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Soca Needs More Unity. New Music Released, Bitts Pushes Preservation and Evolution.

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Even as she pushes for a better understanding and appreciation of Trinidad and Tobago’s cultural legacy, its traditions in mas and culture and all else, female soca artist, Lil Bitts says change is the only constant.

She unleashed new music recently and appeared on RED 96.7FM in Trinidad on Wednesday morning. Her latest release is called ‘Sweetest Mas’ and Bitts told listeners that the experience in bringing her vision of the ‘sweetest mas’ experience to the screen, via the song’s video, was a spiritual one.

She recalled dressing in blue paint to deliver the Jambolasse carnival character, telling listeners that prayer was a part of the delivery, since the character, which resembles that of a devil, would ultimately consume her, something she had never quite experienced before. “People do not understand how spiritual our Carnival really is,” she commented, explaining that after the ritual of prayer and becoming one with the character she was able to touch the fire without being burnt.

Lil Bitts in character, during filming of her new video for ‘Sweetest Mas.’

These elements of Trinidad and Tobago’s traditional carnival experience, while still seen in some quarters, have dwindled in others. This, Bitts says she wishes could be maintained and passed on to future generations. “J’ouvert long time was old clothes and characters and whatever was the current affairs issue of the time, people would play that. Carnival is so much more. It would be awesome if we could teach our kids these things,” she said. Bitts said her 7-year-old neice who was a part of her video for ‘Sweetest Mas,’ did not know half of the carnival characters displayed, so it became a teachable moment for her.

The artist who also works in theatre, explained that it’s all about finding a balance between preservation of the culture and embracing evolution. “I have nothing against ‘BBF’ – Bikini, Beads and Feathers,” she said, noting that she plays mas like everyone else in the modern carnival wear. “I understand that everything evolves, so we can’t shut down the BBF because everything evolves. Does soca sound the same way from 10-15 years ago? No. The only thing constant is change,” she reiterated.

On the issue of Soca music and the local fraternity’s desire to see international audiences gravitate even more towards it, Bitts said, “It will catch. I just feel like people just need to do them. What I think needs to happen is that we need to come together more. That’s what the African artistes are doing. It’s not just one African artist – it’s multiple, altogether and then everything became ‘Afro,’ she highlighted.

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Music News

JrDynamite Gets Real On New Single “Fake Energy.”

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Trinidad and Tobago gospel dancehall artiste JrDynamite is opening up about some of life’s toughest emotional battles on his latest single, Fake Energy.

Produced by Adrian “Always Kreative” Emily, the track blends smooth dancehall rhythms with JrDynamite’s signature sing-jay style to deliver a message that is both deeply personal and widely relatable. Through honest storytelling, the artiste explores feelings of disappointment, isolation, and self-doubt while encouraging listeners to remain grounded in faith.

At its core, Fake Energy examines the challenges of identifying genuine support in a world often filled with superficial connections. The song reflects on loyalty, appreciation, and the search for authentic relationships, all while asking difficult questions about who truly stands by us during life’s most challenging moments.

While the message is universal, the track also shines a light on the emotional struggles many men face as they carry responsibilities while feeling unseen or underappreciated. JrDynamite uses the song to create space for reflection, vulnerability, and healing without losing the uplifting spirit that defines his music.

Anchored by faith and resilience, Fake Energy reminds listeners that even when human relationships disappoint, strength and purpose can still be found through God’s unwavering love.

With its soulful melodies, introspective lyrics, and polished production, Fake Energy continues JrDynamite’s mission of creating music that not only entertains but also inspires listeners to protect their peace, recognize their worth, and keep moving forward.

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General Grant and Mr Renzo Unite Caribbean Rhythms on “De Shot Call (Remix)”

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The vibrant sounds of classic dancehall and contemporary reggaeton collide on “De Shot Call (Remix),” a dynamic new collaboration from Trinidad and Tobago recording artist General Grant and versatile entertainer Mr. Renzo.

.Designed to ignite dancefloors while honoring the rich musical heritage of the Caribbean, the track blends the raw, energetic spirit of early 1990s dancehall with the infectious grooves and global appeal of modern reggaeton. The result is a high-energy anthem that bridges generations, cultures, and musical styles.

Inspired by the golden era of dancehall that helped shape Caribbean music culture, “De Shot Call (Remix)” reimagines that signature sound through a contemporary lens. The production delivers nostalgic undertones while embracing the polished rhythms and vibrant energy that resonate with today’s audiences.

For General Grant, the project continues his commitment to preserving and evolving authentic Caribbean music. Widely respected for his contributions to the dancehall and reggae landscape, he brings his signature delivery and commanding presence to the remix, reinforcing the song’s connection to the genre’s roots.

Joining him is Mr. Renzo, a singer, songwriter, and entertainer whose career spans more than two decades. Recognized for his ability to blend Caribbean, Latin, pop, and urban influences, Mr Renzo adds a fresh and modern dimension to the track, helping to create a sound that transcends borders and appeals to a broad international audience.

Together, the two artists showcase how Caribbean music continues to evolve while remaining grounded in its traditions. “De Shot Call (Remix)” serves as a celebration of that journey, highlighting the seamless transition from dancehall’s formative years to Reggaeton’s current global prominence.

The single was executive produced by Lawrence Adams – Mr. Renzo, who also co-wrote the track alongside Curtis Grant – General Grant. Recording and editing duties were handled by Stephon Gabriel, while engineer Ovy Thouni delivered the song’s polished mix and master.

With its infectious rhythm, energetic performances, and cross-generational appeal, “De Shot Call (Remix)” is positioned to become a favourite among fans of Caribbean music and lovers of dancefloor-ready hits alike.

Whether you’re a longtime dancehall enthusiast or a fan of today’s reggaeton movement, this collaboration offers the perfect soundtrack to turn up the volume and celebrate the enduring influence of Caribbean music.

“De Shot Call (Remix)” is now available for audiences ready to experience the fusion of old-school dancehall energy and modern reggaeton flavor.

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