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Archived: Randy Glasgow Calls for Carnival 2022 Feasibility Study.

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Even as NCC Chairman, Winston Gyspy Peters along with the Carnival Bands Association have hinted that they could be ready to pull off Carnival in February, 2022, promoter, Randy Glasgow is adamant that a feasibility study is needed before any kind of decision is made. Today, Glasgow called on Trinidad and Tobago’s Prime Minister, Dr. Keith Rowley to refrain from taking the advice of National Carnival Commission Chairman, Winston ‘Gypsy’ Peters, to host any kind of carnival in February 2022, pointing to the increased COVID-19 cases and deaths in the country.

“We are suggesting that the NCC first do a feasibility study to stage a Hybrid version of Carnival in 2022, in August or September,” said Glasgow, noting that there would be no clashing of carnivals with New York or London, should they host their festivals, next year. “At this hybrid version, we must ensure that, once funding is coming from government, our soca artistes, steel pan players, calypsonians, the mas fraternity, chutney singers and other creatives be the main beneficiaries of any government financial contribution,” said Randy.

Randy Glasgow Productions CEO: Randy Glasgow.

He suggested that the hybrid version of Carnival in 2022, be used strategically, as a marketing tool to effectively promote the return of Trinidad and Tobago’s carnival in 2023. “For instance, let’s use the entire roadway around the Queen’s Park Savannah as the stage for mas revellers to enjoy and display their mas, practising social distancing and observing other health and safety protocols set by the Ministry of Health and strictly enforced,” he said, adding that the same could be done across other safe zones in the country, using stadia perimeters and large recreation grounds. Glasgow endorsed the concept of carnival related entertainment events and shows across the country, using designated safe zones and facilities, but maintained that the NCC’s rationale for wanting to host some kind of carnival in 2022 “is not in the best interest of our country and the citizens at this time.”

Last week. in an interview with EBUZZTT, Mr. Peters said while the Miami Carnival model did in fact work effectively for them, this did not mean that Trinidad and Tobago could ultimately follow suit. He explained that the dynamics surrounding Miami’s culture, its people and its resources, were not the same for Trinidad and Tobago, and as such, while some elements of the festival’s execution could be emulated, he would not say this was a reason for T&T to go ahead with hosting the festival in 2022.

Glasgow, in quoting Peters via other forums as saying, “If Miami could stage a carnival, we could do it too,” said he does not agree. “First of all, Miami has the healthcare infrastructure and professional manpower to handle any COVID-19 outbreak if one did occur. T&T is not in any position presently to handle any massive outbreak if one occurred.

Glasgow further urged the NCC and its main stakeholders to work with the Ministry of Health in getting unvaccinated, creative stakeholders, vaccinated.

Ebuzz News

Denise Belfon’s OVO Package from Drake, Included a Dominos Game.

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She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.

Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.

Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.

The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.

CLICK HERE TO SEE HER REACTION.

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Belmont, Trinidad Delivers On ‘Hill and Gully’ Riddim. Anisha Pleas for Peace.

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A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.

Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.

Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.

For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”

Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”

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