The Black Collar Creative Foundation was launched in Trinidad and Tobago on Friday 20th, October with a display of immense talent in recognition of a gifted soul, Janine Charles-Farray. A force in the Arts and media, Farray sadly, passed away in October, 2022. The foundation is aimed at preserving her legacy. In her opening speech, Founding Director, Ms. Marva de Freitas Charles’ (Janine’s mother) gave a chronology of her daughter’s work and dedication to the Cultural and Creative Industries.
The elder Charles recalled that her daughter had been was very active in the choir from as early as primary school and in Bishops Anstey High School under the leadership of Mrs. Bacchus-Ifill. She said singing was her passion and it was nurtured by the late Dr. Pat Bishop who mentored and trained Janine in The Lydians choir.
She was a part of the inaugural Board of The Lydians and later resigned as board member. Following which, she was assigned the position of Communications Officer. Subsequently, she was relieved of this duty by the new Board and Management in 2020. She would eventually form Black Collar Creative Ltd., Ms. de Freitas Charles shared. She was instrumental in scripting the night’s feature musical, Une Petite Nuit (A little night) with Chandelier Productions.
Janine won many awards at the TT Music Festival and sat on several Boards and Committees, the latest being the National Carnival Museum and the Caribbean School of Dancing.
As a Panorama aficionado and lover of calypso, she would review the performances, blog and share her thoughts on social media. She was an avid mas player who loved J’ouvert with 3canal. Charles revealed that they would cross the stage by the Queen’s Park savannah and on the way back, pass in front of Bishops where Janine would lead them in singing the school song, “Who would tru valour see, let him come hither”. There is no better way to describe the brilliance and sheer dynamism of this daughter of the soil, Janine Charles-Farray. She was a ‘cultural powerhouse’ as described by many who knew her, and she advocated for this sector we loved so – she was fearless. One of her many accomplishments was coordinating efforts for cultural and creative organisations during the pandemic, which led to the procurement of hampers donated by Massy Stores to distribute to creative practitioners in need.
Patron of the Foundation, Rhoma Spencer recounts her first encounter with Janine who at the time was being bullied and teased at school for being a big girl, when her mother brought her by her house to talk to her, since she herself was a ‘big’ woman in the arts about body positivity and how to thrive in her skin. Years later, Janine would interview her for the Guardian newspaper, and she reminded her of who she was. She shares that what she saw then was a ‘confident black woman, comfortable in her skin’ and she paused and wondered for a moment if she had a hand in that.
The launch also included the band, One Vision One Voice (OVOV) who entertained the audience with an eclectic mix of music from reggae to pop, showcasing their versatility. The night’s highlight was Chandelier Productions’ theatrical musical, Une Petite Nuit, which told a love story that was both witty and comedic. Led by Musical Director, Michael Hudlin, the theatrical featured singers/actors Adafih Padmore, Joelle Archer, Shennice Williams, Tahfari Leslie, Carl Anthony Hines, Isaiah Alexander, Gabrielle Alleyne and Kristian Adams. Mr. Stephen de Gannes, CEO of the Chamber of Industry and Commerce expressed his absolute enjoyment of the launch, sharing that he was particularly impressed with so many young performers, with special mention of OVOV keyboardist, Candace Moore, all the performances and the high standard of the production and musical accompaniment.
The foundation has since been registered and will soon accept angel contributions and donations towards supporting creative start-ups with seed funding.
The Board of Directors are Enrico de Freitas, Garnet Allen and Marva de Freitas Charles. Interested persons can email the Black Collar Creative Foundation at bccreativefoundation@gmail.com. For press or further information, contact, Rachael N. Collymore of Power Media Hub Ltd. at engage@powermediahub.com or (868) 323-0416.
Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer. In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.
Building Connections In the Name of Music.
For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.
Maurane Voyer x Reo
Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.
The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song.
Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.
Taking A Look at What Unifies.
“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.
The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.
Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could. Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.
“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.
The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.
The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.
With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.
The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.
As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.
Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.
In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.
Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.
Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”
Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.
Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.
This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?
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