the art and vocal capacity, makes him an artiste everyone should tap in to. “I want to encourage the young artistes to stay focused and keep pushing and never be discouraged by the many things that’s said on social media. They must work hard to establish their business to suit them, because every artiste will do things differently, when it comes to the business; Never be discouraged by the naysayers,” he advised. He thanked his fans for their love and support over the years. “People who’ve been supporting from day one and continue to support, as well as the new supporters I’ve gotten along the way – thank you. To the DJs and radio personalities, I appreciate you. One hand doesn’t clap. Thank you for keeping my songs on rotation and I hope you all continue to support me.”
Trinidad and Tobago gospel dancehall artiste JrDynamite is opening up about some of life’s toughest emotional battles on his latest single, Fake Energy.
Produced by Adrian “Always Kreative” Emily, the track blends smooth dancehall rhythms with JrDynamite’s signature sing-jay style to deliver a message that is both deeply personal and widely relatable. Through honest storytelling, the artiste explores feelings of disappointment, isolation, and self-doubt while encouraging listeners to remain grounded in faith.
At its core, Fake Energy examines the challenges of identifying genuine support in a world often filled with superficial connections. The song reflects on loyalty, appreciation, and the search for authentic relationships, all while asking difficult questions about who truly stands by us during life’s most challenging moments.
While the message is universal, the track also shines a light on the emotional struggles many men face as they carry responsibilities while feeling unseen or underappreciated. JrDynamite uses the song to create space for reflection, vulnerability, and healing without losing the uplifting spirit that defines his music.
Anchored by faith and resilience, Fake Energy reminds listeners that even when human relationships disappoint, strength and purpose can still be found through God’s unwavering love.
With its soulful melodies, introspective lyrics, and polished production, Fake Energy continues JrDynamite’s mission of creating music that not only entertains but also inspires listeners to protect their peace, recognize their worth, and keep moving forward.
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