There’s one characteristic that can never be denied when it comes to the Trinbagonian. Amid life’s darkest days, the ‘Trini’ will always find something to smile about.
Unable to contain their love and passion for the carnival culture that embodies Trinidad and Tobago, two artistes have brought an essence of revitalized excitement in one song that’s designed purposely for Carnival babies anywhere in the world. A humor-laced Soca track, produced by Klase Gonzales and delivered by Revelation and Ace, brings into focus the role of the ‘Doctor’ in easing up the current heaviness of life.
Mindful of the fact that the global pandemic is nothing to be ignored or downplayed, the artistes say they believe that no matter how devastating things are currently, there should always be a reason to smile and be happy. “There are many people who are hurting significantly because of the present situation. It’s been a hard time for many,” said Revelation, pointing to even the carnival vendor, who, with no confirmation of any type of festival in 2022, would once again be pained by lost income a second year around. Ace says despite the utterances of some who see the festival as unimportant, he believes there are mental health benefits to be derived from the resumption of some semblance of a festival atmosphere and creativity. “To me, there is a personal disconnect when it comes to hosting virtual events so I’m in favor of the safe-zone carnival, once thought out and executed properly. We cannot ignore the health and well- being of our population, but at the same time, we cannot continue to live in fear,” he said.
‘Doctor’ was produced by well-known music producer, Klase Gonzales. A brotherly love shared between the trio, studio time in creation of this new single was nothing short of enjoyable. “I’ve known Ace since the early years of 3 Suns when I was a nobody. They would leave Sangre Grande and come to Chaguanas to work on their music. I knew it was only right that I look out for Ace as 3 Suns looked out for me back then,” said the dynamic producer.
Klase says the song, which subliminally references Trinidad and Tobago’s Prime Minister, Dr. Keith Rowley, delivers a concept that he loves. “We brought back some of the live music that was a part of Soca music back in the day, and we applied it in a modern way,” he explained, noting that the track was then sent for mixing and mastering to his protégé, US based, Brooklyn Decent, who he refers to as a prodigy.
The new single is released just as many are up in arms over recent chatter on social media, as it relates to the significance of Carnival. On the weekend, fellow entertainers, Fay Ann Lyons and her husband, Bunji Garlin highlighted the negative utterances of some in Trinidad and Tobago, who perceive the festival as nothing more that a display of lewd behavior and a catalyst for criminal activity. “Carnival, historically is an expression of freedom from slavery,” said Ace. “I accept that everyone has their personal opinion and so mine is simply that we cannot continue to go down the road of doom and gloom. There must be balance,” said the East Trinidad native.
The song was conceptualized by Revelation, and together with Ace and Jade Mendoza, they worked out the lyrics. Rev said he had been hanging out with a friend who made the simple statement, ‘every Tom, Dick and Harrilal,’ and the rest is history. The pair also thanked Ken Holder for his support throughout the process. “People need to smile again. Fear is the creation of all of life’s greatest atrocities,” said Revelation, hopeful that this new song could breed new life into all of Trinidad and Tobago and by extension, the world.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
error: This content is protected. if you wish to use this content in anyway please contact us.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.