The stage is set for the upcoming Carnival season in Trinidad and Tobago, but not before the newcomers make their grand entry. The world will know Prenzo. He’s dynamic, vocally unique and what he says is God’s grace, has him sitting on one of the biggest riddims that penetrated the Carnival circuit leading into Carnival 2024, in Trinidad and Tobago.
Prenzo was born in Trinidad, but now resides in Tobago. He says he gets the best of both islands. A young, vibrant artiste, he has big dreams to be a successful entertainer, and certainly a household name. Admittedly, he says he started off singing RnB and reggae music from as early as 10-years-old, having been a part of The Love Movement then. The opportunity to perform at Queen’s Hall during that time, sparked an inextinguishable passion that pushed him toward his dreams.
Last year, for the first time, Prenzo released a Soca single. “I was encouraged by my lady to first be a part of the culture of my homeland. She said to me, “to get noticed, you have to start with your culture.””
After eight years honing his craft as an artiste, Prenzo explained that he felt confident in his ability to maneuver in the industry and, as luck would have it, through the encouragement of a friend, he scored the opportunity he had hoped for.
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Prenzo’s single, ‘Wuk Up’ forms part of the ‘Pay the People’ riddim – a riddim that happens to be Barbados’ Road March riddim. “I am so happy that I got the chance to add my voice to the riddim. My very good friend is responsible for this and I’m really grateful,” he said. He joins artistes like Yankey Boy and Swappi on the riddim, and says he believes God aligned it all. “Last year I wrote that song, not realizing that it would land on Barbados’ Road March riddim. God had to be working in some kind of way, because to jump on a big riddim like this… I was shocked to know that it was still open for me to get a chance,” he said.
The feel-good single is all about enjoyment, and places keen focus on the women of Carnival. Prenzo says it also encourages elevation and progress, relaying in the simplest way, the need for positive energy and optimism in life. Mindful and practical, Prenzo says he will focus entirely on this single ahead of T&T carnival. He knows that penetrating the market in even the slightest way, is dependent on the strong effort he puts in, to bring awareness to himself and at least one engaging Soca single.
Inspired to push for greatness and rise above the challenges, Prenzo admits that fellow artiste, Voice has been a great source of inspiration to him. “Voice helped me out a lot with all those positive songs when I was going through certain things in my life. I also admire Kees. I’m a real groovy soca lover,” he rationalized. Now, excitedly, he is positioning himself to join some of his favourite artistes in the soca music industry. “I was born for this. There’s no better time than the present to share my gift with the world.”
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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