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Soca Needs More Unity. New Music Released, Bitts Pushes Preservation and Evolution.

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Even as she pushes for a better understanding and appreciation of Trinidad and Tobago’s cultural legacy, its traditions in mas and culture and all else, female soca artist, Lil Bitts says change is the only constant.

She unleashed new music recently and appeared on RED 96.7FM in Trinidad on Wednesday morning. Her latest release is called ‘Sweetest Mas’ and Bitts told listeners that the experience in bringing her vision of the ‘sweetest mas’ experience to the screen, via the song’s video, was a spiritual one.

She recalled dressing in blue paint to deliver the Jambolasse carnival character, telling listeners that prayer was a part of the delivery, since the character, which resembles that of a devil, would ultimately consume her, something she had never quite experienced before. “People do not understand how spiritual our Carnival really is,” she commented, explaining that after the ritual of prayer and becoming one with the character she was able to touch the fire without being burnt.

Lil Bitts in character, during filming of her new video for ‘Sweetest Mas.’

These elements of Trinidad and Tobago’s traditional carnival experience, while still seen in some quarters, have dwindled in others. This, Bitts says she wishes could be maintained and passed on to future generations. “J’ouvert long time was old clothes and characters and whatever was the current affairs issue of the time, people would play that. Carnival is so much more. It would be awesome if we could teach our kids these things,” she said. Bitts said her 7-year-old neice who was a part of her video for ‘Sweetest Mas,’ did not know half of the carnival characters displayed, so it became a teachable moment for her.

The artist who also works in theatre, explained that it’s all about finding a balance between preservation of the culture and embracing evolution. “I have nothing against ‘BBF’ – Bikini, Beads and Feathers,” she said, noting that she plays mas like everyone else in the modern carnival wear. “I understand that everything evolves, so we can’t shut down the BBF because everything evolves. Does soca sound the same way from 10-15 years ago? No. The only thing constant is change,” she reiterated.

On the issue of Soca music and the local fraternity’s desire to see international audiences gravitate even more towards it, Bitts said, “It will catch. I just feel like people just need to do them. What I think needs to happen is that we need to come together more. That’s what the African artistes are doing. It’s not just one African artist – it’s multiple, altogether and then everything became ‘Afro,’ she highlighted.

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Caribbean Buzz

Skinny Banton Sets the Tone with ‘Liquor’ ; Reminds Real Revelers of Vibes in Store.

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Approx. 3 min read

As Carnival 2025 in Trinidad and Tobago looms, one of the Caribbean’s most unique and intriguing male artistes, Skinny Banton, is gearing up to make his mark in a big way. With his latest release, Liquor, already causing waves, the Grenadian-born artist is proving he’s here to stay, bringing his personal style, and down- home Caribbean spirit to a global audience.

It’s been five years since his unforgettable hit, Wrong Again, took the world by storm and the track remains a fan favorite to this day. Its infectious energy and authentic vibe solidified Skinny as an artiste to watch, and since then, his music has resonated with listeners across the region and internationally. His ability to blend catchy rhythms with meaningful lyrics has made him a staple in Caribbean music, while his sound remains a perfect blend of traditional influences and contemporary flair.

The Jab culture of Grenada has always been a source of inspiration for the Carriacou native. But it’s not just one island or one genre that defines him. Skinny draws from the wider Caribbean experience, creating music that speaks to all the islands, enticing the international crowd along the way. As he explains, his music isn’t confined to one place or one story; It’s about sharing the universal joy of the Caribbean with the world.

Skinny Banton has been a voice for his island, Carriacou.

Ahead of Trinidad and Tobago’s 2025 Carnival, Liquor is quickly becoming one of those intrinsic songs. With its irresistible beat and carefree lyrics, the song is a celebration of the Caribbean spirit — the good times, the laughter, and yes, the drinks that fuel the party. “This is a song for the drinkers, the ones who bring the vibes to the Carnival with every sip they take,” Skinny laughs. “But remember — everything in moderation! You don’t want to be the one ruining the vibes for everyone else.”

Last year, Carriacou, the artiste’s home island, was devastated by Hurricane Beryl. Amid that unfortunate circumstance, he stood up with a sense of determination to draw awareness to the plight of those left to clean up and get their lives back to normal. His popularity as an entertainer, aided somewhat in that effort as he was able to assist with food and necessities for those affected. Through his artistry, Skinny continues to shine a spotlight on his roots, celebrating the vibrant culture and resilience of his community.

In Trinidad recently, he reconnected with fans of his music, sharing the new songs ahead of the 2025 Carnival season. “Music is the universal language,” he said. “It doesn’t matter where you’re from or what language you speak. What matters is that it makes you feel something — and that’s what I try to give. The people know good music. They need music to lift their spirits, make them move, and sing along,” he explained, adding, “That’s what I strive to provide — music that resonates, that connects, music that brings people together.”

To stay connected with Skinny Banton and get the latest on his upcoming music and Carnival appearances, follow him on Instagram and Facebook @skinnybanton.

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Caribbean Buzz

Scorch 101 Soca Hit List Sends Soca Lovers Crazy.

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Approx. 4 min read

Soca music lovers from all around the world tuned in to Trinidad and Tobago radio station Scorch 101 FM on Friday as the station delivered what can only be described as a deep dive into the music genre.  With 101 days to go to Carnival 2025 the team at Scorch Radio pushed out a plan to ensure listeners from around the world tuned in, and that they did. 

The Internet could not get enough of the music that is so often attached only to the carnival culture. A list of what the Scorch team considers 101 of the top Soca tracks based on criteria such as danceability,  cultural impact, lyrical content, music production, and versatility brought out Soca enthusiasts from every nook and cranny across the Internet. In one day, Scorch radio penetrated the Diaspora and brought people together, though via the Internet, to banter heartily over whether the choices were or were not valid. 

Judges on the panel included DJ Adam, Travis World, and DJ Private Ryan among others. Scorch Radio CEO Kwesi ‘Hoppy’Hopkinson steered the event, giving his views throughout the day on the music that would be shared with listeners worldwide. In the end, the most impactful Soca single would be Machel Montano and Destra Garcia’s ‘It’s Carnival.’ Delivered in 2003, the collaboration between these two accomplished Soca artistes maintain a powerful presence at carnival fetes held around the world, annually. The song however, did not capture that year’s Road March in Trinidad and Tobago. That year,  Fay Ann Lyons stole the show with  ‘Display,’ a song that did not make it to the Scorch Radio 101 Soca Hit List. The multiple title holder’s ‘Meet SuperBlue’ was positioned at #90 on the Scorch 101 Soca Hit List.

Kwesi Hopkinson

The single-day Soca showcase perplexed some who questioned the rationale behind the choices and the placement on the list. Kevin Little’s globally known, ‘Turn Me On,’ made it to #2 while Rupee’s “Jump” was given the third spot on the list. The 2010 Road March “Palance,”made the list at #4. 


Whether agreed upon in its entirety or not, the Scorch Radio team created an effective campaign that ignited the energy of Soca music lovers globally. 

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