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Prenzo’s on the Rise. New Artiste Makes Big Impression On Major Carnival Riddim.

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The stage is set for the upcoming Carnival season in Trinidad and Tobago, but not before the newcomers make their grand entry. The world will know Prenzo. He’s dynamic, vocally unique and what he says is God’s grace, has him sitting on one of the biggest riddims that penetrated the Carnival circuit leading into Carnival 2024, in Trinidad and Tobago. 

Prenzo was born in Trinidad, but now resides in Tobago. He says he gets the best of both islands. A young, vibrant artiste, he has big dreams to be a successful entertainer, and certainly a household name. Admittedly, he says he started off singing RnB and reggae music from as early as 10-years-old, having been a part of The Love Movement then. The opportunity to perform at Queen’s Hall during that time, sparked an inextinguishable passion that pushed him toward his dreams.  

Last year, for the first time, Prenzo released a Soca single. “I was encouraged by my lady to first be a part of the culture of my homeland. She said to me, “to get noticed, you have to start with your culture.”” 

After eight years honing his craft as an artiste, Prenzo explained that he felt confident in his ability to maneuver in the industry and, as luck would have it, through the encouragement of a friend, he scored the opportunity he had hoped for. 

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Prenzo’s single, ‘Wuk Up’ forms part of the ‘Pay the People’ riddim – a riddim that happens to be Barbados’ Road March riddim. “I am so happy that I got the chance to add my voice to the riddim. My very good friend is responsible for this and I’m really grateful,” he said. He joins artistes like Yankey Boy and Swappi on the riddim, and says he believes God aligned it all. “Last year I wrote that song, not realizing that it would land on Barbados’ Road March riddim. God had to be working in some kind of way, because to jump on a big riddim like this… I was shocked to know that it was still open for me to get a chance,” he said. 

The feel-good single is all about enjoyment, and places keen focus on the women of Carnival. Prenzo says it also encourages elevation and progress, relaying in the simplest way, the need for positive energy and optimism in life. Mindful and practical, Prenzo says he will focus entirely on this single ahead of T&T carnival. He knows that penetrating the market in even the slightest way, is dependent on the strong effort he puts in, to bring awareness to himself and at least one engaging Soca single. 

Inspired to push for greatness and rise above the challenges, Prenzo admits that fellow artiste, Voice has been a great source of inspiration to him. “Voice helped me out a lot with all those positive songs when I was going through certain things in my life. I also admire Kees. I’m a real groovy soca lover,” he rationalized. Now, excitedly, he is positioning himself to join some of his favourite artistes in the soca music industry. “I was born for this. There’s no better time than the present to share my gift with the world.”

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Dominica, Martinique Connect in the Name of Bouyon, Just in Time For World Creole Festival This Weekend.

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Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer.  In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.

Building Connections In the Name of Music.

For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.

Maurane Voyer x Reo

Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.

The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song. 

Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.

Taking A Look at What Unifies.

“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.

The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.

Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could.  Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.

“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.

The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.

The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.

With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.

The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.

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Tobago’s Trendsetter Goofy, A Different Kind of Cultural Ambassador. Show Some Respect.

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As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.

Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.

In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.

Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.

Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”

Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.

Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.

This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?

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