It’s barely been a week since we said goodbye to Carnival 2017 and many of us are already putting things in place for T&T Carnival 2018 ; But before we move on to next year, we have to admit, Carnival 2017 was filled with some unique moments. Ebuzztt has compiled carnival 2017’s biggest winners and best moments – moments that will likely live on in our memories for many years to come.
The Highlight of Our Rose
Calypso Rose has been honored for her lifetime of service, by the government of Trinidad and Tobago.
Even when her Songs “Abatina” and “Leave Me Alone” were released, it was hardly imagined that Tobago born, international Calypso songbird, Calypso Rose, would make the impact she eventually did, in carnival 2017. Amid the festive enjoyment in Trinidad and Tobago came word that the Calypso Queen of the world had won herself the Victoires de la Musique- the French Grammy. She had done so after her platinum selling album Far From Home, was voted Album of the Year. She subsequently performed at Machel Montano’s Machel Monday concert event in Trinidad, before a crowd estimated at over 10,000.
Toward the end of Carnival 2017, Trinidad and Tobago’s government announced that Rose would be honored with diplomatic status and a Caribbean Airlines aircraft would be named after her, for her lifetime service to Trinidad and Tobago.
Vikings x MM
The Vikings and the MONK make amends.
The infamous promotional image took social media by storm mere weeks before Carnival Monday and Tuesday. Many doubted but many were optimistic. Bunji Garlin and Machel Montano together on a track? Both sides had found mutual ground and came together for ‘Buss Head’- a song which saw the pair find common vocal ground and balance. While many expected more, the unity of the artistes seemed to stand at the fore of the single, lending to a season that promoted more love and less division. Montano and Garlin’s first performance of the song came at the much anticipated and well attended Soaka carnival fete at O2 Park. Their meeting on stage buried, to some extent, talk of a ‘business arrangement’, with many seeing the collaboration for what it seemed to be even at the end of Carnival- a new found relationship. They appeared at numerous fetes on stage together and symbolic of their strengthened relationship was the headline performance of Bunji Garlin at Montano’s blockbuster Carnival event- Machel Monday.
Terri Lyons Roars
Terri Lyons was joined on stage at ISM 2017, by her father, Superblue. PHOTO CREDIT: @islandereventstt on IG.
She came from the jungle and we heard her roar loud and clear in 2017. Often referred to as Fay-Ann’s little sister or Superblue’s daughter, Terri Lyons made a name for herself this year. With a tune many heralded as a powerhouse for Soca Monarch and Road March, “De Lion” proved to many, that Terri Lyons is capable of standing on her own and holding her own, on stage. She appeared at numerous fetes including– Army Fete, certainly one of the biggest Carnival events. Her second release with Skinny Fabulous, a track called, ‘Recruit’ showed the young entertainer’s versatility and was heavily praised by Soca music pundits. Solidifying her stellar season, Terri placed 4th place in both the Calypso Monarch Finals and Calypso Young Queens this year with her contribution – “The Destructive Phrase.”
Voice Proved he was Far From Finished
Voice earned the Soca Monarch title for a second year in 2017. PHOTO CREDIT: LizBliz.
While the Hasely Crawford Stadium saw a much smaller crowd assemble within this year, the International Soca Monarch contestants all brought their ‘A’ game as they vied for the coveted crown. Notwithstanding a questionable technical glitch, and strong competitors, Voice, the reigning champ, again won the hearts of the judges and the people when he performed his early release, ‘Far From Finished’, in the end, retaining his title. Showing great humility throughout the season and even after the wi this year, it’s safe to say, Aaron ‘Voice’ St. Louis has a bright future ahead.
Ultimate Rejects No More
MX Prime and the Ultimate Rejects killed it this past carnival. PHOTO CREDIT: UK Soca Scene.
From the moment “Full Extreme” was released back in December 2016, it was an instant hit. It didn’t need to grow on many of us, it had instantaneously stamped its name as a force to be reckoned with. The lyrics “We Jammin’ Still” “We Doh Business” and “Hold Dem and Wuk dem” became Carnival 2017 taglines. Written, produced and performed by Ultimate Rejects – a humble team of talented artists, the undisputed Carnival 2017 anthem perfectly described the culture of Trinidad and Tobago’s people. The Ultimate Rejects was a staple in almost every fete and was the people’s choice for the Road March title, from the onset. Opting to stay out of the International Soca Monarch Competition, where many thought they would have been a sure win, UR, eventually went not to take the Rad March title, with ‘Full Extreme’ being played at judging points, 556 times on Carnival Monday and Tuesday. The song had also made history, being played the most times EVER, in carnival’s Road March history. Now they’re off to SXSW Music Festival in Austin Texas this month where they will be performing a 40-minute Caribbean Dance Music set.
Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer. In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.
Building Connections In the Name of Music.
For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.
Maurane Voyer x Reo
Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.
The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song.
Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.
Taking A Look at What Unifies.
“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.
The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.
Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could. Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.
“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.
The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.
The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.
With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.
The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.
As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.
Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.
In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.
Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.
Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”
Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.
Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.
This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?
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